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The idea that Quentin Tarantino could be seen as a great filmmaker for
"Reservoir Dogs" and "Pulp Fiction" is ridiculous, and "Reservoir Dogs" is
proof exhibit A. "Reservoir Dogs" is simply one of the most shamelessly
plot-driven movies I have ever seen. First of all, what is the point of the
commode story? In the movie, the crooks are supposed to keep their mouths
shut, but Tarantino has Mr. Orange go on and on, pointlessly, about the
commode story just so Tarantino can make an attempt at art filmmaking by
showing Mr. Orange talking to the actual police officers in the bathroom and
dry his hands in slow motion. Talking that much would only make it more
obvious that Mr. Orange is a policeman, anyway. Also, as one viewer pointed
out, Mr. Orange doesn't shoot Mr. Blonde before Mr. Blonde cuts off the
police officer's ear. Want to know why? Because Tarantino needed Mr. Orange
to hear the bad guys say they were going to return to the warehouse after
ditching the cars, but he also needed the ear-cutting scene. What else was
there to do except make Mr. Orange not give a damn about the police officer,
which is totally ridiculous. Also, why in God's name was Mr. Blonde going to
set fire to the police officer? Wouldn't that have drawn attention to the
warehouse hideout? Sure, it would. But Tarantino threw out that logic just
so he could make a "thrilling" scene as Mr. Blonde prepares to set fire to
the police officer. Also, what sense does it make to have the warehouse in
the middle of a neighborhood? What a bunch of smart crooks. It's no wonder
they couldn't snoop out the undercover cop.
This movie shouldn't even have made as little as it did (one million, I believe). And it figures that after about three years Tarantino's name dropped out of sight.
This repulsive, reprehensible trash for Quentin Tarantino has to rank as one of the worst movies ever made. When I wasn't bored to tears by interminable dialogue, I was repulsed by the glorification of sadism as an alternative life-style. The Marquis De Sade would have been proud. Tarantino should put his talents to suitable use and just make a real 'snuff' film. See 'Clockwork Orange' instead. That is a work of real genius.
Unlike most of Tarantino's films this one I would not give a negative rating to. It shares all of the things that I hate about his other films (bouncing around in time & sequence, unnecessary blood & violence, no plot and no resolution) with the rest of his films, but for some reason this one does not make me want to sort my socks instead. I would still say that you should not waste your time watching this movie unless you really just want to waste time. The only redeeming quality of this film is that you can watch this one film and and you will have just seen every Quentin Tarantino movie ever made, because they are all the same. Just be sure that you can handle the violence and the blood because that is about all you are going to get from this film.
It is extremely difficult to make a good movie when almost the entire script
happens in the same room within a few hours. In fact, at the moment, I
can't think of any movie that has accomplished that. Tarantino's "Reservoir
Dogs" certainly hasn't.
"Reservoir Dogs" could have been an excellent theatre play. In fact, it IS an excellent theatre play that was taped and sold to us as a movie. It is sad that we are so preoccupied with movies that a script like this has to be wasted on one.
Making matters worse is the violence. Tarantino often uses it in his movies to get attention, and this time takes it too far. "Pulp Fiction's" violence was milder and stood out less from the rest of the story, but "Reservoir Dogs" goes way over the top. It is very difficult to offend me with violence yet Tarantino does just that.
*** This review may contain spoilers ***
People were forcing me to get this movie, so I eventually got it. I
watched it waiting for the action and waiting for them to show us the
robbery. How can this be called a gangster movie if they don't even
show you a robbery? It said everywhere that this movie is a classic.
What's classic about it? Robbers who cuss and act childish all the time
waffling on about a robbery? All they do is talk and swear for 94
minutes, that's all they do. And it was very predictable who the cop
was. There was no surprise. The reason I knew it was Mr. Orange was
because Mr. White was treating him like a little 5 year old and he
still treated the others like they were a piece of garbage. The
direction was poor. The pacing was off. The humor with them discussing
body functions and people's religion, etc was way off. They tried too
hard to be funny when it came to he humor. There are 2 great songs in
this movie, but that's it. The only thing that's original about this
movie is the color names. The movie just seemed pointless, especially
after the ending. They all shoot each other. What was the point in
that? Them waffling on about a robbery, then nd up killing each other?
What sense is that? I guess people love Quentin Tarintino so much that
they'll accept anything he gives you. The dialog wasn't even good.
Gangsters talking about their life and trying to be humorous, BORING!
A lot of people will probably abuse me for this review, but i'm sorry, this is what the film is about and you fall for such poor movies like this. The reason I type this is to also warn others to let them know that you'll be expecting nothing more from this film than gangsters (Who they don't even act like) waffling on about a failed robbery that they don't even show you. 1/10
This is by far the best movie I have ever seen. It has the perfect
amount of mystery, suspense, comedy, action and witty dialogue. It also
is not too short and not too long, in that it does not drag on with
useless scenes. I feel that every bit of screen time is utilized to the
Six men who know nothing about each other, and only identify each other by their assigned colours, plan to steal a shipment of diamonds from a diamond wholesaler's. The heist itself is not shown and we can only piece together what might have happened from the stories the men relay afterwards. This causes a bit of a Rashomon effect, in that we don't really know %100 what may have happened. It becomes increasingly apparent that there is an undercover cop lurking among the misters and they must find out who it is before it's too late. The resulting consequences will go down in cinematic history.
