| Daniel Schlachet | ... | Richard Loeb | |
| Craig Chester | ... | Nathan Leopold Jr. | |
| Ron Vawter | ... | State's Attorney Crowe | |
| Michael Kirby | ... | Detective Savage | |
| Michael Stumm | ... | Doctor Bowman | |
| Valda Z. Drabla | ... | Germaine Reinhardt | |
| Natalie Stanford | ... | Susan Lurie | |
| Isabela Araujo | ... | Venus in Furs Diva | |
| Jill 'Spanky' Buchanan | ... | Venus in Furs Diva | |
| Nashom Benjamin | ... | Venus in Furs Diva / Mona Foot (as Mona Foot) | |
| Trash | ... | Venus in Furs Diva | |
| Trasharama | ... | Venus in Furs Diva | |
| Nashom Wooden | ... | Venus in Furs Diva | |
| Peter Bowen | ... | Factory Workman | |
| Ryan Landry | ... | Ivory | |
| Chris Hoover | ... | Elektra Luxe (as Christopher Hoover) | |
| Paul Connor | ... | Bobby Franks | |
| Brent Charleton | ... | Irving Hartman | |
| Christopher Cangelosi | ... | Little Boy in Park | |
| Dick Callaghan | ... | Country Workman / Newsreel Voiceover | |
| Craig Paull | ... | Country Workman / Phrenology Head | |
| Carlos Rodríguez | ... | Country Workman (as Carlos Rodriguez) | |
| Emmitt Thrower | ... | Country Workman | |
| Eric J. Wiggins III | ... | Country Workman | |
| Ken Howarth | ... | Sven Englund (Chauffeur) | |
| Barry Liebowitz | ... | Mr. Franks | |
| Judith Boxley | ... | Mrs. Franks | |
| Julian Marynczak | ... | Workman in Marsh | |
| Daniel Haughey | ... | Ornithologist | |
| John Rowan | ... | Man with Newspaper | |
| Stanley Taub | ... | Mr. Loeb | |
| Robert Austin | ... | Allan Loeb | |
| Barbara Bleier | ... | Mrs. Loeb | |
| Ed Altman | ... | Mike Leopold | |
| John A. Mudd | ... | Detective Sbarbaro | |
| Robert Sullivan | ... | Night Desk Officer | |
| Verne F. Hoyt | ... | Night Cop | |
| Pepe Vives | ... | Night Detective | |
| Jimmy Cummings | ... | Interrogation Cop (as James Cummings) | |
| Malcolm A. Beers Jr. | ... | Mr. Leopold | |
| Adina Porter | ... | Stenographer | |
| Robert Read | ... | Clarence Darrow | |
| Paul Schmidt | ... | Judge Caverly | |
| Richard Elovich | ... | Doctor Hulbert | |
| Christie MacFadyen | ... | Reporter | |
| Robert McKanna | ... | Reporter | |
| Bobby Reed | ... | Reporter | |
| Mark Simpson | ... | Bailiff | |
| Jim Crawford | ... | Prison Barber | |
| Glenn Backes | ... | James Day | |
| Ray Wasik | ... | Mean Prison Guard | |
| Jean Claude Monfort | ... | Clinic Doctor | |
| Michael Nesline | ... | Clinic Doctor | |
| Richard R. Upton | ... | Clinic Doctor | |
| William Walters | ... | Clinic Doctor | |
| Burt Wright | ... | Warden | |
| Paul Rubin | ... | Father Weir | |
| Gary Lamadore | ... | Interrogation Cop | |
| Richard Schechner | ... | Radio Announcer | |
| Phil Stanton | ... | Gene Lovitz | |
| Dean C. Blanco | ... | Courtroom Extra | |
| Catarina Borelli | ... | Courtroom Extra | |
| Barry Cassidy | ... | Courtroom Extra | |
| David Cheever | ... | Courtroom Extra | |
| James Crafford | ... | Courtroom Extra | |
| Steven Flum | ... | Courtroom Extra | |
| Lou Galiardo | ... | Courtroom Extra | |
| Carl M. George | ... | Courtroom Extra | |
| Debra Goodman | ... | Courtroom Extra | |
| Joseph Harding | ... | Courtroom Extra | |
| Anna Köhler | ... | Courtroom Extra (as Anna Kohler) | |
| Heidi Kriz | ... | Courtroom Extra | |
| Scott K. Macarthur | ... | Courtroom Extra | |
| John McGee | ... | Courtroom Extra | |
| Dana Nasrallah | ... | Courtroom Extra | |
| Jerome F. Richards | ... | Courtroom Extra | |
| Hobson Sturtevant | ... | Courtroom Extra | |
| Elizabeth Towson | ... | Courtroom Extra | |
| Oscar Aleman | ... | Press Conference Extra | |
| Emanuel Baetich | ... | Press Conference Extra | |
| Robert M. Beck | ... | Press Conference Extra (as Robert Beck) | |
| Mike Diaz | ... | Press Conference Extra | |
| Maddy Lederman | ... | Press Conference Extra | |
| Tanya Taylor | ... | Press Conference Extra | |
| Michael Becker | ... | Phrenology Head | |
| Zoe Bissell | ... | Phrenology Head | |
| Gregg Bordowitz | ... | Phrenology Head | |
| Patricia Fabricant | ... | Phrenology Head | |
| Todd Haynes | ... | Phrenology Head | |
| Andrea Kislan | ... | Phrenology Head | |
| Pamela Koffler | ... | Phrenology Head | |
| Nina Port | ... | Phrenology Head | |
| Emily Sherman | ... | Phrenology Head | |
| Lauren Zalaznick | ... | Phrenology Head | |
| Robert Funes | ... | Prisoner | |
| Timothy McCoy | ... | Prisoner | |
