1-20 of 73 items from 2016 « Prev | Next »
The upcoming poetic documentary “Yarn” follows different artists who are redefining the tradition of knitting and crochet for newer generations, bringing it out of the homes and into the world. The film introduces us to characters from four different countries, each who use yarn in very different ways. Their view of the world is reflected through their work as they travel the world spreading their love and passion. But each character has one thing in common: They all work with their hands trying to engage with their respective environments, hoping to use art to help people view the world in a different light.
Read More: SXSW: Complete List of Winners at the 2016 Film Awards
Aided by animation to illustrate some of the stories, along with beautiful artwork and original music, “Yarn” tries to showcase how bringing the world together to involve themselves in a tactile craft can help promote peace and harmony in greater society. »
- Vikram Murthi
Jerusalem — “Shabbat Shalom,” shouted Quentin Tarantino as he burst into the stage of the jam-packed Jerusalem Cinematheque to present “Pulp Fiction” and chat about his career, his relationship with actors and what keeps him going. The director, who was the subject of an homage during the festival’s opening ceremony July 7, delivered a humor-filled talk that underscored his passion and toughness. Here’s what he said about critics, dialogue and casting, among other topics.
About his claim that he only wants to make 10 movies:
“I’m planning on stopping at 10. So it’ll be two more. Even if at 75, if I have this other story to tell, it would still kind of work because that would make those 10. They would be there and that would be that. But the one he did when he was an old f—ing man, that geriatric one exists completely on its own in the »
- Elsa Keslassy
Tarantino revealed the best character he’s ever written and discussed retiring after 10 movies.
Hollywood icon Quentin Tarantino regaled a sold-out crowd at Jerusalem Cinematheque on Friday with tales from his directing career and his enduring love for cinema.
The famously loquacious film-maker spoke with enthusiasm and energy about his craft, comparing his method to that of a 13-year-old child imagining writing an episode of his favourite TV series.
“If you’re a kid, you don’t know any of the rules and regulations, you just want to make the greatest Star Trek episode ever, a wild, crazy version of it — that actually sounds fucking exciting,” said the director, whose nine features include debut Reservoir Dogs, Django Unchained and The Hateful Eight. “My take on genre is not dissimilar; I want to deliver the pleasures that are there but I want to do it my way.”
Tarantino was speaking before a screening of his second feature, 1994’s »
Located in the dusty stretch of hell that lies between homage and pastiche, Mickey Keating’s “Carnage Park” is a lean, mean, motherfucker of a movie that confirms the young director’s outsized potential but fails to follow through on his most explicit promise. A twisted “true crime” story that’s heavily indebted to Quentin Tarantino and boasts all the historical validity of “Inglourious Basterds,” this gnarly gore-fest opens with the kind of reckless, apocryphal declaration that’s only made by geniuses or kids too young to know any better: “The film you are about to see is perhaps the most bizarre episode in the annals of American crime.” That’s a mighty big gauntlet to drop at the feet of an unsuspecting audience, but “Carnage Park” nearly lives up to its own hype — at least for a little while, anyway.
1978. A deranged Vietnam vet named Wyatt Moss (played by »
- David Ehrlich
“Vigilante Diaries” follows The Vigilante (Paul Sloan), a plays-by-his-own-rules renegade crime fighter that has gone missing and has caused turmoil between the Mafia, drug cartels, and shadowy Special Ops teams. Vlogger Michael Hanover (Jason Mewes) eventually catches up with him to track his disappearance, but when The Vigilante takes down the wrong bad guy, it sets off a chain of events they had never anticipated. The film also stars Michael Madsen (“Reservoir Dogs”), Michael Jai White (“Spawn”), Quinton “Rampage” Jackson (“The A-Team”), and more. Watch an exclusive clip from the film below featuring Paul Sloan and Michael Madsen share nasty threats over video chat.
