Through the Eyes of a Killer (TV 1992)

A woman has a brief affair with the contractor who is renovating her apartment and he refuses to accept the end of the relationship.

Director:

Peter Markle

Writers:

Christopher Fowler (short story "The Master Builder"), Solomon Isaacs

Stars:

Marg Helgenberger, Richard Dean Anderson, David Marshall Grant

Cast

Cast overview, first billed only:
Marg Helgenberger	...	Laurie Fisher
Richard Dean Anderson	...	Ray Bellano
David Marshall Grant	...	Max Campbell
Melinda Culea	...	Alison Rivers
Tippi Hedren	...	Mrs. Bellano
Joe Pantoliano	...	Jerry
Monica Parker	...	Dorothy
Joyce Seeley	...	Jerry's Secretary
John McCann	...	Laurie's Father
Pat Bermel	...	Policeman #1
Bobby Stewart	...	Policeman #2
William S. Taylor	...	Barnes
Nancy Banks	...	Female Detective
Frank Ferrucci	...	Detective #1
Bob Spence	...	TV Announcer

Storyline

A woman has a brief affair with the contractor who is renovating her apartment and he refuses to accept the end of the relationship.

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Plot Keywords:

apartment | obsession | peeping tom | lover | builder | 

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Genres:

Thriller

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Motion Picture Rating (MPAA)

Rated R for terror/violence and some sexuality

Details

Country:

USA

Language:

English

Release Date:

15 December 1992 (USA)

Also Known As:

The Master Builder

Filming Locations:

Vancouver, British Columbia, Canada

Company Credits

Production Co:

Morgan Hill Productions, Pacific Motion Pictures Corporation, Wilshire Court Productions

Technical Specs

Runtime:

94 min

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1

User Reviews

He Has His Eyes On You.

Laurie finds out her boyfriend has cheated on her and moves out. She finds a rundown apartment, and hires a builder Ray to renovate the whole interior. Soon they're embedded in a steamy sexual affair, but her continuous troubles with men eventually comes back to hurt her. But Ray is one not to let go so easy.

Whoa… now I can rip on Richard Dean Anderson's mullet, but for a made-for-TV presentation it's professionally directed, grippingly written and resourcefully acted. That's what counts. Now onto the mullet… only kidding. The story's outline is basic, if no-frills (yep melodramatic lifetime feel), but it's the twisty developments that helps it cruise along. When you think you got it penned out, if offers another surprise and it can be rather over-the-top (just waiting for the climax!). One thing though, it could've gone without trying to hand-feed us the possibilities and concentrating on them when we've already figured it out. There are some vague plot devices evident, and the open-ended conclusion is sort of creepy. Anyhow it's evocatively penned (even with some implausible occurrences), and can be a tense psychological exercise. Commendably directed by Peter Markle who models it with lavished touches, free flowing camera work and an arrestingly enticing (Hitchcock-like) music score. He constructs an eerie vibe with some quite suspenseful spurts and images. That glass carved eye pyramid in the window is something that's hard to forget, and especially how it's used it the dying minutes of the film. The sexual current is passionately intense, but obviously being a TV movie it's kept under wrapped. Marg Helgenberger is believably good and Richard Dean Anderson's sullen performance is terrifically projected. He's serious about his work, and it shows! David Marshall Grant, Melinda Culea, and Joe Pantoliano offer solid support.