| Owen H. Ranft | ... | Prisoner | |
| Elion Sacker | ... | Prisoner | |
| Robert Vazquez | ... | Prisoner | |
| Alex Vean | ... | Prisoner | |
| Addison Cook | ... | Prison Guard | |
| Douglas Leland | ... | Prison Guard | |
| John Ventimiglia | ... | Prison Guard | |
| Douglas Crimp | ... | Prison Mugshot | |
| Phelim Dolan | ... | Prison Mugshot | |
| James Lyons | ... | Prison Mugshot (as Jim Lyons) | |
| Joe Ziolokowski | ... | Prison Mugshot | |
| George Osterhan | ... | Additional Voiceover (voice) | |
| Lulu Rubin | ... | Additional Voiceover (voice) | |
| rest of cast listed alphabetically: | |||
| Nathan Leopold | ... | Himself (archive footage) (uncredited) | |
| Richard Loeb | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Tom Kalin | |||
Writing credits(in alphabetical order) | ||
| Hilton Als | collaborating writer | |
| Tom Kalin | writer | |
Original Music by | |||
| James Bennett | |||
Cinematography by | |||
| Ellen Kuras | |||
Film Editing by | |||
| Tom Kalin | |||
Casting by | |||
| Daniel Haughey | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Stacey Jones | |||
Costume Design by | |||
| Jessica Haston | |||
Makeup Department | |||
| Jim Crawford | .... | hair stylist: Indorato Artists | |
| Jim Crawford | .... | makeup artist: Indorato Artists | |
| Jonathan Gross | .... | assistant hair stylist | |
| Nina Port | .... | assistant hair stylist | |
| Leonard Zagami | .... | assistant hair stylist | |
Production Management | |||
| David Buckingham | .... | production manager | |
| Matthew David Hensley | .... | unit manager (as Matt Hensley) | |
| Chris Hoover | .... | production manager (as Christopher Hoover) | |
| Julie Lindner | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Isabela Araujo | .... | second assistant director | |
| Daniel Haughey | .... | second assistant director | |
| Christine Vachon | .... | assistant director | |
Sound Department | |||
| Michael Barry | .... | re-recording engineer | |
| Laurel Bridges | .... | boom operator | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Neil Danziger | .... | sound recordist | |
| Susan Demskey | .... | sound editor | |
| Mark DeSimone | .... | adr mixer: New York | |
| Tom Paul | .... | sound recordist | |
| Hans ten Broeke | .... | synclavier engineer | |
| Julie Wilde | .... | boom operator | |
Camera and Electrical Department | |||
| John Ballieci | .... | best boy | |
| Daniel Beeman | .... | key grip (as Daniel Beaman) | |
| Lisa Bonaccorso | .... | electrician | |
| Addison Cook | .... | best boy | |
| Frank Dellario | .... | best boy (as Frank Dollario) | |
| Valda Drabia | .... | still photographer | |
| Stephen Earley | .... | assistant camera (as Steven Early) | |
| Israel Fernandez | .... | property photographer | |
| Edwin M. Figueroa | .... | key grip (as Edwin Figueroa) | |
| Tanya Hamilton | .... | third grip | |
| Melissa Kern | .... | third grip | |
| Kurt Lennig | .... | gaffer | |
| Julian Marynczak | .... | second grip | |
| Ian McCausland | .... | assistant camera | |
| Paul Meehan | .... | key grip | |
| Rocco Palmieri | .... | second grip | |
| Gerri Peterson | .... | clapper loader | |
| Thavisouk Phrasavath | .... | clapper loader | |
| John Rowan | .... | still photographer | |
| Ruth Sergel | .... | clapper loader | |
| James White | .... | still photographer | |
| Val Williamson | .... | gaffer | |
Animation Department | |||
| Johan Edström | .... | animator | |
Casting Department | |||
| Isabela Araujo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Tobie Giddio | .... | wardrobe assistant | |
| Elizabeth Gulczynski | .... | assistant costume designer (as Lizzy Gulczynski) | |
| Brenda Zagarinsky | .... | wardrobe supervisor | |
Editorial Department | |||
| Karim Ainouz | .... | additional editing assistant | |
| Isabela Araujo | .... | assistant editor | |
| Eddie Nichols | .... | additional editing assistant | |
| Bill Scott | .... | color timer | |
| James Nichols Jr. | .... | assistant editor (uncredited) | |
| Patricia Sztaba | .... | negative matcher (uncredited) | |
| Stan Sztaba | .... | negative matcher (uncredited) | |
Music Department | |||
| Peter Golub | .... | conductor | |
Thanks | |||
| Isabela Araujo | .... | special thanks | |
| Wouter Barendrecht | .... | special thanks | |
| Peter Bowen | .... | special thanks | |
| Roberta Brangam | .... | special thanks | |
