When someone tries to murder watchmaker Eddy Kay, the incident triggers a barrage of nightmares and flashbacks into a past that isn't his own. Fearing for his sanity, Eddy contacts ... See full summary »

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Cast

Cast overview, first billed only:
...
Eddy Kay / Oliver Dykstra
...
Dr. Anna Nolmar
...
Ms. Blue
...
Mr. Phillips
...
Col. Taylor
...
Det. Sanchez
...
Mr. Brown
Jim Maniaci ...
Mr. Grey
...
Mr. Redd
Carlos Palomino ...
Mr. Green
...
Mr. Black (as Ray Mancini)
David Arnott ...
Stan
...
Landlady
Sharon Schaffer ...
Woman with Baby
Harvey Fisher ...
Dean Jordan
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Storyline

When someone tries to murder watchmaker Eddy Kay, the incident triggers a barrage of nightmares and flashbacks into a past that isn't his own. Fearing for his sanity, Eddy contacts psychiatrist Dr. Anna Nolmar for help. Anna thinks he's hallucinating until another attack proves the dangers are all too real. The two of them go on the run, trying to discover the truth about Eddie's past and true identity before it kills them. Written by Marg Baskin <marg@asd.raytheon.ca>

Plot Summary | Add Synopsis

Taglines:

Who is Eddy Kay, who is trying to kill him and why...? See more »


Motion Picture Rating (MPAA)

Rated R for graphic violence, strong sensuality, and for sporadic strong language | See all certifications »
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Details

Country:

Language:

|

Release Date:

25 May 1991 (South Korea)  »

Also Known As:

Nameless  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$39,026 (USA) (27 September 1991)

Gross:

$64,562 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

It was on this film that Michael Biehn learned from producer Rafaella DeLaurentiis that his likeness was being used without his permission for 'Alien 3". DeLaurentiis had passed through the set of "Alien 3" while she was in England and had seen the fake Biehn torso that was to be used for the film. When Biehn found out, his agents contacted the production and asked that the actor be compensated for the use of his image. Biehn was later paid. See more »

Goofs

As Eddie leaves Dr. Nolmar's building with her he gets out the elevator and turns to the front door, seeing the men hunting him he turns back. In this short period of time the elevator has delivered her to the basement and returned. The door opens immediately he presses the call button. See more »

Quotes

Eddie Kaye: [talking at the phone with Det. Sanchez, stunned] I'm not Eddy Kay.
Dr. Anna Nolmar: What did he say? What did he say?
Eddie Kaye: That I'm not Eddy Kay.
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User Reviews

More 80s Schlock
21 January 1999 | by (California, CA) – See all my reviews

Well this movie started out fair-to-middlin. I rented it because Tracy Scoggins was in it and so was Patsy Kensit who looks remarkably like Elizabeth Hurley or even Scoggins on the back cover of the video...

But shortly it became painfully obvious that the writer and director, Avi Nesher, was still REALLY into the schlock gimmicks of bad 80s action films. The key things that ticked me off was the "blond timid psychoanalyst" (played by Patsy) who is supposedly an educated woman by the nature of her profession but consistently was instead the "helpless blond ditz" without a shred of common sense. Unfortunately Patsy's character ended up just being the weepy decoration on Biehn's arm who constantly got him into trouble by inadvertently letting the enemy know where he was.

The movie soon went to plain bad shlock complete with the requisite "crashing into Large Neon signs at the top of building" scene. I even picked up the box several times through scanning it closely for evidence of a production date in the early 80s but no, this was made in the early 90s.

The only redeeming features of this movie were Tracy Scoggins who was basically the only believeable aspect of the movie but unfortunately had only about 5 min total of screen time. I loved seeing her in the Cher type wigs in the "flashback scenes". The most memorable scene was her last screen appearance where Biehn is attempting to force her to make a call... She's been hit across the face hard with a chain and knocked down...her face is covered in blood but there are no tears... Not even after he shoots her in the leg. Instead, and this is what makes it memorable...she "pants" through the pain instead of the unbelieveable overused "stoicness" that seems to be a requirement of all such scenes.

I also liked just watching Patsy Kensit and Biehn on the screen. They made a beautiful pair on screen and Biehn kept making me look twice as his profile (esp when wet) closely resemembled that of my favorite B actor, Christopher Atkins. I've certainly rented and watched a lot of truly bad movies just to get more screentime of actors and actresses I like!


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