Read More: Watch: Michael Madsen Tries to Stop His ‘Death in the Desert’ in Exclusive Clip
The film is directed by Christian Sesma, who specializes in low-budget, independent genre fare. He began his career with the 2005 action short “6:30,” before following it up an indie horror feature “On Bloody Sunday, »
- Vikram Murthi
Dan Cooper Jul 8, 2016
They say that when you play the Game of Thrones, “you win or you die”. The Game of Jeff Daniels, however, is an undeniably different beast and for the most part is a definite “you win or you win”. After viewing dozens of Jeff Daniels movies and spending many, many hours with his on-screen personas, it’s fair to say that the maxim has been sorely tested but guess what? It still holds true. This list has been carefully curated to celebrate the veteran actor’s talent, versatility and wit and no matter which (if any) of these movies you decide to revisit or check out for the first time, Jeff is guaranteed to give you something to love in each and every one.
25. Dumb And Dumber To (2014)
Last Girl Standing, 2015.
Directed by Benjamin R. Moody.
So what does happen to the final girl once the chase is over? She doesn’t live happily ever after apparently…
Have you ever wondered what really happens to the final girl in the gruesome world of slasher movies? Some make it into the sequel and get killed off within the first 10 minutes as a new bunch of debauched teens becomes the focus of whichever franchise killer is the current pop culture icon but, for the purposes of this film at least, let us assume that there are no sequels and that the final survivor must continue their life with the weight of what they have been through resting on their shoulders. That is where Last Girl Standing begins.
The film opens where most slashers end, »
- Amie Cranswick
The film features an all-star ensemble cast led by Paul Sloan (I Am Wrath, The Night Crew), Quinton “Rampage” Jackson (A-Team, Ufc Light Heavyweight Champ), action icon Michael Jai White (Spawn, The Dark Knight, Kill Bill,Black Dynamite), Jason Mewes (Clerks, Jay & Silent Bob Strike Back) and Michael Madsen (Reservoir Dogs, Kill Bill).
It’s a fun one :) Check out the trailer:
Now you can own the Vigilante Diaries Blu-ray!
We Are Movie Geeks has two copies to give away. All you have to do is leave a comment below telling us what your favorite Vigilante movie is (mine is Death Wish 3)! It’s so easy!
1. You must have a U.S. mailing address.
2. No purchase necessary.
We’ll contact the winners next week! »
- Tom Stockman
In “Quitters,” young Clark (Ben Konigsberg) is a smart-aleck San Francisco teen who thinks he can outsmart the entire world, but his home life is a mess. His mother (Mira Sorvino) has a prescription pill addiction that lands her in rehab, and Clark doesn’t have much of a relationship with his impatient father (Gregg Germann).
So what does he do? He decides to find a new family, specifically the family of an attractive classmate Natalia (Morgan Turner) who lets Clark temporarily move in as a houseguest. When conflict inevitably arises, it’s up to Clark to face up to the reality of his situation. The film also stars Kara Hayward (“Moonrise Kingdom”), Kieran Culkin (“Margaret”), Saffron Burrows (“Mozart in the Jungle”), and Scott Lawrence (“Jag”). Watch an exclusive trailer for “Quitters” above.
“Quitters” is the debut feature from director Noah Pritzker who also co-wrote the script with Ben Tarnoff. Pritzker recently told IndieWire, “‘Quitters’ initially came out of a short I was writing while at film school. The short focused on Clark’s family, and I was eager to keep writing and see where Clark would go and show more of the San Francisco world he would travel through. At the time, Ben Tarnoff – who I wrote the movie with – was writing a book about 19th century San Francisco. We both grew up there, went to the same high school, and were both drawn to the idea of writing about the city.”
“My short film ‘Little Dad’ got into SXSW while we were finishing a draft of ‘Quitters,’ which helped us get the movie made,” he added. “One of the first people to come on board was our casting director Doug Aibel. He and his team looked far and wide for the main character, played by Ben Konigsberg, whose performance as Clark defines the film.”
