This is the story of the crippled young Alan Marshall and his hero worship of the local he-man horse trainer East Driscoll, the schoolboy crush Alan has on the local aristocratic English ... See full summary »
After 18 months Sam returns to his place of birth. He wants to ask his girlfriend Meg who he had let down when he left, to go with him to the big city. However Meg was deeply sad because of... See full summary »
1950's. Gawky teenager Ken Riddle has a wealth of sexual knowledge, but has yet to lose his virginity. Ken is forced to join the workforce after he's thrown out of school for selling ... See full summary »
The story of airmen training in rural Manitoba in the summer of 1942 to go overseas and become bomber pilots in World War II, as well as the romantic entanglements which overcome them while they contemplate life and love in a world at war.
Aaron Kim Johnston
The island of Ambon in Indonesia, 1945. During the War, the number of Australian POWs on the island had dropped from 1100 to less than 300 due to abuses by their Japanese captors. Capt. ... See full summary »
Psycho Joe, a petrol-head from Altona, Melbourne, secures employment at a local Supermarket. Here, he meets the over-sexed Dazey. Joe and Dazey form a friendship based on a mutual interest ... See full summary »
When F.B.I. Agent Zack Grant's partner is killed during a blown-up operation, he attempts to find the person responsible. Mafiaso Frank Serlano believes Zack is responsible for his only ... See full summary »
Frank A. Cappello
After a botched bank job, a gang takes a hostage, Japanese girl on the run from arranged marriage, and escapes. Their wheelman saves the girl from them and the two go on the run with the cops, the gang and her psycho father on their tail.
Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a jail sentence in prison. His book, "From the Inside", upon which the film is based, was a best-seller.
Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity? Written by
Ed Sutton <email@example.com>
When smashing the display glass in the mall scene, the actor Daniel Pollock did actually cut himself. See more »
[while Hando has Nguyen in a headlock on the ground]
We hate you gook, we'll never let you go.
This is our place gook boy, our place. What are you going here? Hey? The only thing for you here is pain.
We don't love you.
[kisses Nguyen on the cheek and then punches him]
[while shaking Nguyen]
Understand? Understand? I hope you do, mate because I don't speak monkey talk.
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The end credits roll over a sideways view of the beach that fades to gray and then to black. See more »
Romper Stomper takes great pains for an accurate depiction of the skinhead culture; the dress is perfect (except for the roles of the females of the crew) as well as the music; the overall movie captures the culture very well on those factual bases, and on the artistic fronts and aspects of the film the portrayel is also enjoyable, accurate, and sparks great thought.
The film demonstrates some very well-done action sequences; the thuggish violence that is seen throughout the film is very well crafted, and done in a manner that I found to be pleasing to anyone who likes realism (nothing cartoonish or over the top -- just shear teeth-clenching violence).
On top of the action sequences is a relatively intriguing story; however, the plot is never fully developed and there are certain parts of the story that interest you very much, yet you do not get to find out more. The film is very much worth watching though it has its' flaws. A very good film, overall, that gives you good action and some things for you to think about.
Mostly this film ought to be lauded for its' graphic depictions and its' attempts at accuracy (which greatly supersede most films). It is a very beautiful demonstration of Australian cinema (and proudly so) that is greatly underrated and underviewed. I advise anyone to watch this film.
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