I have seen this movie at least 10-15 times just in the past year. I definitely would recommend this movie to absolutely anybody. You don't necessarily have to be a movie lover to enjoy this movie. Just sit back, relax and allow Quentin Tarantino to take you away to his cinematic universe.
*** This review may contain spoilers ***
Being a young, aspiring film maker, I try to learn from the greats such
as Spielberg, Fincher, Scorsese and yes, Tarantino. I've seen all of
Tarantino's films from Pulp Fiction to Django Unchained but I had yet
to see his directorial debut Reservoir Dogs. Now having seen it, I can
easily say Tarantino has not yet topped his first film and likely never
For those who don't know, Reservoir Dogs is about 6 total strangers, Mr. White, Mr. Pink, Mr. Brown, Mr. Orange, Mr. Blonde, and Mr. Blue who come together to pull off the perfect heist on a jewelry store. But, when it all goes wrong and the police show up, the remaining men start to smell a rat.
Where this film really excels is the dialogue and direction. Contrary to popular belief, the violence in this film is not overly grotesque, but more driven by the story and it is very realistic. The dialogue in this film is so witty and smooth, it makes it impossible to be bored and it's hard to look away from the screen even if two side characters are having a conversation.
The relationship between Mr. White and Mr. Orange is a big driving point for this film in my opinion. Mr. Orange is shot in the stomach by a pedestrian during the getaway after the failed robbery and Mr. White tries to comfort him while they race to the reandevu point in a warehouse. Mr. Pink shows up shortly after and He and Mr. White argue about who the possible rat is. And during the argument, Mr. White says that Mr. Orange is without a doubt NOT the rat, and "MAJOR SPOILERS HERE" when Orange shoots Mr. Blonde as Mr. Blonde is about to burn a cop alive and confesses to the cop that he is actually a police officer, it leaves you breathless and you totally sympathize with Mr. White when he finds out later in the film.
The non-linear story telling in this film is also a big plus as it makes it easier to get to know the characters as the story unfolds before our eyes. This is a film that had truly stood the test of time and will continue to be a classic for the years to come. This is one of my all time favorite films and my favorite film by Tarantino and I give it a 5/5.
Reservoir Dogs could almost be adapted into a stage-play thanks to its
minute scale yet very lively characters and script. Quentin Tarantino
knows how to make non-linear stories flow well and never feel jarring
with leaping from beat-to-beat.
Tim Roth, Michael Madsen, and Harvey Keitel are phenomenal as Mr Orange, Mr Blonde and Mr White respectively. They're all so cynical and the passive subtexts in their dialogue aimed at each other shows how full of nuance the film is rich with. And you can't blame them considering that all these take part in a heist, that doesn't go well for everyone involved.
Without this film and its success, we'd have no Pulp Fiction. Imagine what a crime against humanity that would be in the world of entertainment?
*** This review may contain spoilers ***
There seems to be two schools of thought when it comes to Quentin
Tarantino's "Reservoir Dogs". On one hand you have those who say that
it is a gratuitous meditation on violence, and that Tarantino must be a
psychopath. Then you have those who say it's a brilliant film and that
Tarantino must be a genius. I belong to the latter category.
Here in Tarantino's directorial debut we see all of his trademarks: excessive violence, rivers of blood, language that would make a sailor blush, razor-sharp dialogue, a non-linear storyline, and a terrific soundtrack. It is by these signature touches that we come to recognize a Tarantino movie when we see one. Love it or hate it, Tarantino has made these things his own.
One of the things that makes "Reservoir Dogs" so charming is its humanity. The audience might not relate to the characters' violent tendencies, but they can certainly relate to the sometimes-goofy, sometimes-angry, always-honest dialogue and banter. In "Reservoir Dogs", criminals might torment cops for fun, but they also have strong opinions on Madonna's song "Like a Virgin". They refuse to tip waitresses. They have a celebrity crush on Pam Grier. In other words, they put their pants on one leg at a time. The only difference between these criminals and us is that, well--they're criminals and we're not.
The cinematography and camera-work is flawless; every shot draws you into the red-and-grey world Tarantino has created for us. The acting is spectacular. Harvey Keitel, Michael Madsen, Tim Roth, and Steve Buscemi and the rest bring their characters to life. Each actor brings something unique to the table and gives their characters a distinct personality.
Even the notorious "ear scene" is perfectly executed. The scene is gleefully twisted, and the use of Stealers Wheel's "Stuck in the Middle With You" will send chills down your spine. Just as the actual robbery is never shown in the film, the most horrific part of the "ear scene" is never shown either. You hear the muffled screams... but that's it. And THAT is what makes this film so powerful. It's not what is shown but what isn't shown.
This film is a prime example of "Less is more". With just a few speaking characters and a bare-bones set, "Reservoir Dogs" has the feel of a stage play. With limited resources and funds, Tarantino shows us you don't need a big budget to make a big effect on the audience.