The film premiered at last year’s South by Southwest Festival. Star Ben Konigsberg is best known for his role as Yusef on the Netflix original series “Orange is the New Black” as well as Hal in Tim Blake Nelson’s latest film “Anesthesia.”
Read More: SXSW: Complete List of Winners at the 2016 Film Awards
Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Related stories'Don't Think Twice' Trailer: Mike Birbiglia's Latest Film Follows the Trials & Tribulations of An Improv GroupIndie Legend Who Inspired Sundance, 'Reservoir Dogs' And More Will Have Classic Films RestoredWatch: Take a Tab of 'Orange Sunshine' in Fizzy and Bright New Trailer »
- Vikram Murthi
This month, Brooklyn plays home to the annual BAMCinemaFest, featuring both some tried and true festival favorites (imagine if Sundance just happened to take place in New York City in the summer) and some brand-new standouts. Here’s the best of what’s on offer, as curated and culled by the IndieWire film team.
“Little Men” New York City-centric filmmaker Ira Sachs has long used his keen observational eye to track the worlds of the city’s adult denizens with features like “Love is Strange” and “Keep the Lights On,” but he’s going for a younger set of stars (and troubles) in his moving new feature, “Little Men.” The new film debuted at Sundance earlier this year, where it pulled plenty of heartstrings (including mine) with its gentle, deeply human story of two seemingly different young teens (Theo Taplitz as the worldly Jake, Michael Barbieri as the more rough and tumble Tony) who quickly bond when one of them moves into the other’s Brooklyn neighborhood. Jake and Tony become fast friends, but their relationship is threatened by drama brewing between their parents, as Jake’s parents own the small store that Tony’s mom operates below the family’s apartment.When Jake’s parents (Greg Kinnear and Jennifer Ehle) are bothered by looming money troubles, they turn to Tony’s mom (Paulina García) and ask her to pay a higher rent, a seemingly reasonable query that has heart-breaking consequences for both families and both boys. It’s a small story that hits hard, thanks to wonderful performances and the kind of emotion that’s hard to fake. – Kate Erbland “Kate Plays Christine”
It’s usually easy enough to find common themes cropping up at various film festivals, but few people could have anticipated that this year’s Sundance would play home to two stories about Christine Chubbuck, a tragic tale that had been previously unknown by most of the population (the other Chubbuck story to crop up at Sundance was Antonio Campos’ closely observed narrative “Christine,” a winner in its own right). In 1974, Chubbuck — a television reporter for a local Sarasota, Florida TV station — killed herself live on air after a series of disappointing events and a lifetime of mental unhappiness. Robert Greene’s “Kate Plays Christine” takes an ambitious angle on Chubbuck’s story, mixing fact and fiction to present a story of an actress (Kate Lyn Sheil) grappling with her preparations to play Chubbuck in a narrative feature that doesn’t exist. Sheil is tasked with playing a mostly real version of herself, a heightened version of herself as the story winds on and even Chubbuck in a series of re-enactments. The concept is complex, but it pays off, and “Kate Plays Christine” is easily one of the year’s most ambitious and fascinating documentaries. – Ke
This eye-opening documentary focuses on Brooklyn-based tailoring company Bindle & Keep, which designs clothes for transgender and gender fluid clients. Produced by Lena Dunham and her “Girls” producer Jenni Konner, the HBO Documentary looks at fashion through the eyes of several people across the gender identity spectrum, including a transitioning teen in need of a suit for his Bar Mitzvah and a transgender man buying a tuxedo for his wedding. The film has a deep personal connection to Dunham, whose gender nonconforming sister Grace has been a vocal activist within the transgender community. “Suited” is the first solo-directing effort from Jason Benjamin, who previously co-directed the 2002 documentary “Carnival Roots,” about Trinidad & Tobago’s annual music festival. – Graham Winfrey
