5.2/10
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120 user 61 critic

Sleepwalkers (1992)

R | | Horror | 10 April 1992 (USA)
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A mother-and-son team of strange supernatural creatures move to a small town to seek out a young virgin to feed on.

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5 wins. See more awards »

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Cast

Cast overview, first billed only:
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Mrs. Robertson
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Mr. Robertson
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Mr. Fallows
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Cemetery Caretaker
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Forensic Tech
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Storyline

Charles Brady and his mother Mary move to a small Indiana town, having recently fled Bodega Bay, California after draining and killed a young girl there. They are sleepwalkers - they can change their appearance and they need the lifeforce from young women. Charles has picked out young Tanya Robertson, whom he meets at a local high school, as his next victim. He asks her out for a date and invites her home... however, she did not suspect his real interest in her. On their first date, a picnic at a nearby cemetery, Charles attempts to drain the lifeforce from Tanya for himself and his mother. Written by Mattias Thuresson

Plot Summary | Plot Synopsis

Taglines:

They feast on your fear - and it's dinner time. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong violence and sensuality, and for language. | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 April 1992 (USA)  »

Also Known As:

Stephen King's Sleepwalkers  »

Filming Locations:


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Box Office

Budget:

$15,000,000 (estimated)

Gross USA:

$30,524,763
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The Robertsons' neighborhood is the same neighborhood as the one in the comedy film The 'Burbs (1989) with Tom Hanks. See more »

Goofs

When the Sheriff and Soames go upstairs to look around, Soames takes the 45 of the song "Sleepwalk" off the turntable and throws it on the bed. Later, when Charles's mother makes Tanya dance with him, she makes the record start to play even though it shouldn't be there. See more »

Quotes

Deputy Horace: [after hearing a door close] Maybe it was the wind?
Officer Wilbur: It was not the fucking wind.
Mary Brady: [after smashing their heads together] You're right. It was not the fucking wind.
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Crazy Credits

Cat's claws slash through the screen after the credits, exposing a green glow beyond. See more »

Connections

Spoofs Spookies (1986) See more »

Soundtracks

The Rodeo Song
Written by Gaye Delorme
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Frequently Asked Questions

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User Reviews

 
As Much as I Want to Hate This Film, I Love It
6 February 2007 | by See all my reviews

A shape shifting young man (Brian Krause) and his mother (known as "sleepwalkers" for some reason) arrive in a new town. But the mother (Alice Krige) needs to feed, so her son Charles must find him a pure young woman. But who will he love more, his mother or the beautiful Tanya Robertson (Madchen Amick)? "Sleepwalkers" is a film that has a special place in my heart. I saw it repeatedly on television as a teenager watching our local horror host, Ned the Dead. And while I never thought it was great, I found it entertaining. I place it in the same category as "Maximum Overdrive" -- cheesy and fun, though by no means a great film. And look at the cameos in this film! Mike Mayo tears this film apart, calling it "arguably King's worst film". He says the "script meanders through pointless chitchat scenes." Director Mick Garris "doesn't know how to photograph" and throws in "close-ups of knees." Wow. He has nothing nice to say about this film, giving it a dismal 0 on his one through four scale. I must beg to differ with Mike on this one.

First of all, King's worst film is "Langoliers". Second, I did not notice these pointless chitchat scenes he speaks of. Some of the plot is a bit loose, but nothing is completely pointless. I furthermore do not recall any shots of knees, though if the knees belonged to the beautiful Madchen Amick I think this is forgivable. Mick Garris has made many a bad film, this is true. And "Sleepwalkers" is by no means a masterpiece. But I think to lay down such heavy scorn is misplaced and really ignores the "fun factor" of this picture.

Oddly enough, Howard Maxford, whom I almost never agree with, seems to get this one. He calls the film "silly but quite lively" and points out the "nifty effects" and "gag cameos" (Stephen King, Clive Barker, Joe Dante, Tobe Hooper and John Landis). And there you go -- recognition of the fun this film was and still is.

Ron Perlman ("Hellboy", "Pro-Life") plays a cop and doesn't get nearly enough screen time. Not sure what else to say about that. Clearly they did not foresee the star power in Perlman.


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