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IMDb > Le tombeau d'Alexandre (1993)

Le tombeau d'Alexandre (1993) More at IMDbPro »

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Overview

User Rating:
8.4/10   136 votes
MOVIEmeter: ?
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Director:
Chris Marker
Writer:
Chris Marker (writer)
Contact:
View company contact information for Le tombeau d'Alexandre on IMDbPro.
Plot:
This documentary tells the story of film director Aleksandr Medvedkin, throughout his life a sincere believer in communism... more | add synopsis
User Comments:
Fine Biography of an Unlikable Man more

Cast

  (Cast overview, first billed only)
Léonor Graser ... Dinosaur girl
Nikolai Izvolov ... Guest
Kira Paramonova ... Guest
Viktor Dyomin ... Guest (as Viktor Diomen)
Yuli Raizman ... Guest
Marina Kalasieva ... Guest
Aleksandr Medvedkin ... Himself (archive footage)
Lev Rochal ... Guest
Vladimir Dmitriyev ... Guest (as Vladimir Dimitriev)
Antonina Pirojkova ... Guest
Albert Schulte ... Interviewee
Rhona Campbell ... Guest
Marina Goldovskaya ... Guest
Yakov Tolchan ... Guest
Sofia Prituliak ... Guest
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Additional Details

Also Known As:
The Last Bolshevik
Viimeinen bolsevikki (Finland)
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Runtime:
120 min | Argentina:120 min (Buenos Aires Festival Internacional de Cine Independiente)
Country:
France | Finland
Color:
Color
Certification:
Argentina:Atp

Fun Stuff

Movie Connections:
Edited from Schastye (1934) more

FAQ

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2 out of 22 people found the following comment useful:-
Fine Biography of an Unlikable Man, 15 January 2006
6/10
Author: Andres Salama from Buenos Aires, Argentina

The Last Bolshevik is a documentary about the Soviet filmmaker Alexander Medvedkin. French Director (and fellow traveler) Chris Marker obviously admires his subject, and he means this to be a sympathetic film. Yet, I find it difficult to share his admiration. On an artistic level, even though I have never seen a Medvedkin film, and it is impossible to judge a director's craft by the segments shown here (lasting a few minutes), I can say there is nothing in the movie that makes me suspect we are in front of a major artist. More complicated is the political aspect of his life. He was a life long unrepentant communist. The film makes much of the fact that his movies represented the soviet artistic vanguard that Stalin ended dramatically in the early 1930s. Yet, during the Stalin era, not only he was not repressed, but he was able to make Stalinist movies (Marker show some segments of these movies, too). On the whole, this is a fine movie about a man whose life I consider to have been less than exemplary

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