As graduation nears for the class of 1955 at Angel Beach High, the gang once again faces off against their old enemy, Porky, who wants them to throw the school's championship basketball game because he's betting on the opposing team.
The naughty high schoolers of Angel Beach High now seek revenge on a group of KKK religious fanatics and corrupt politicians who want to shut down their Shakespeare production after they cast a Seminole transfer student in the lead.
Set in 1954, a group of Florida high schoolers seek out to help a buddy lose his virginity, which leads them to seek revenge on a sleazy nightclub owner and his redneck sheriff brother for harassing them.
Kelly's grandpa invites the whole clique to his little hotel "The Hideaway" in Hawaii for summer vacation. They expect a marvelous time at the beach - without Belding. Arrived there, the ... See full summary »
The third movie in the Nerds series: The nerds are now in control of the university, as a result of Lewis Skolnick and the rest's actions in the two previous movies. A new generation of sportsmen arrive, however, determined on winning the school back. The principle, himself an ex-nerd fighter, helps them, and the nerds return to suppression. Harold Skolnick needs help from his uncle Lewis, the hero of the first two movies. Lewis, however, are not too proud of his nerd past, and won't reveal any of it, much less help his nephew. However, his wife makes him change his mind, and with help from his friends from the first two movies, they start the fight to win the school back, using classic nerd tricks. Written by
Rune Dahl Fitjar <firstname.lastname@example.org>
I don't know what compelling reason there was to make this movie in the first place. If it was trying to cash in on the success of the 1984 original (and the 1987 sequel, to a lesser extent), Fox would have put it in theatres. Then again, maybe that was the original idea. This wouldn't be the first film to simply go direct to TV and video when they studio decided not to waste time with a theatrical release.
The movie itself just isn't very funny. It's a rehash of the events in the first movie, but doesn't have the raunchy edge of that film, nor does it have the peculiar but undeniable heart that actually gave the original some emotional punch. Comparing the scene at the pep rally there and the finale here in court is kind of comparing a small diamond to a big piece of broken glass.
The new nerds also aren't very interesting, and Gregg Binkley tries hard but doesn't have the weird watchable quality that Robert Carradine does. If you'll look closely the credits list "Chi" in the cast; that's Chi McBride, playing Malcolm Pennington III, and giving almost no indication that he'd emerge as a terrific actor (and certainly none that he'd be the breakthrough star on BOSTON PUBLIC, playing Steven Harper).
One thing that sort of caught my attention was the way the nerds here kept making implicit references to other minority groups. When Lewis refuses to help his cousin and other persecuted nerds, he's labeled "a self-hating nerd." Another character says they need "as many nerds in power as they can get." And when a character admits at the film's end that he's a secret nerd, he says "It feels great to come out of the closet!" The point seems to be that being a nerd is like being black, gay, Jewish, female, from another country, what have you. It's a strange point.
The film has another actor play Gilbert near the end, as Anthony Edwards followed up on his very brief role in the 2nd movie by not appearing here at all. He didn't appear in part 4 either, and III came out a few years before he broke through on ER. Didn't like seeing someone else play his role, but it fit this misshapen, boring film.
There is one great line here. When Lewis and wife Betty ask the local college DJ to broadcast in the name of nerd freedom, the DJ stands up and says, "There's no greater friend to the nerd, than the American DJ. If we weren't all nerds ourselves, we'd all be on television." It's such a good line that it overlooks that most college radio stations have so little listening range that the DJ might be the only person who gets the message.
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