Critic Reviews



Based on 16 critic reviews provided by
Grabbing every backstage musical cliche by the lapels, it sends each one pirouetting, then sprawling hysterically across the floor. It's hard not to love this kind of tribute.
Metaphorically speaking, Strictly Ballroom celebrates individuality over homogeneity; for all its melodramatic flourishes and grotesque exaggerations, it never mocks the hero's dream of self-expression.
The movie is funny, energetic, and enjoyable -- the perfect film for a night or an afternoon out, regardless of what mood you're in. While the plot and characters don't boast any special depth, there's enough freshness to hold just about anyone's interest.
Fluff it may well be, but a more entertaining and engaging piece of fluff you'd be hard pushed to find.
What's best about the movie is the sense of madness and mania running just beneath its surface.
Luhrmann is a director with the style and snap to have these tired routines on their feet and kicking like a line of Rockettes.
The A.V. Club
Luhrmann works aggressively for laughs early in the picture, playing up the gaudiness and piggishness of the old-guard dancers in camera angles as extreme and unflattering as a mid-'80s David Lee Roth video.
Baz Luhrmann's Australian film Strictly Ballroom is, in short, pure corn. But it's corn that has been overlaid with a buoyant veneer of spangles and marabou, and with a tireless sense of fun.
Entertainment Weekly
The dance-film equivalent of a female impersonator: The movie is absurd and sincere at the same time-it offers an insolent facsimile of grand passion.
Chicago Reader
A festival favorite in 1992, this flamboyant Australian crowd pleaser and first feature by Baz Luhrmann ("Moulin Rouge") struck me then as one of the more horrific and unpleasant movies I'd seen in quite some time.

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