Thrown together by chance during the robbery of a jewelry store by a Yakuza gang, five women take advantage of the situation to make off with the heist's loot, while a man hunts the same ... See full summary »
The manager Shuu, worker Koji and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into 3, but they become consumed by greed and try to get more than their share.
Chihiro is raped by three men and it is captured on video camera. She leaves her hometown and prepares to marry a colleague five years later, when one of the rapists arrives and says the ... See full summary »
Gonin Saga is a 2015 Japanese movie written and directed by Takashi Ishii as a followup to the two Gonin films he directed in the mid-1990s. Seiji (Masanobu Ando) is a third generation "... See full summary »
Ikko, the six year old daughter of a yakuza gang boss witnesses the brutal slaying of her parents and is only saved from sharing their fate by an underground hitwoman who goes by the ... See full summary »
We meet Makota Hirano as he ambles into sleepy, small-town Japan with no apparent aim or aspiration. A fleeting encounter with a young lady, called Nami, at a train station leads him to follow her to the Estate Agents, where she works. The shy, young asthmatic asks for a job from her husband, who owns the business, his motivation obviously not being that he wants to get closer to the world of real estate; no it is something else he is desperate to get nearer to. Before long we realise that Makota is not as shy as he may at first appear and Nami is caught between the pull of the unpredictable younger drifter and the security of her older and richer husband. Original Sin, and I have no idea why it is called that, is a beautifully crafted film from the point of view of the editing and camera work. There are several scenes where the camera placement gives us an excellent and unusual view on proceedings. Takashi Ishii is also not afraid just to let it roll and the scenes often unfurl uncut at their own leisurely pace. The soundtrack is understated but supportive and the acting is of a high standard all round. The unusualness and intensity of some of the characters actions did baffle my Western mind at times, but a general feeling of top-quality film-making pervades throughout and it is well worth a watch if you appreciate the finer-points of Japanese Cinema.
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