The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose ... See full summary »
As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
In this Derek Jarman version of Christopher Marlowe's Elisabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
Sasha is a piano prodigy under pressure to gain admittance to a prestigious music school. What is really stressing Sasha is his emerging sexuality, plus his piano tutor is moving away, because Sasha is in love with him, and no one knows.
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the investigation, trial and final fate of the two men. Written by
Col Needham <firstname.lastname@example.org>
In one night scene lit by car headlights, the "headlights" are actually just two halogen work lamps mounted on a C-stand. See more »
The two lead characters use a telephone with Touch Tone dialing-systems and other modern devices (TV remote controls, ballpoint pens, etc), even though the film is set in the early 1920's. The placement of such anachronistic objects was deliberate on the part of the filmmakers. See more »
The film "Swoon" gives an insightful view into the minds that went behind the Leoplod-Loeb murder case. The cinematography was very well done, looking as if actual 1920s film stock, yet using very progressive camera angles and point-of-view shots at times. The film was also very frank about how homosexuality (and prejudice against it)played a role in the murder and their conviction of the murder. It's interesting to think of it in light of Alfred Hitchcock's "Rope," (which is based on the same murder case) in which the homosexuality of the lead characters is only hinted at.
Another thing I found interesting was the use of anachronisms. You might notice whenever the Leopold-Loeb duo use a phone in the movie, they always use touch-tone phones, while every else has phones more fitting for the time period. Another anachronism is an homage to Hitchcock. When Leopold and Loeb meet in bed, they recite nearly verbatim the opening lines from a scene in Hitchcock's "Rear Window" in which Lisa Carol Fremont (Grace Kelly) kisses L.B. "Jeff" Jeffries (Jimmy Stewart).
My only major complaint about the film was the acting. It seemed as if the two leads were either melodramatic or stoic, most often at the wrong times. Even the bit part players seemed rather aloof in their acting. A better cast would have made this movie much better.
21 of 27 people found this review helpful.
Was this review helpful to you?