| Adam Brightman | .... | special thanks | |
| Bernie Brightman | .... | special thanks: Stash Records | |
| Christopher Cox | .... | this film remembers | |
| Bonnie Croskey | .... | special thanks | |
| Jim Denault | .... | special thanks | |
| Barry Ellsworth | .... | special thanks | |
| Harlan Emil | .... | special thanks | |
| Michael Englert | .... | special thanks | |
| Gran Fury | .... | special thanks | |
| Bob Gober | .... | special thanks | |
| Debra Goodman | .... | special thanks (as Deb Goodman) | |
| Brian Greenbaum | .... | special thanks | |
| Tim Highsted | .... | special thanks | |
| Sam Katz | .... | special thanks | |
| Ellen Kuras | .... | special thanks | |
| Chris Lewon | .... | special thanks | |
| John Lindell | .... | special thanks | |
| Elise MacAdam | .... | special thanks | |
| Michael Nesline | .... | special thanks | |
| Craig Owens | .... | this film remembers | |
| Craig Paull | .... | special thanks | |
| Annie Philbin | .... | special thanks | |
| John Pierson | .... | special thanks | |
| Papa Romero | .... | special thanks | |
| Vito Russo | .... | this film remembers | |
| Bill Sherwood | .... | this film remembers | |
| Charles Stevens | .... | special thanks | |
| Daniel Swee | .... | special thanks | |
| Marie-Françoise Vachon | .... | special thanks (as Marie Francoise Vachon) | |
| Michael Vachon | .... | special thanks | |
| Pepe Vives | .... | special thanks | |
| Jaime Wolf | .... | special thanks | |
| Veronica Young | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| Why does no one know about this film? | LifeDuringWartime |
| Continuity or Symbolism | GetTight |
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Director Tom Kalin took the Leopold and Loeb murder case of the 1920s, which already had been the basis of such films as "Rope" and "Compulsion," and filmed the sordid episode as an exercise in style with flashes of homo-erotic imagery. In his film, "Swoon," Kalin does not flinch from either the murderers' ethnic background or their sexual orientation, although the part that either aspect of their makeup may have played in the crime was not explored. Utilizing haunting black-and-white cinematography by Ellen Kuras, documentary footage from the period, and an often-melancholy score by James Bennett, Kalin fashioned a strangely fascinating look at the aimless lives of two young men with too much money and too much time.
Although the two youths are lovers in the physical sense, their partnership seems to have been born more of boredom than passion. Their lovemaking has eroticism, but it lacks fire. The pair performs more like two bored schoolboys passing a rainy afternoon pleasuring each other than like two men with deep emotional ties. Tragically, this passionless attraction spawns what appears to be an equally passionless crime. The plot to kidnap and murder a young boy seems to have been born of the same boredom that gave rise to Leopold's and Loeb's erotic desires. The two young men have no emotion either before or after the murder, although there is a flash of zeal on the killer's face during and shortly after the murder. The men's demeanor throughout the interrogation and trial suggests a complete lack of, not only remorse, but also comprehension that they have taken a human life. The duo bicker about the details of the crime as though they were trying to recall what they ate for breakfast. The men are distanced not only from the crime, but also from any semblance of humanity.
Appropriately, the sharp light and shade contrasts in the stark photography at times make the film resemble a silent horror film, because "Swoon" is a horror show at its core. These two men are like monsters that were created without souls and that lie in wait until idle thoughts prompt them to fill their empty hours with crime. The languid air that pervades the film underscores the tedium of their existence. Kalin tracks the two men to the ends of their lives and leaves the viewer with an ambivalent feeling about whether or not justice was ever served. Like "In Cold Blood," however, "Swoon" focuses on and almost celebrates the two killers, while the innocent young victim is reduced to a nearly anonymous figure. Thus, "Swoon" is often a difficult film to watch, yet, despite lingering and disturbing thoughts afterward, Kalin has fashioned an intelligent, intriguing work that merits attention.