| Photos (see all 35 | slideshow) | Videos (see all 3) |
| Paul Mercurio | ... | Scott Hastings | |
| Tara Morice | ... | Fran | |
| Bill Hunter | ... | Barry Fife | |
| Pat Thomson | ... | Shirley Hastings | |
| Gia Carides | ... | Liz Holt | |
| Peter Whitford | ... | Les Kendall | |
| Barry Otto | ... | Doug Hastings | |
| John Hannan | ... | Ken Railings | |
| Sonia Kruger | ... | Tina Sparkle | |
| Kris McQuade | ... | Charm Leachman | |
| Pip Mushin | ... | Wayne Burns | |
| Leonie Page | ... | Vanessa Cronin | |
| Antonio Vargas | ... | Rico | |
| Armonia Benedito | ... | Ya Ya | |
| Jack Webster | ... | Terry | |
| Lauren Hewett | ... | Kylie Hastings | |
| Steve Grace | ... | Luke | |
| Paul Bertram | ... | J.J. Silvers, State Finals MC | |
| Di Emery | ... | Waitress | |
| Lara Mulcahy | ... | Natalie | |
| Brian M. Logan | ... | Clarey | |
| Michael Burgess | ... | Merv | |
| Todd McKenney | ... | Nathan Starkey | |
| Kerry Shrimpton | ... | Pam Short | |
| Simone Gage | ... | Dancer at Kendall's Studio | |
| Bradley Sabott | ... | Dancer at Kendall's Studio | |
| Ray Mather | ... | Dancer at Kendall's Studio | |
| Jo Shinta | ... | Dancer at Kendall's Studio | |
| Peter Lynch | ... | Dancer at Kendall's Studio | |
| Lee Becchiet | ... | Dancer at Kendall's Studio | |
| Warren Ring | ... | Try-Out Coach | |
| Jaja Jamieson | ... | Try-Out Coach | |
| John 'Cha Cha' O'Connell | ... | Try-Out Coach | |
| Anita Curtis | ... | Try-Out Girl | |
| Roxana Vella | ... | Try-Out Girl | |
| Deanne Curtis | ... | Try-Out Girl | |
| Ángel García | ... | Toledo Guitarist | |
| Dene Kermond | ... | New Steps Family | |
| Genevieve White | ... | New Steps Family | |
| Lisa Ellis | ... | New Steps Family | |
| Jacqueline Lendich | ... | New Steps Family | |
| Bob Adams | ... | New Steps Family |
Directed by | |||
| Baz Luhrmann | |||
Writing credits | ||
| Baz Luhrmann | (original idea) | |
| Baz Luhrmann | (earlier screenplay) and | |
| Andrew Bovell | (earlier screenplay) | |
| Baz Luhrmann | (screenplay) and | |
| Craig Pearce | (screenplay) | |
Produced by | |||
| Antoinette Albert | .... | executive producer | |
| Tristram Miall | .... | producer | |
| Jane Scott | .... | line producer | |
Original Music by | |||
| David Hirschfelder | |||
Cinematography by | |||
| Steve Mason | |||
Film Editing by | |||
| Jill Bilcock | |||
Casting by | |||
| Faith Martin | |||
| Fiona McConaghy | |||
Production Design by | |||
| Catherine Martin | |||
Art Direction by | |||
| Martin Brown | |||
Costume Design by | |||
| Angus Strathie | |||
Makeup Department | |||
| Rebecca Simons | .... | assistant hair stylist | |
| Rebecca Simons | .... | assistant makeup artist | |
| Lesley Vanderwalt | .... | makeup designer | |
| Paul Williams | .... | hair designer | |
Production Management | |||
| Justin Plummer | .... | unit manager | |
Art Department | |||
| Mary Baumont | .... | constructor | |
| Tony Campbell | .... | art department runner | |
| Guy Chapman | .... | construction assistant | |
| Rebecca Cohen | .... | property buyer | |
| Rebecca Cohen | .... | set dresser | |
| Alan Craft | .... | scenic artist | |
| Peter Grady | .... | constructor | |
| Bill Marron | .... | assistant production designer | |
| Bill Marron | .... | property buyer | |
| Bill Marron | .... | set dresser | |
| Terry Matthews | .... | constructor | |
| Julieanne Mills | .... | art department coordinator | |
| Elizabeth Mary Moore | .... | art department attachment | |
| Michael Philips | .... | draughtsman | |
| Michael Philips | .... | model maker | |
| Lynn Rowland | .... | scenic artist | |
| Steve Smith | .... | scenic artist | |
| Duncan Stemler | .... | draughtsman | |
| Duncan Stemler | .... | model maker | |
| Justine Thompson | .... | property buyer | |
| Justine Thompson | .... | set dresser | |
| George Zammit | .... | stand-by props | |
Sound Department | |||
| Bruce Brown | .... | sound effects mixer | |
| Steve Burgess | .... | foley recordist | |
| Julius Chan | .... | sound effects editor | |
| Michael Costa | .... | sound editor | |
| Stuart Cottom | .... | sound department attachment | |
| Andy Duncan | .... | boom operator | |