Todd Solondz’s first directorial effort since 2011’s “Dark Horse” is literally about an animal this time. “Wiener-Dog” follows a dachshund that goes from one strange owner to the next, serving as a central character in four stories that bring out the pointlessness of human existence. The offbeat comedy’s stellar cast includes Greta Gerwig, Danny DeVito, Julie Delpy and “Girls’” Zosia Mamet. Amazon nabbed all domestic media rights to the film at this year’s Sundance Film Festival, while IFC Films is handling the theatrical release. Financed by Megan Ellison’s Annapurna Pictures and produced by Christine Vachon’s Killer Films, the film marked Solondz’s first movie to play at Sundance since 1995’s “Welcome to the Dollhouse.” – Gw
Eagle Pennell has become lost to film history, despite making two of the most important films of the modern indie era. His 1978 film “The Whole Shootin’ Match” inspired Robert Redford to start Sundance and his 1984 classic “Last Night at the Alamo” has been championed by Tarantino and Linklater, who along with IFC Films and SXSW founder Louis Black is responsible for the restoration that will be playing at Bam. “Alamo,” which tells the story of a cowboy’s last ditch effort to save a local watering hole, is credited for having given birth to the Austin film scene and for laying the groundwork for the rebirth of the American indie that came later in the decade. Pennell’s career was cut short by alcoholism, but “Alamo” stands tribute to his incredible talent, pioneering spirit and the influence he’s had on so many great filmmakers. – Chris O’Falt
Read More: Indie Legend Who Inspired Sundance, ‘Reservoir Dogs’ And More Will Have Classic Films Restored
“Author: The J.T. LeRoy Story”
J.T. Leroy was an literary and pop culture sensation, until it was revealed that the HIV-positive, ex-male-prostitute teenage author was actually the creation of a 40 year old mother by the name Laura Albert. Jeff Feuerzeig’s documentary, starring Albert and featuring her recorded phone calls from the hoax, is the best yarn of 2016. You will not believe the twist-and-turns of the behind the scenes story of how Albert pulled off the hoax and cultivated close relationships (with her sister-in-law posing at Jt) with celebrities like filmmaker Gus Van Sant and Smashing Pumpkins’ Bill Corgan, both of whom play key supporting roles in this stranger-than-fiction film. Trust us, “Author” will be one of the most entertaining films you see this summer. – Co
Loosely based on the 2012 shooting in Aurora, Colorado during a multiplex screening of “The Dark Knight,” Tim Sutton’s elegantly designed “Dark Night” contains a fascinating, enigmatic agenda. In its opening moments, Maica Armata’s mournful score plays out as we watch a traumatized face lit up by the red-blue glow of a nearby police car. Mirroring the media image of tragedy divorced from the lives affected by it, the ensuing movie fills in those details. Like Gus Van Sant’s “Elephant,” Sutton’s ambitious project dissects the moments surrounding the infamous event with a perceptive eye that avoids passing judgement. While some viewers may find this disaffected approach infuriating — the divisive Sundance reaction suggested as much — there’s no doubting the topicality of Sutton’s technique, which delves into the malaise of daily lives that surrounds every horrific event of this type with a keen eye. It may not change the gun control debate, but it adds a gorgeous and provocative footnote to the conversation. – Eric Kohn
