The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ...
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Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
Khoi, a naive twenty-year-old, travels to Ho Chi Minh City from the countryside to begin a new life. It's his first time in the big city and he's looking for a place to live. He befriends ... See full summary »
Ngoc Dang Vu
Manh Hai Luong,
Vinh Khoa Ho,
Linh Son Nguyen
Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over)... See full summary »
Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transsexual, ... See full summary »
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
Fernando, a.k.a. Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance sex-change surgery. Fernanda dreams of becoming a "real" woman, but in ... See full summary »
Ingrid de Souza,
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the investigation, trial and final fate of the two men. Written by
Col Needham <email@example.com>
In one night scene lit by car headlights, the "headlights" are actually just two halogen work lamps mounted on a C-stand. See more »
The two lead characters use a telephone with Touch Tone dialing-systems and other modern devices (TV remote controls, ballpoint pens, etc), even though the film is set in the early 1920's. The placement of such anachronistic objects was deliberate on the part of the filmmakers. See more »
The film "Swoon" gives an insightful view into the minds that went behind the Leoplod-Loeb murder case. The cinematography was very well done, looking as if actual 1920s film stock, yet using very progressive camera angles and point-of-view shots at times. The film was also very frank about how homosexuality (and prejudice against it)played a role in the murder and their conviction of the murder. It's interesting to think of it in light of Alfred Hitchcock's "Rope," (which is based on the same murder case) in which the homosexuality of the lead characters is only hinted at.
Another thing I found interesting was the use of anachronisms. You might notice whenever the Leopold-Loeb duo use a phone in the movie, they always use touch-tone phones, while every else has phones more fitting for the time period. Another anachronism is an homage to Hitchcock. When Leopold and Loeb meet in bed, they recite nearly verbatim the opening lines from a scene in Hitchcock's "Rear Window" in which Lisa Carol Fremont (Grace Kelly) kisses L.B. "Jeff" Jeffries (Jimmy Stewart).
My only major complaint about the film was the acting. It seemed as if the two leads were either melodramatic or stoic, most often at the wrong times. Even the bit part players seemed rather aloof in their acting. A better cast would have made this movie much better.
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