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Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Scott Hastings is a champion caliber ballroom dancer, but much to the chagrin of the Australian ballroom dance community, Scott believes in dancing "his own steps". Fran is a beginning dancer and a bit of an ugly duckly who has the audacity to ask to be Scott's partner after his unorthodox style causes his regular partner to dance out of his life. Together, these two misfits try to win the Australian Pan Pacific Championships and show the Ballroom Confederation that they are wrong when they say, "there are no new steps!" Written by
The trophies in Kendall's Dance Studio were real trophies borrowed from dance studios. See more »
When Doug leads Shirley onto the dance floor he asks, "Shall we dance", but his lips don't move at all. See more »
And what about Les? He's taught you everything you know, and you're just throwing it back in his face!
I'm bored with it!
I don't believe I'm hearing this! I've been with your father for twenty-five years! Do you think I get bored? Of course I do!
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The first time I saw Strictly Ballroom I tuned in accidentally to the grand climax while flipping through my cable channels: I was transfixed, and when the ten minutes was over I felt emotionally spent and stimulated at the same time, as if some door had been opened in my psyche. I knew I had to find the movie and watch it in its entirety. Now, fifteen viewings, a VHS tape, audio tape, and music CD of SB later, I happened upon it again tonight (interspliced with Sister Act by Emile Ardolino...), and I again watched the grand climax, with a bit of lead-in, with my wife and young sons. It was just as emotional and powerful as the first time, and I cried yet again. This is a very very special film. Baz Luhrman takes risks that most directors would not dare to, and his movies work because he gets to the heart of the matter, gets to the truth. In this case, the truth is "To thine own self be true", a familiar message told in a fresh and wonderful way. Bravo.
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