MOVIEmeter
SEE RANK
Down 15,899 this week

Rock Hudson's Home Movies (1992)

Not Rated  |   |  Documentary, Biography  |  1992 (USA)
5.9
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 5.9/10 from 241 users  
Reviews: 5 user | 17 critic

Documentary about the career and eventual death from AIDS of actor Rock Hudson.

Director:

Writer:

0Check in
0Share...

Watch Now

$0.00 with Prime Instant Video

WATCH NOW
ON DISC

Family Entertainment Guide

Check out IMDb's comprehensive Family Entertainment Guide for recommendations for movies and TV series for every age and every viewing platform.

Visit our Family Entertainment Guide

Related News

Daily Briefing. Pasolini's "Gospel"
| MUBI

User Lists

Related lists from IMDb users

a list of 8387 titles
created 13 Aug 2011
 
a list of 37 titles
created 14 Aug 2011
 
a list of 353 titles
created 21 Dec 2011
 
a list of 9222 titles
created 25 Mar 2013
 
a list of 98 titles
created 2 months ago
 

Related Items

Connect with IMDb


Share this Rating

Title: Rock Hudson's Home Movies (1992)

Rock Hudson's Home Movies (1992) on IMDb 5.9/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Rock Hudson's Home Movies.

User Polls

2 wins. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Nighthawks (1978)
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A homosexual man is forced to hide his sexuality by day while living his secret life by night.

Director: Ron Peck
Stars: Ken Robertson, Tony Westrope, Rachel Nicholas James
Chain Letters (1985)
Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
Director: Mark Rappaport
Stars: Mark Arnott, Reed Birney, David Brisbin
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

An upper-class widow falls in love with a much younger, down-to-earth nurseryman, much to the disapproval of her children and criticism of her country club peers.

Director: Douglas Sirk
Stars: Jane Wyman, Rock Hudson, Agnes Moorehead
Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Spins the tale of a woman, her sister, and the man who completes the triangle. Told through such fertile sources as grand opera, classical painting, and Victorian melodrama.

Director: Mark Rappaport
Stars: Randy Danson, Marilyn Jones, Kevin Wade
Documentary | Biography | History
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film Nighthawks (1978).

Director: Ron Peck
Stars: Ron Peck, John Brown, John Daimon
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A flamboyant Broadway impresario who has fallen on hard times tries to get his former lover, now a Hollywood diva, to return and resurrect his failing career.

Director: Howard Hawks
Stars: John Barrymore, Carole Lombard, Walter Connolly
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A hypochondriac thinks he's dying this time, and makes plans for his wife which she discovers and misunderstands.

Director: Norman Jewison
Stars: Rock Hudson, Doris Day, Tony Randall
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A series of misunderstandings leaves an advertising executive with a campaign for a product which has not been invented yet while he romances his rival in the guise of its inventor.

Director: Delbert Mann
Stars: Rock Hudson, Doris Day, Tony Randall
Drama
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

Have you ever met someone who made your body heat up, get a little nervous and sweaty, and made your crotch stir a bit? Sexual Tension: Volatile will reignite those lustful feelings as it ... See full summary »

Directors: Marco Berger, Marcelo Mónaco
Stars: Lucas Lagré, Mario Verón, Javier De Pietro
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Alcoholic playboy Kyle Hadley marries the woman secretly loved by his poor but hard-working best friend, who in turn is pursued by Kyle's nymphomaniac sister.

Director: Douglas Sirk
Stars: Rock Hudson, Lauren Bacall, Robert Stack
Pillow Talk (1959)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A man and woman share a telephone line and despise each other, but then he has fun by romancing her with his voice disguised.

Director: Michael Gordon
Stars: Rock Hudson, Doris Day, Tony Randall
Documentary | Biography
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Twenty five years after the death of Rock Hudson, friends, acquaintances, colleagues, biographers and movie historians discuss his career, his personal life and his death, all especially in... See full summary »

Directors: Andrew Davies, André Schäfer
Stars: Rock Hudson, Armistead Maupin, Yanou Collart
Edit

Cast

Credited cast:
Eric Farr ...
Narrator
Rest of cast listed alphabetically:
...
Marc Christian ...
Himself
...
Phyllis Gates ...
Herself (archive footage)
...
Himself (archive footage)
...
...
...
Jeff Morrow ...
...
...
...
...
...
Edit

Storyline

Eric Farr speaks to the camera as if speaking Rock Hudson's words from a posthumous diary. Film clips from more than 30 Hudson films illustrate ways in which his sexual orientation played out on screen. First we see tenuous and unresolved relationships with women, then clips of Rock with men, cruising and circling. Next comes pedagogical Eros: Hudson with older men. We see Rock with his sidekicks, often Tony Randall. We look in depth at comedies of sexual embarrassment and innuendo: films in which Hudson sometimes plays two characters, "macho Rock and homo Rock." He's masculine yet vulnerable, a hunk who needs taking care of. Last come cinematic reflections on death. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

1992 (USA)  »

Also Known As:

Os filmes 'Secretos' de Rock Hudson  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

See  »
Edit

Did You Know?

