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Rock Hudson's Home Movies (1992)

Not Rated  |   |  Documentary, Biography  |  1992 (USA)
5.9
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Ratings: 5.9/10 from 232 users  
Reviews: 4 user | 17 critic

Documentary about the career and eventual death from AIDS of actor Rock Hudson.

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Title: Rock Hudson's Home Movies (1992)

Rock Hudson's Home Movies (1992) on IMDb 5.9/10

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Cast

Credited cast:
Eric Farr ...
Narrator
Rest of cast listed alphabetically:
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Marc Christian ...
Himself
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Phyllis Gates ...
Herself (archive footage)
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Himself (archive footage)
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Jeff Morrow ...
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Storyline

Eric Farr speaks to the camera as if speaking Rock Hudson's words from a posthumous diary. Film clips from more than 30 Hudson films illustrate ways in which his sexual orientation played out on screen. First we see tenuous and unresolved relationships with women, then clips of Rock with men, cruising and circling. Next comes pedagogical Eros: Hudson with older men. We see Rock with his sidekicks, often Tony Randall. We look in depth at comedies of sexual embarrassment and innuendo: films in which Hudson sometimes plays two characters, "macho Rock and homo Rock." He's masculine yet vulnerable, a hunk who needs taking care of. Last come cinematic reflections on death. Written by <jhailey@hotmail.com>

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Not Rated | See all certifications »
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1992 (USA)  »

Also Known As:

Os filmes 'Secretos' de Rock Hudson  »

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Did You Know?

Goofs

In the closing credits, Twilight for the Gods is incorrectly credited as "Twilight of the Gods (1958)." See more »

Quotes

[first lines]
Rock Hudson: It was all up there.
See more »

Connections

Features Never Say Goodbye (1956) See more »

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User Reviews

 
intriguing if flawed reimagining of RH film legacy
10 October 2002 | by See all my reviews

An intriguing project, but by no means a success, this is a reimagining and reinterpretation of RH's body of work with the gift of hindsight about his sexuality and early death from AIDS. The film clips are great fun, and speak volumes about the tension between Rock the Movie Star and Rock the Man. That's the problem - by comparison, the device of the actor impersonating Rock gets in the way, underlining the obvious and forbidding the viewer from drawing his/her own associations. Rock belonged to the last dawning of the studio era and shone gloriously, consistently even in the dopiest and most compromised of his films. This narrator looks/sounds NOTHING like Rock and his presence on camera makes the film look like the grad school project I suspect it is. A shame, because there's a real story to be told, and Rock deserves a stronger stand-in. We miss you, Rock.


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