Mad with grief after the death of his Kiowa wife, Talbot awaits death under a tree with her body beside him. She begins to haunt him because he won't burn her. His father, who bought him the wife, thinks her sister might reason with him.
1963, the night before the 18 years old "Birdlace" Eddie and his friends are shipped to Vietnam. They play a dirty game called 'Dogfight': all of them seek a woman for a party, and who ... See full summary »
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
Dealing with nuclear testing and its long-lasting deadly effects, the story portrays Boy, a young widower living in the desert on a nuclear testing site. Living as a hermit,he waits for the... See full summary »
Imagine gradually losing the ability to use your muscles. You're born a healthy baby, but by the time you're a teenager you need 24-hour carers to do everything for you. Imagine knowing ... See full summary »
Martin Bishop is the head of a group of experts who specialise in testing security systems. When he is blackmailed by Government agents into stealing a top secret black box, the team find themselves embroiled in a game of danger and intrigue. After they recover the box, they discover that it has the capability to decode all existing encryption systems around the world, and that the agents who hired them didn't work for the Government after all... Written by
Graeme Roy <email@example.com>
Director Phil Alden Robinson graduated from Union College in Schenectady, New York. Union College is used as the backdrop for the college scene at the beginning of the movie. See more »
When Whistler shifts the van from reverse to drive, it makes the sound of gears grinding as if it were a manual transmission. An automatic transmission does not grind gears together, but the shifting motion clearly is that of an automatic. See more »
After the Universal logo, the first words on screen are A TURNIP CURES ELVIS; the letters then jump onto another line one by one, solving the anagram to form UNIVERSAL PICTURES (and PRESENTS is then added). See more »
Written by Mike Boomfield & Al Kooper
Performed by Mike Bloomfield, Al Kooper & Stephen Stills (as Steven Stills)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing See more »
One of my favorites. Without repeating any of the other observations that have been made already, I'd just like to point out the movie's penchant for mixing high-tech gloss and low-tech grunge. Bishop's office is filled with computer equipment, but it looks like a frat house. The glass-enclosed conference room sticks out like a sore thumb in the middle of the exposed brick and party favors hanging from the ceiling. The van that looks like it needs a jump every morning is filled with a mix of electronic surveillance equipment, candy wrappers and Playboy magazines in braille. Bishop's car looks like it was once a classic, but now needs a paint job. And, most obvious of all, when Bishop is breaking into Cosmo's office from the ceiling air vent, he lowers a piece of sensing equipment through the vent using, of all things, a Ronco Pocket Fisherman. The incongruous nature of the sets and props gives the film an extra layer of charm.
Also, I don't know if anyone else has noticed this, but does Cosmo seem to be a latent homosexual? Among other hints, at the end, he begs with Bishop to stay with him, and seems near tears.
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