Goofs

In the closing credits, Written on the Wind is incorrectly credited as "Written on the Wind (1957)." See more »

Quotes

[first lines]
Rock Hudson: It was all up there.
See more »

Connections

Features A Fine Pair (1968) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Magnificent Deception...
21 January 2005 | by (St. Louis, Missouri) – See all my reviews

During the late 50s and sixties, the critical world embraced a concept known as the auteur theory. As presented by the French, the theory suggested that some directors were the "authors" of their films because they, basically, left their fingerprints all over the finished films. Film scholars examined films frame by frame looking for repeated themes, philosophies, symbolism, tricks and trademarks that directors would utilize in storytelling. The auteur theory has some validity, as well as some drawbacks, not the least of which being the tendency to equate bad films with the good, to praise redundancy and similarities over innovation and variety and to celebrate the artist more than the art.

The auteur theory was applied mostly to directors, sometimes to writers, occasionally to producers, but never to actors. The exception being -- sorta -- ROCK HUDSON'S HOME MOVIES. This ragtag documentary assembled by Mark Rappaport uses the methodology usually granted to studying directors to examine the various films of the late actor, not so much to grant him authorship status, but to look for cracks in the actor's closet door. Part scholarly research, part scandal sheet journalism, part trivia game, part student project, the film attempts to seriously examine Hudson's gay legacy and to ridicule his well-crafted screen image as the ultimate in heterosexual masculinity. The result is as creepy as it is scientifically unsound.

Rappaport apparently scoured his video tape collection and the late, late show for snippets of film from Rock's movies that somehow could be interpreted as a commentary on Hudson's secret sex life. This hodgepodge of clips (presumably not legitimately acquired from their sources) is a collection of grainy, blurry copies of copies, often with equally bad sound. The film, however ambitious, doesn't look particularly professional. Even so, the effort is notable and the finished product cohesive. For an amateur film, it is thoughtfully crafted.

And some of it is clever and amusing, especially, for instance, when Rappaport takes a look at the Rock Hudson/Doris Day romantic comedies of the 50s which frequently featured Hudson placed in dubious situations where his manhood and masculinity are brought into question. The gay man playing a straight man pretending to be a gay man seemed to be a joke shared by most everybody in Hollywood and with virtually nobody in the audience.

Yet, there is something grimly dishonest and perhaps even mean-spirited about the film's attitude. Rappaport takes his snippets of film, dialogue and images and uses them out of context. Any mention of the word "gay," any reference to marriage, any interaction between Rock and another man is interpreted as having a homosexual subtext, even if that was obviously not the intent; the irony being apparent only in hindsight. Likewise, any reference to death is noted as a harbinger of AIDS, even if it is buried in a film made twenty or thirty years before Hudson's actually died of the disease. To say that Rappaport is reaching in some of his assumptions is an understatement; but he packs his innuendoes into tight clusters of montage, hoping that the viewer won't notice the weakness of his evidence.

If the film were presented as merely an amusing trifle, with Rappaport's assumptions made with tongue firmly in cheek, then his questionable approach would be forgivable. But the film takes itself far too seriously, especially in presenting the narrative in the first person. On screen Hudson narrates through Eric Farr, an actor who doesn't look, sound or act in any way that brings the real Hudson to mind. Yet, he narrates the clips as though he were speaking as Rock, presenting Hudson as being bitter, condescending, snide and sarcastic. Quoting out of context or even paraphrasing is one thing, but to totally fabricate another man's thoughts crosses an ethical and dramatic line. Rappaport apparently thinks by having his opinions expressed as though they were really Hudson's that they would have greater credibility. But to use a distorted image of Hudson to criticize the way Hollywood distorted Hudson's image seems more hypocritical than inspired. And to assume that homosexuality should be obvious to anyone who watches for the clues is a bit homophobic, gaydar being far from an exact science.

Clip films like this are not unusual -- Hudson hosted one such film on the career of Marilyn Monroe -- but generally the point is to celebrate the life of the subject. ROCK HUDSON'S HOME MOVIES presents its subject with a mixture of contempt and pity, seemingly equally angered by the way Hollywood used the star and by the way the actor allowed himself to be used. Rappaport tries to make us see Hudson's story as a tragedy: Gay man being oppressed into silence by homophobic society. But, even taking into account his well publicized death, Rock Hudson seems to have led a remarkably successful and rewarding life, maintaining his star status, earning critical respect and enjoying genuine admiration by the public and his peers, right up to and after his death. The one part he never seemed to play was martyr; this movie can't change that.


35 of 38 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
What short showed before this movie at Cornell Cinema spicyd2
Discuss Rock Hudson's Home Movies (1992) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?