Musa Syeed’s tender look at a Somali refugee community in Minneapolis puts a human face on the immigration crisis through the exploits of Adan (Barkhad Abdirahman), a young man adrift in his solitary world. Kicked out by his mother and unwelcome at the local mosque where he tries to crash, Adan meets his only source of companionship in a stray dog he finds wandering the streets. Alternating between social outings and job prospects, Adan’s struggles never strain credibility, even when an FBI agent tries to wrestle control of his situation to turn him into a spy. Shot with near-documentary realism, Syed’s insightful portrait of his forlorn character’s life recalls the earlier films of Ramin Bahrani (“Man Push Cart,” “Chop Shop”), which also capture an oft-ignored side of modern America. With immigration stories all too frequently coopted for political fuel, “A Stray” provides a refreshingly intimate alternative, which should appeal to audiences curious about the bigger picture — or those who can relate to it. – Ek
After making a blistering impression at the Sundance Film Festival earlier this year, Andrew Neel’s fraternity psychodrama “Goat” comes to Bam with great acclaim and sky high anticipation. Starring breakout Ben Schnetzer and Nick Jonas, the film centers around a 19-year-old college student who pledges the same fraternity as his older brother, only to realize the world of hazing and endless parties is darker than he could ever imagine. In lesser hands, “Goat” would be a one-note takedown of hedonistic bro culture, but Neel’s slick direction brings you to the core of animalistic behavior and forces you to weigh the clashing egos of masculinity. By cutting underneath the layers of machismo, Neel creates a drama of insecurities buried beneath the war between predator and prey. It’s an intense and intelligent study of a world the movies have always been obsessed with. – Zack Sharf
Brady Corbet has been one of the most reliable supporting actors in films like “Funny Games,” “Force Majeure,” “Clouds of Sils Maria” and more, and he even broke through as a lead in the great indie “Simon Killer,” but it turns out Corbet’s real skills are behind the camera. In his directorial debut, “The Childhood of a Leader,” the actor creates an unnerving period psychodrama that evokes shades of “The Omen” by way of Hitchcock. Set in Europe after Wwi, the movie follows a young boy as he develops a terrifying ego after witnessing the creation of the Treaty of Versailles. Cast members Robert Pattinson and Berenice Bejo deliver reliably strong turns, but it’s Corbet’s impressive control that makes the film a tightly-wound skin-crawler. His ambition is alive in every frame and detail, resulting in a commanding debut that announces him as a major filmmaker to watch. – Zs
Meet your new obsession: A spellbinding homage to old pulp paperbacks and the Technicolor melodramas of the 1960s, Anna Biller’s “The Love Witch” is a throwback that’s told with the kind of perverse conviction and studied expertise that would make Quentin Tarantino blush. Shot in velvety 35mm, the film follows a beautiful, sociopathic, love-starved young witch named Elaine (Samantha Robinson, absolutely unforgettable in a demented breakthrough performance) as she blows into a coastal Californian town in desperate search of a replacement for her dead husband. Sex, death, Satanic rituals, God-level costume design, and cinema’s greatest tampon joke ensue, as Biller spins an arch but hyper-sincere story about the true price of patriarchy. – David Ehrlich
Coming-of-age movies are a dime a dozen (and the going rate is even cheaper at Sundance), but Chad Hartigan’s absurdly charming follow-up to “This Is Martin Bonner” puts a fresh spin on a tired genre. Played by lovable newcomer Markees Christmas, Morris is a 13-year-old New Yorker who’s forced to move to the suburbs of Germany when his widower dad (a note-perfect Craig Robinson) accepts a job as the coach of a Heidelberg soccer team. It’s tough being a teen, but Morris — as the only black kid in a foreign town that still has one foot stuck in the old world — has it way harder than most. But there’s a whole lot of joy here, as Hartigan’s sweet and sensitive fish out of water story leverages a handful of killer performances into a great little movie about becoming your own man. – De
BAMCinemaFest 2016 runs from June 15 – 26.
Stay on top of the latest breaking film and TV news! Sign up for our Festivals newsletter here.
