Sequel to "Tetsou" this time has the Iron Man transforming into cyberkinetic gun when a gang of vicious skinheads kidnap his son. When the skinheads capture him, they begin to experiment on... See full summary »
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
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A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
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The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
Sequel to "Tetsou" this time has the Iron Man transforming into cyberkinetic gun when a gang of vicious skinheads kidnap his son. When the skinheads capture him, they begin to experiment on him...speeding up the mutative process! Written by
What a movie. You don't stumble onto a film like Tetsuo II: Body Hammer every day, and that's probably a good thing. The jerkier-than-Blair Witch cinematography, the wild & crazy stop motion special effects, and the bucketloads of gore are fairly sufficient to ensure that some viewers won't like this movie. Since you're actually reading this, though, you're probably a pretty jaded and open-minded film fan, which is exactly the audience that would end up liking Body Hammer. It's one of the craziest and most extreme movies I've ever seen, particularly in the brutal, nearly unwatchable flashback sequence which occurs in the last twenty minutes. It's one of those scenes that you never, ever, ever forget. But aside from the brutal and bizarre violence, there is great artistry here; the scenes between Taniguchi and his family strike a real chord of tragedy, and the special effects somehow succeed precisely because they DON'T look real at all. And Tsukamoto's vision of Tokyo is terrifying-- he makes the city look like a nearly uninhabited frozen hell of silent glass towers and crumbling steel factories. If any of this sounds appealing, you might just like this movie as much as I do. Tsukamoto's style can be incredibly jarring, but you'll end up running out to find everything else he's directed (to my knowledge, his only other films available in the US are the original Tetsuo and his horrific boxing film Tokyo Fist). Shinya Tsukamoto is one of the most inventive directors alive-- you never know what abomination he's going to create next. And Tetsuo: Body Hammer might just be his best film.
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