Bitter about being double-crossed by the women he loved, (and with the police after him to boot), Bill vows to seduce the next woman he sees, then throw her away. His brother Dennis, ... See full summary »
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New... See full summary »
After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's ... See full summary »
Robert John Burke,
The Serengeti is a huge area of grassland in Tanzania, Africa. Once a year, in the time of drought, about two million herd animals like antelopes travel north to feed and mate before moving... See full summary »
Isabelle is an ex-nun waiting for her special mission from God. In the meantime, she is making a living writing pornography. She meets Thomas, a sweet, confused amnesiac who cannot remember... See full summary »
When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so ... See full summary »
A series that is comprised of twenty-one monologues written by American playwrights which form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the ... See full summary »
This short film was packaged on video with Hartley's featurette "Surviving Desire." It follows a day in the life of a young artist who longs for professional success and the attention of ... See full summary »
This short film was packaged on video with Hartley's featurette "Surviving Desire." It affectionately examines the lives of a group of "young, middle-class, white, college-educated, ... See full summary »
Bitter about being double-crossed by the women he loved, (and with the police after him to boot), Bill vows to seduce the next woman he sees, then throw her away. His brother Dennis, meanwhile, is equally determined to track down their long lost father, a revolutionary who has been in hiding for 20 years. For different reasons, both leave New York and head for Long Island, out of money, and short on ideas. D:"Long Island is a a terminal moraine." B:"What's that?" D:"It's the material left behind when a glacier recedes." D:"Gee, then what the hell are we waiting for?" Written by
Stuart Criley <email@example.com>
"There's no such thing as adventure. There's no such thing as romance. There's only trouble and desire." It's probably the best-known phrase of this movie, but actually it's a quote from 'Lang, Fritz''s movie _Dr. Mabuse, der Spieler (1922)_. See more »
[after Dennis kisses her]
You shouldn't do that.
Because I'm your father's girlfriend?
My father's a womanizer. He's a married man and he stood you up.
You have no respect for your father.
I don't know him. But I respect his taste in women.
So then go make love to your mother.
See more »
This is a beautifully made film that has dialogue that literally sparkles and puts 90% of Hollywood scripts to shame though that is admittedly not too difficult. I adore Hartley's use of language and the way he lets the actors perform in front of his camera. The post-drinking scene where they dance to Sonic Youth's Kool Thing is inspired cinema, also the scene where Donovan lists his decent bands 'the old Who'. The best scene is at the end though. I find it incredibly moving each time that this man who has constantly denied his feelings and fought his past is drawn to rest his head gently on the breast of the woman he has grown to love. Though surrounded by police the camera focuses only on his face as we hear the words 'Don't move' off-camera. Why would he move when he has finally found where he belongs? Immaculate framing, marvellous pace and a genuinely affecting story all combine to make this my second favourite Hartley film after 'Amateur' which is untouchable as far as I am concerned.
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