Related storiesChristine Chubbuck: Video Exists of Reporter's On-Air Suicide That Inspired Two Sundance Films'Wiener-Dog' Trailer: Greta Gerwig Befriends a Dachshund in Todd Solondz's Dark Sundance Comedy'Little Men,' 'Wiener-Dog' and More Set for BAMcinemaFest 2016 -- Indiewire's Tuesday Rundown »
- Kate Erbland, Eric Kohn, David Ehrlich, Zack Sharf, Chris O'Falt and Graham Winfrey
Ryan Gosling’s private investigator makes most of his discoveries by falling off, over and into things
In the late 80s, Shane Black’s Lethal Weapon script became a touchstone for saleable, hard-boiled, odd-couple buddy pics, movies that combined action, comedy and wise-assed verbal vulgarity in varying measures. 1991’s The Last Boy Scout built on Black’s fondness for smart, nihilistic profanity, predating the arrival of Reservoir Dogs, after which anything involving swearing, guns and cine-literacy would be lazily labelled “Tarantino-esque”. In 1996, Black made headlines by earning a record-breaking $4m for penning the script for what became the Geena Davis/Samuel Jackson thriller The Long Kiss Goodnight. But it wasn’t until 2005 that the writer finally turned director with Kiss Kiss Bang Bang, a tongue-in-cheek La neo-noir, the mistyped tagline for which ran: “SeX. »
- Mark Kermode, Observer film critic
Review by Stephen Tronicek
Lots of good movies borrow from great movies. Tarantino did it in Reservoir Dogs, and Scorsese even did it in The Departed. Good ideas come from throwbacks of famous genres past all the time. The Last Heist steals from all the heist movies, and tries to be as interesting as most of those. One can only imagine the pitch for The Last Heist: We’re going to do a sleek modern robbers movie, but one of the guys in the bank is a serial killer. That premise is all well and good, but it’s also pretty much the last thing that The Last Heist has to offer.
The plot here is as mentioned before. The Last Heist is a movie about a group of robbers who try to rob a closing safety deposit box center, but soon encounter a brutal serial killer. It’s a fun idea, »
- Movie Geeks
Schrader and Dafoe – who plays psychotic criminal Mad Dog – discuss the director’s latest film, Dog Eat Dog, a bad-taste epic for the ‘post-rules generation’
Deep in the filth, squashed under the weight of the American dream, three men with crazy names (Troy, Mad Dog and Diesel) scrabble for space. Try as they might, the gangsters at the heart of Paul Schrader’s latest are damned. Down they go, still clinging to the hope of one last, redemptive job, digging on deep to the gates of hell.
Dog Eat Dog, which was let off the leash at last week’s Cannes film festival, is a hard-scrap story. Based on the book by former criminal, writer and actor Eddie Bunker (who played Reservoir Dogs’s Mr Blue), it’s set and shot among the strip malls and dive bars of post-crash Cleveland. Nicolas Cage stars as Troy, a once-wealthy heir whose fortunes have crumbled. »
- Henry Barnes
Paul Schrader might want to consider expanding his thematic scope a little. Decade after decade, film after film, regardless of whether he’s been writing scripts for others (Martin Scorsese, first and foremost), or sitting in the director’s chair himself, the erstwhile Calvinist has come back to the theme of redemption with obstinate persistence. His protagonists are almost always men, they’re almost always amoral sinners of some ilk or other, and they almost always yearn to break out of the wicked, vicious cycles on which their lives have been relentlessly spinning. Not an unfruitful theme by any means, considering it has given rise to many a masterpiece across the history of cinema – of all arts, really – but Dog Eat Dog suggests that, as far his own filmmaking is concerned, Schrader may have exhausted its potential.
Things actually look promising at first. Taking the trashy gusto exhibited in The Canyons to whole new extremes, »
- Giovanni Marchini Camia
Thunderhead Entertainment recently secured a foreign distribution deal with ITN Distribution for the Benjamin Cooper-directed thriller, Lighthouse Keeper (inspired by an unfinished story from Edgar Allan Poe), which is featured in an official trailer. Also in today’s Highlights: details on the new Suicide Squad Mez-itz figures from Mezco Toyz and Vigilante Diaries Blu-ray and DVD release details.
Lighthouse Keeper Distribution Details and Trailer: Press Release: “Burbank, CA May 4, 2016 — Thunderhead Entertainment LLC has just inked a deal with ITN Distribution to handle foreign sales of their latest movie, Edgar Allan Poe’s Lighthouse Keeper.
ITN Distribution will represent Lighthouse Keeper at the upcoming Marche Du Film.