Shocking, hilarious, heartbreaking, "Reservoir Dogs" has it all. This is not your average 90's crime flick. It will make you laugh, cry, and reconsider your current stance on tipping waitresses. Do yourself a favor and watch this movie.
*** This review may contain spoilers ***
Ever since I was a little kid, Back to the Future was the s***! For
years, I tried to find out how to actually build a DeLorean time
machine, or any time machine. I practically lived and breathed time
travel, and I still somewhat do. But, after years of watching movies,
seeing nothing that could compare to Michael J. Fox. Out popped a movie
that was minimalist and natural. My new favorite movie ever.
Plot - 6 guys robbed a bank under the guise of colors. They are Mr. White, Mr. Orange, Mr. Pink, Mr. Blonde, Mr. Brown, and Mr. Blue. They were hired by two guys Joe Cabot and Nice Guy Eddie. S*** goes down, Orange is shot and Blue and Brown die. The guys start wondering how the cops got there so quick. They begin to suspect that there is a rat/cop within their group. There is nothing wrong with the plot except that, they only slick back their hair in order to mask themselves. Who is to say that not one person would see your face. They have artist renderings. Also the plot is sort of borrowed from City on Fire (1987) and Kansas City Confidential. 7/10
Acting - The acting in this movie is superb. That can be credited to the fact that the dialogue is extremely relaxed and realistic. Props to the opening diner scene, where they discuss Like a Virgin and how it's all about d***. Tarantino had a sort of style that you're all familiar with. It's sort of laid back and the characters talk about stuff not important to the plot. Michael Madsen and Steve Buscemi are the best ones. Tim Roth would be the same, if it weren't for the scene where he's bleeding in the car. Keitel, Penn, Bunker, and Tarantino are good. I heard Lawrence Tierney was a pain on set, but he's not that bad. 9/10
Set Design/Location Shoot - There are barely any locations in this movie. There is the warehouse, the diner, Joe's office, the bar, and another diner. It's really nothing to brag about, though the minimalist is just amazing, as Tarantino shows he does not need a bunch of locations to make a great movie. That warehouse is also pretty memorable. 7/10
Cinematography - I really don't like reviewing this part of any movie, as I feel that it is so mundane and uninteresting. I completely skipped it over in my An Extremely Goofy Movie review and my still not submitted Beauty and the Beast review. I however include it, as there are films that deserve for their cinematography, good or bad. The cinematography is good, not great. We see Tarantino is not an amateur with his shots, and I will mention the credits sequence and Mr. Pink's flashback. There is however, nothing great about it. 7/10
Costumes/Props - The actors all brought their own costumes, because it wasn't in the budget. Nice Guy Eddie's track jacket is actually Chris Penn's and it is hilarious. The suits add to the cool factor of the movie, the cop costumes are standard, and the guns are also standard. There's no real focus on the costumes or props in this movie. 6/10
Soundtrack - My god is that soundtrack amazing. Little Green Bag is forever stuck in my head, and Stuck in the Middle With You was unbelievably awesome. Other than that, the movie is quiet for the most part. 8/10
Script/Dialogue - Like I said before, the style is very relaxed and cool. It's a really great script with realistic characters. 10/10
Characters - We don't really no much about the guys' backstory. We do know about their personalities. White (Lawrence Dimmick) is compassionate towards Orange (Freddie Newandyke) and takes the responsibility of being his mentor. He is really hurt when Freddie turns out to be the rat, and regrettably shoots him afterwards. He however, can be a killer when he needs to. I couldn't really pin down what Orange's personality is, he seemed kind of cool and scared of death, but he was mostly knocked out for most of the movie. He is also way to quick to single out Pink for not tipping, foreshadowing events to come. Blonde (Vic Vega) is a sociopath. He just doesn't care. He shoots down cops and civilians once the cops arrive a little too quickly, and he tortures a man, while at the same time dancing to 70s music. All the while, he's cool and suave, and he shows no remorse. Pink is selfish, greedy, and just wants to get the job done. He fancies himself a professional and sees Blonde as nothing more than a Psycho. We never find out his name, and yet he is the only one to survive the entire movie. Nice Guy Eddie seems like his namesake at first, but will instantly lash out if anyone threatens his dad, or if he found out his friend was trying to make off with the jewels. Joe fells every one of them is untrustworthy, so he never gives out their names. Instead he gives them colors. Although, he never gives himself or his son a code name, so he's only protecting the guys he hired and not himself. Brown and Blue were barely in the movie. We did see that Brown is very talkative. Great characters who never spout out their backstories and instead show us who they are. 9/10
Overall - It's a really good movie that borrows elements from other gangster movies. But other than that, it's fine. It's good, it's a fun movie. Mexican Standoff, awesome. And was a great movie for Tarantino to start with, unlike My Best Friend's Birthday. Inspiration comes from Kansas City Confidential, The Big Combo, The Killing (1956), The Taking of Pelham One Two Three, City on Fire (1987), and Au revoir les enfants. 7.875/10, rounded is 7.88/10, rounded is 7.9/10, rounded, 8/10.
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