Mathias, whose dead father was a diplomat in Germany, decides to study the forensic medicine in Paris. In the train, he has some troubles with the border police, and is insulted and ...
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Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.
Paul is preparing to leave Tajikistan, while thinking back on his adolescent years. His childhood, his mother's madness, the parties, the trip to the USSR where he lost his virginity, the friend who betrayed him and the love of his life.
Summer 1910. Several tourists have vanished while relaxing on the beautiful beaches of the Channel Coast. Infamous inspectors Machin and Malfoy soon gather that the epicenter of these ... See full summary »
Single father obsessed with murdering the hit&run driver who killed his only child, poses as a screenwriter to get close to an actress who was in the death car. He feels fully prepared to ... See full summary »
Jackson Heights, Queens is one of the most culturally diverse communities in the US where 167 languages are spoken. IN JACKSON HEIGHTS explores the conflict between maintaining ties to old traditions and adapting to American values.
Mathias, whose dead father was a diplomat in Germany, decides to study the forensic medicine in Paris. In the train, he has some troubles with the border police, and is insulted and threatened by a strange man, who disappeared quickly. Next day, he discovers in his luggage a shrunken human head. He soons becomes fascinated by it, feeling responsible (sentry of the memory of the head's owner) and starts his own investigation. What will leads him to cope with French secret services. Written by
Here are the elements you need to make sense of this film: 1) the initial scene in which a French diplomat tells an anecdote about Yalta which reveals how the big powers "cold-heartedly" disposed of the lives of millions according to the logic of Realpolitik; 2) the character of Bleicher, whose brother fought on the side of the Germans in a French SS unit on the Russian front, was captured, and died in a POW camp in the USSR; Bleicher remains obsessed with retrieving the remains of his brother, while the French State shows little interest in the matter; 3) the characters representing the French Secret Service (Varins & William Mahe'), who were involved in a scheme to smuggle Soviet engineers out of the USSR only to sell them into a kind of techno-slavery to countries interested in their services; 4) the head of one such Soviet engineer who got into some hot water in Sumatra (by putting the head in Mathias' suitcase, Bleicher wants Mathias to embarrass French intelligence). So what you get, in political terms, is a condemnation (rather oblique, admittedly) of big-power politics. So I suppose Desplechins would have been happier if, immediately at the conclusion of WWII, the US had declared war on the Soviet Union, dropped the atom bomb on Moscow, and "liberated" the peoples of Eastern Europe. If that's the director's idea of "humanistic" politics, I'll take Realpolitik any day. One distinctive note in this film: There's not one single character here who is "sympa": not Mathias (too much of a wuss), not his Jewish classmate (captious); certainly not the villains in the French secret service; not Mathias' sister (irritatingly capricious); not the son-of-diplomat diplomat (full of conceit); not even Emmanuelle Devos as Mathias' would-be girlfriend (not worth the trouble wooing her--she fusses much too much).
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