A young candidate for the senate is filmed with a hooker as blackmail. As he investigates, he discovers some family secrets involving his father and their political careers. Written by
Ed Sutton <firstname.lastname@example.org>
Mark Frost first started writing the screenplay in 1987. See more »
When Natalie Tate pays a visit to Cray at his home, she shows him key that she used to let herself in through the security door, presumably from when she lived with Cray. The key she shows him is clearly a square shaped key but when she places the same key down at the bar, it is definitely a different key. See more »
[after carrying Lee onto the couch and picking up the phone]
I need an ambulance.
[Cray hangs up]
My father made a tape of us.
The fuck you talking about? Your father made a tape of us?
[Reaches for Cray]
What, what do you want from me?
I have to leave the city.
You want some cash?
[Throws cash at her]
[...] See more »
One of my favorite films. Why oh why did they issue the DVD in 1:33? This is a wonderful example of a "southern" film based on southern films, not reality or even great southern novels. Without "Cat on a Hot Tin Roof", "The Long Hot Summer", and numerous other Tennessee Williams / Faulkner inspired films this film would have been impossible. That said, it is a delicious brew of southern Gothic types and situations. One must not forget that it was produced and directed by Mark Frost, David Lynch's partner in "Twin Peaks", and at the end the film really veers off into a similarly illogical, but highly sensual climax. The actors are just sensational, especially Joanne Whalley, and the location shooting is wonderful. Viewers should expect Tennessee Williams channeling David Lynch. The Carter Burwell score is fantastic. Great, great stuff!
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