6.3/10
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Single White Female (1992)

A woman advertising for a new roommate finds that something very strange is going on with the tenant who decides to move in.

Director:

Writers:

(novel), (screenplay)
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Popularity
4,670 ( 277)

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1 win & 1 nomination. See more awards »

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Director: John Badham
Stars: Bridget Fonda, Gabriel Byrne, Dermot Mulroney
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Cast

Cast overview, first billed only:
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...
...
...
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Mitchell Myerson
...
Elderly Neighbor
Michele Farr ...
Myerson's Assistant
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Mannish Applicant
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Exotic Applicant (as Christiana Capetillo)
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Talkative Applicant
...
Perfect Applicant (as Rene Estevez)
Tiffany Mataras ...
Twin
Krystle Mataras ...
Twin
...
Check Cashier
...
Desk Clerk (as Ken Tobey)
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Storyline

When a 'Single White Female' places an ad in the press for a similar woman to rent a room (to replace the boyfriend she's just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Allie's new roommate is about to borrow a few things without asking. Her clothes. Her boyfriend. Her life. See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexuality, and for violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 August 1992 (USA)  »

Also Known As:

Mujer soltera busca  »

Box Office

Budget:

$16,000,000 (estimated)

Gross:

$47,922,919 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Bridget Fonda had the choice of playing either Allie or Hedy. She ended up choosing to play Allie, because she said it was a harder role. See more »

Goofs

After Hedra kills Graham (or rather, thinks she has killed him), she comes back to Allison's apartment, and takes a shower. After the shower, she wraps herself into a large bath towel and goes into her bedroom, where Allison follows her. But, suddenly, about one second after she has entered her room, we discover Hedra wearing a night shirt and a sweater. Apparently Hedra is a better quick-change artist than the world-famous Arturo Brachetti. See more »

Quotes

[first lines]
Sam Rawson: [Sam talks to Allie while laying in bed] So how many kids do we want?
Allison Jones: I don't know. What's the statistical norm?
Sam Rawson: Oh... You and your statistics. One point two.
Allison Jones: Hm... Okay, then I want two point two. And I want them to look like you.
Sam Rawson: Oh, those poor kids.
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Connections

Referenced in Buffy the Vampire Slayer: Faith, Hope & Trick (1998) See more »

Soundtracks

SADENESS PART I
Written by Michael Cretu (as Curly M.C.), Frank Peterson (as F. Gregorian) & David Fairstein
Performed by Enigma
Courtesy of Virgin Records Ltd. and Charisma Records Inc.
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Frequently Asked Questions

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User Reviews

 
Close. Real Close.
23 December 2007 | by (the Mad Hatter's tea party.) – See all my reviews

Formulaic, formulaic… yeah it's routine Hollywood psycho-thriller territory, but too visually well made by director Barbet Schroeder and comfortably performed in the shape of Bridget Fonda and Jennifer Jason Leigh to not get something out of it. The story (adapted off John Lutz's novel "SWF Seeks Same") plays its cards quite early, and goes about the subject in a too convenient manner to make it entirely effective. Quite a slow build-up and many sub-plots stem off the central plot, as we watch Leigh's character's twitchy transformation suddenly grow and form the basis of the early groundwork that would eventually unsettle Fonda's fragile character. A resourceful Schroeder sure does a brilliant job with many artistic flourishes, and inspired gimmick set-pieces where you just can't help but admire Luciano Tovoli's lyrically smooth cinematography. However trying to register the suspense, became hard due to leading us down the same old path of cheap clichéd jolts and shinny techniques. Although the potent climax goes over-board, it's particularly heart-pounding and downright exciting. There's nothing overtly tame about it, with its seamless nudity and tantalizing sex, and a wicked death here and there. But it's all tastefully done. Howard Shore's sumptuously airy musical score feeds off the well used location and compact sets (especially that of the stark Victorian apartment building) that are very ideal to the film's progression. In the two leads, a gorgeous Fonda is terrific and Leigh's needly attachable turn is one of confidence. The chemistry works, and when it comes to it they sure do look like each other. Talk about eerie. There's also solid support by Steven Weber, Peter Friedman and Stephen Tobolowsky.


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