A week before its delivery, a baby warns his pregnant mother he doesn't want to come out in this world and prefers to die instead. She tries then to convince him otherwise by telling him ...
See full summary »
Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred's good fortune at being born into... See full summary »
Jaco Van Dormael
Jo De Backer
After the Sino-Japanese War, Kwei Dz, one of the family members of Japanese soldiers accepted a Chinese officer's proposal and remained in China. Later they had a daughter named Ann. The ... See full summary »
Tan Lang Jachi Tian
Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Gabrielle has a romantic relationship with the painter Mary. Polly hangs a picture by Mary believing that ... See full summary »
Languid look at the Gullah culture of the sea islands off the coast of South Carolina and Georgia where African folk-ways were maintained well into the 20th Century and was one of the last ... See full summary »
Three women, all strangers to each other, meet in a dress boutique. One of the three is approached by the male proprietor as she is shoplifting a garment. When he approaches her the other ... See full summary »
A week before its delivery, a baby warns his pregnant mother he doesn't want to come out in this world and prefers to die instead. She tries then to convince him otherwise by telling him the story of his conception. Written by
Jean-Marie Berthiaume <email@example.com>
Sur la Terre comme au Ciel is a very gripping film. Marion Hansel and the script writers have taken a surrealist point of departure in order to tell a thought-provoking and moving story which is not void of social criticism.
A single woman named Maria, played wonderfully by Carmen Maura, is happy to be pregnant. One day, when she is at the doctor's, she talks to an inconsolable young woman whose unborn baby has told her he does not want to be born. Nobody believes her. Only a while later, Maria hears her own baby in the womb uttering the same refusal, and this is the beginning of a chain of haunting events. As she starts to realize that all babies in the world object to being born because the world has become commonplace for violence, hate and cruelty, she meets with a wall of disbelief and disrespect. Most people regard her as a paranoid schizophrenic, a raving emotional wreck. Very strong in this context is the scene where Maria, by surprise, is placed in a discussion forum on a televised talk show and makes no disguise of her fears.
Very successfully Hansel has interwoven social comment through this drama/thriller. Without patronizing or pouring out gallons of gloom over the viewer she makes one good point after the other. There is comic relief too from time to time, and there is a sense of hope for the future. Next to Maura's character and her young friend Tom, there is depth even to the minor characters. A great moment in the film is where Maria meets with a former physicist who has parted with his profession because he has seen with his own eyes that scientists are going way too far when it comes to genetic research and - engineering.
Marion Hansel's strong directing is reinforced by good writing, a strong cast, a good steady camera crew and a haunting soundtrack that sets the mood right from the opening titles. If there is ever going to be an American remake of this film, M. Night Shyamalan or Robert Zemeckis would be appropriate directors for the project, but Marion Hansel herself is the one to call on first.
3 of 4 people found this review helpful.
Was this review helpful to you?