6.8/10
14,044
79 user 40 critic

Shadows and Fog (1991)

PG-13 | | Comedy | 20 March 1992 (USA)
With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.

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Cast

Cast overview, first billed only:
Michael Kirby ...
Killer
...
...
...
Vigilante
...
Vigilante
...
Vigilante (as Daniel Von Bargen)
Camille Saviola ...
Landlady
Tim Loomis ...
Dwarf
Katy Dierlam ...
Fat Lady
...
...
Clown
...
Marie
Dennis Vestunis ...
Strongman
...
Doctor
...
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Storyline

A small and insignificant bookkeeper, Kleinman, is awoken one night by his neighbors who wants his help to track down a strangler who has been killing people all over town. The citizens form vigilance committees, but when Kleinman has dressed, his neighbors have disappeared. Meanwhile a circus has come to town. Irmy and Paul are two of the artists. After a fight, Irmy leaves the circus in the middle of the night. Eventually she meets Kleinman, scared and alone. Written by Mattias Thuresson

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

PG-13 | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

20 March 1992 (USA)  »

Also Known As:

Sombras y niebla  »

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

$1,111,314 (USA) (20 March 1992)

Gross:

$2,735,731 (USA)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film was distributed in Europe before its American release in the USA. See more »

Quotes

[first lines]
Hacker: Kleinman, Kleinman, open up! Kleinman! We know you're in there!
See more »

Connections

Referenced in Hollywood Profile: John Malkovich (1998) See more »

Soundtracks

Moritat from the Three Penny Opera
(1928)
By Kurt Weill and Bertolt Brecht
Performed by Berlin Staatsoper
Conducted by Otto Klemperer
Courtesy of Delta Music, Inc.
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User Reviews

 
Vintage Woody (either you love him or hate him there is no inbetween)
29 December 1998 | by (San Diego, California) – See all my reviews

This excellent black and white, set perhaps in Berlin in the 20's has no conclusion, only vignettes in the period from midnight to dawn. The city is engulfed in fear. A serial killer is at large..

The camera shots illicit tension. All is shrouded in dark and murky unusual camera angles. The outdoor scenes are always somewhat blurred and slightly out of focus adding to the climate of fear.

There is no plot per se, only chance meetings between participants. Of note is the conversation in the whorehouse, stimulating and extremely thought provoking. Woody's use of a revolving camera in the shot from face around to face around to face while the girls talk and the conversation is heard no matter on whom the camera is focused, -- this is a first. The viewer needs to pay extreme attention. Moreover the background music of Kurt Weill adds so much to the ambience.

Seeing this now makes me wish wholeheartedly that Woody and Mia never had that horrible unpleasantness between them. Now the future forebodes there never being such a pairing. We all do suffer, including them.

I say this film deserves a 10 out of 10 and the critics be damned. So many critics are prone to criticize every theatrical offering of Woody just because of his personal behavior.


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