8 items from 2017
The 2017 Cannes Film Festival has announced the lineup for Cannes Classics, a selection of vintage films and masterpieces from the history of cinema. This year’s program is dedicated primarily to the history of the festival, and includes one short film and five new documentaries.
Read More: Cannes Adds Roman Polanski Film to Lineup
Highlights from the lineup include “Belle du Jour” (1967), Luis Bunuel’s classic about a housewife who dabbles in prostitution, and “All That Jazz ” (1979) Bob Fosse’s story of a womanizing, drug-using dancer played by Roy Scheider. There is also the documentary “Filmworker,” which tells the story of Leon Vitali, an actor who abandoned his career after “Barry Lyndon” to become Stanley Kubrick’s right hand man and creative collaborator behind the scenes.
Rights holders to the films decide whether to screen them in 2K or 4K, or use an original print. Jean Vigo’s “L’Atalante, »
- Graham Winfrey
Strand will focus on the history of Cannes for the festival’s 70th anniversary.
Cannes Film Festival (May 17-28) has unveiled the line-up for this year’s Classic programme, with 24 screenings set to take place alongside five documentaries and one short film.
Documentaries about cinema including Filmworker - which focuses of Stanley Kubrick’s right hand man Leon Vitali, who played a crucial role behind the scenes of the director’s films - as well as Cary Grant doc Becoming Cary Grant, are set to feature.
This year’s selection is also set to focus on the history of the festival itself, with prize-winning films such as Michelangelo Antonioni Grand 1966 Prix winning film Blow-Up and Henri-Georges Clouzot’s Le Salaire de la peur (The Wages of Fear) from 1952 screening.
While Cannes Film Festival premieres some of the best new films of the year, they also have a rich history of highlighting cinema history with their Cannes Classics line-up, many of which are new restorations of films that previously premiered at the festival. This year they are taking that idea further, featuring 16 films that made history at the festival, along with a handful of others, and five new documentaries. So, if you can’t make it to Cannes, to get a sense of restorations that may come to your city (or on Blu-ray) in the coming months/years, check out the line-up below.
Presented by Ina. »
- Jordan Raup
I’ve been watching Joseph Gordon Levitt since he was in the movie A River Runs Through It. He’s practically been on screen his entire career and yet he seems like he’s completely on the straight and now. I personally think that 500 Days of Summer was his coming out party and since that film he’s been a superior star. Not only does he have incredible dramatic skills but Jgl is hilarious as well. And let’s not forget he knows how to entertain. Ever see this guy on Lip Sync Battle? There’s pretty much nothing this guy can’t do. Now he’s
- Nat Berman
Of all the actors out there, one guy who I respect more than most is Joseph Gordon-Levitt. Not only do I think he’s an incredible talent but I feel like he’s made the right role decisions in his career. I mean we’re talking way back to when he was in A River Runs Through It as a kid. Then his role on 30 Rock from the Sun which seems like an eternity ago. He earned his wings on teeny bopper flicks like 10 Things I Hate about You but once we all saw him in 500 Days of Summer he
Dear Joseph Gordon-Levitt: Don’t Play Nightwing »
- Nat Berman
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by »
- Jordan Raup
While Damien Chazelle predictably took the DGA Award for “La La Land” on Saturday night, the ASC rejected the self-reverential Hollywood musical in favor of the more dramatic and politically impactful “Lion,” honoring Australian cinematographer Greig Fraser. “Lion” director Garth Davis took home Best First Director at the DGAs.
With “Lion,” the incredibly true story of Saroo Brierley (Dev Patel), the Indian who used Google Earth to locate his birth family several decades after his separation and adoption in Australia, Fraser essentially made two movies in one. Fortunately, the top Camerimage prize winner had previous experience shooting in India.
“Trying to capture the essence of India is almost like trying to bottle magic, which is hard to do because India »
- Bill Desowitz
Park City — It’s hard to imagine a time when the issues of race and class have been more ripe in America and, not surprisingly, a film that delves deeply into both subjects has attracted considerable preliminary interest from buyers at this year’s Sundance Film Festival.
“Mudbound,” premiering Saturday night, follows one black and one white family, living off the land of the Mississippi Delta. Both are bound by farming and the “mud” of their lives, though they both have markedly different takes on their lots in life, given the social strictures of the Jim Crow South.
Director Dee Rees said in interview with Variety this week that she was drawn to the project – based on the 2008 novel by Hillary Jordan—because of “the multiple points of view that these two families represent and this tortured symbiotic relationship they have.”
The title has become one of the most buzzed »
- James Rainey
8 items from 2017
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