The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
A dramatization of the shocking Barbara Daly Baekeland murder case, which happened in a posh London flat on Friday 17 November 1972. The bloody crime caused a stir on both sides of the Atlantic and remains one of the most memorable American Tragedies...
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
Cal and Aaron are two brothers whose relationship is clearly very troubled. Cal forms a friendship with a young man, Cassius, from a very different background (including the fact that he is... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
Vadik Chernyshov is an impoverished dreamer who spends his life drifting though Moscow with a video camera, hoping to shoot footage that will interest Western press agencies. He falls in ... See full summary »
Sergey Bodrov Jr.,
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the investigation, trial and final fate of the two men. Written by
Col Needham <email@example.com>
The film was shot in two different blocks of time: first in October-November or 1990, then in August 1991. Craig Chester had to grow his hair back out after shaving it for the prison scenes, and then had his head shaved again when more prison scenes had to be filmed. The very first scenes shot was the kidnapping and the call from the phone booth. See more »
It is stated during the epilogue that Compulsion, film made about the Loeb & Leopold case, was released in 1958. The movie came out in 1959. See more »
"Swoon" is an enigmatic, sometimes almost inaccessible film that I continue to find oddly emotionally satisfying, even after having seen it at least a dozen times. An intentionally chaotic jumble of images and brilliance, speckled with anachronisms, sly winks at the camera, stock footage and allegorical sound affects, the film functions more like an avante-garde stage play than a typical movie- and yet it remains very cinematic, very engaging despite being occasionally cryptic, and very emotionally powerful- even surprisingly romantic in places- even though there is clearly a satiric and dry bent to the director's vision. Like a good Hal Hartley film, there is an intelligent handling of deep, dark emotions here, and for it's direct but never sensational treatment of massochism and obsession, I am incredibley thankful and eternally enlightened- I sort of wish would-be auteurs of the psychosexual (i.e. David Lynch) would take a cue from this strange but excellent little movie.
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