| Jack Friedman | .... | playback operator | |
| Antony Gray | .... | dialogue editor | |
| David Grusovin | .... | assistant dialogue editor | |
| Phil Judd | .... | sound mixer | |
| Gerry Long | .... | foley artist | |
| Ian McLoughlin | .... | sound mixer | |
| Ben Osmo | .... | sound recordist | |
| Wayne Pashley | .... | sound effects editor | |
| Paul Pirola | .... | foley recordist | |
| Roger Savage | .... | sound mixer | |
| Simon B. Sheridan | .... | assistant sound engineer | |
Visual Effects by | |||
| Roger Cowland | .... | opticals | |
Camera and Electrical Department | |||
| Leah Ashenhurst | .... | clapper loader | |
| Ross Berryman | .... | second camera operator | |
| Alan Dunstan | .... | electrician | |
| Reg Garside | .... | gaffer | |
| Stephen W. Gray | .... | electrician | |
| Alan Hansen | .... | assistant grip | |
| Alan Hansen | .... | assistant key grip | |
| Alan Hansen | .... | grip | |
| Gary Hill | .... | best boy | |
| Ian Jones | .... | Steadicam operator | |
| Philip Le Masurier | .... | still photographer | |
| Andrew McLean | .... | second camera operator | |
| John Platt | .... | focus puller | |
| Paul Thompson | .... | key grip | |
| David Woodward | .... | Steadicam operator | |
Casting Department | |||
| Faith Martin | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lyn Askew | .... | stand-by wardrobe | |
| Kym Barrett | .... | wardrobe assistant | |
| Kym Barrett | .... | wardrobe buyer | |
| Peter Bevan | .... | wardrobe supervisor | |
| Kym Bywater | .... | costume detailing | |
| Christopher Essex | .... | costumer | |
| Melissa Harrison | .... | costume detailing | |
| Nola Lowe | .... | costumer | |
| Anthony Phillips | .... | costumer | |
| Suzette Waters | .... | costume detailing | |
Editorial Department | |||
| Arthur Cambridge | .... | color grader | |
| Nick Cole | .... | second assistant editor | |
| Jane Moran | .... | first assistant editor | |
Music Department | |||
| Ric Formosa | .... | additional orchestrator | |
| Phillip Hartl | .... | concert master | |
| Gerardo Matos Rodríguez | .... | composer: tango "La Cumparsita" | |
Transportation Department | |||
| Jonathan Clouston | .... | vehicle rig | |
| Jeremy Hutchinson | .... | unit driver | |
Other crew | |||
| Trish Cameron | .... | secretary to producer | |
| Roger Cowland | .... | title designer | |
| Michele D'Arcey | .... | production accountant | |
| John Faithful | .... | caterer | |
| Dina Gillespie | .... | unit publisher | |
| Christine Gordon | .... | production secretary | |
| Lisa Hennessey | .... | location manager | |
| Amanda Higgs | .... | production assistant | |
| Amanda Higgs | .... | runner | |
| Sonia Kruger | .... | ballroom advisor | |
| Claude Lambert | .... | safety officer | |
| Bill Marron | .... | title designer | |
| Catherine Martin | .... | title designer | |
| Ray Mather | .... | assistant choreographer | |
| Tania McGuinness | .... | double: Liz Holt | |
| Paul Mercurio | .... | additional choreographer | |
| John 'Cha Cha' O'Connell | .... | choreographer | |
| Ian Russell | .... | laboratory liaison | |
| Nicole Sheridan | .... | copyright clearance | |
| Rowena Talacko | .... | production coordinator | |
| Antonio Vargas | .... | flamenco dance trainer | |
| Jo Weeks | .... | continuity | |
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| Gallipoli | Moulin Rouge! | Stardust | Rumba | Earth Girls Are Easy |
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This movie is one of those rare pieces of cinema where it all comes together.
The style is consistent - campy. The acting is wonderful. The editing and rhythm are superb. The music engaging.
It is about ballroom dancing. It is a love story. It is about the love and pathos of life.
If you've not seen this movie and are in need of a smile, see this one. It is about a dance studio whose main dancer, a male, is in need of a partner for regional championships. He and his former partner have split, leaving an opening that is a challenge to fill. The do fill it, but not until the last moment, and when it comes together, it creates a finale that is among the best ever shot.