The deal follows the world premiere at »
- Tamika Jones
I’m a sucker for a good action/comedy and this announcement of Anchor Bay unleashing Vigilante Diaries this June/July is news to my ears. Based off the popular web series on Chill.com, the film features quite the ensemble cast, with Paul Sloan (I Am Wrath, The Night Crew), Quinton “Rampage” Jackson (The A-Team, Ufc Light Heavyweight Champ), action icon Michael Jai White (The Dark Knight, Black Dynamite), Jason Mewes (Clerks, Jay & Silent Bob Strike Back) and Michael Madsen (Reservoir Dogs, Kill Bill). The film is directed by Christian Sesma (Shoot the Hero) from a script written by Christian Sesma and Paul Sloan.
Vigilante Diaries revolves around a team of black-ops agents turned crime-fighters, led by an elusive, brooding anti-hero of near-mythical physical and weapons skills, known only as The Vigilante (Sloan). Abandoned by governments, corporations and his handlers and with a bounty on his head, The Vigilante »
- Jerry Smith
Anchor Bay Entertainment will be releasing Christian Sesma's action flick Vigilante Diaries in cinemas and iTunes on June 24th. The release will be quickly followed up by the Blu-ray, DVD and On Demand release on July 5th. Based off the popular web series on Chill.com, the film features an all-star ensemble cast led by Paul Sloan (I Am Wrath, The Night Crew), Quinton "Rampage" Jackson (The A-Team, Ufc Light Heavyweight Champ), action icon Michael Jai White (The Dark Knight, Black Dynamite), Jason Mewes (Clerks, Jay & Silent Bob Strike Back) and Michael Madsen (Reservoir Dogs, Kill Bill). The film is directed by Christian Sesma (Shoot the Hero) from a script written by Christian Sesma and Paul Sloan. Vigilante Diaries revolves around a team of black-ops...
[Read the whole post on twitchfilm.com...]
Anchor Bay have announced the release of the no nonsense action flick, Vigilante Diaries, which hits iTunes and select theatres on June 24. Based off the popular web series that premiered on Chill.com, the film features an all-star ensemble cast led by Paul Sloan (I Am Wrath, The Night Crew), Quinton "Rampage" Jackson (The A-Team), action icon Michael Jai White (The Dark Knight), Jason Mewes (Clerks, Jay & Silent Bob Strike Back) and Michael Madsen (Reservoir Dogs, Kill Bill).
Vigilante Diaries revolves around a team of black-ops agents turned crime-fighters, led by an elusive, [Continued ...] »
The Weinstein Company didn't exactly make a splash at Cannes this year, but it has compensated somewhat with an intriguing announcement during the festival: It has acquired worldwide rights (excluding French-speaking territories) to documentary "21 Years: Quentin Tarantino," from producer-director by Tara Wood. With Tarantino, Harvey and Bob Weinstein have enjoyed the closest thing the film industry has to a patron-artist relationship. They started working with Tarantino nearly 25 years ago on his first film "Reservoir Dogs" and have backed all his projects ever since. Wood is turning to Tarantino in her doc series after "21 Years: Richard Linklater" (which was released by Gravitas Ventures) and is selling a third project at Cannes. With access from the Weinsteins and their in-house filmmaker, Wood will apply her 21-year approach to Tarantino. She'll interview his collaborators, friends and fellow filmmakers about working and hanging with »
- Anne Thompson
Adapted from Ed Bunker’s cult novel, Schrader’s thriller about three ex-cons is his best work in years – though he should probably have avoided casting himself
In 1992, Quentin Tarantino revealed his love for cult crime author Edward Bunker by casting him as Mr Blue in Reservoir Dogs; the former San Quentin prison inmate and reformed armed robber whose hardboiled genre fiction was unrivalled in its authenticity. Three years later, and benefitting from a colossal career-boost, Bunker published a new novel entitled Dog Eat Dog, a nod to Tarantino’s debut. Paul Schrader has now filmed it, shifting the scene from Los Angeles to Cleveland, and working from an adaptation by screenwriter Matthew Wilder.
It’s the right director for the right project and the result is Schrader’s best for years: a lairy, nasty, tasty crime thriller built on black-comic chaos. Dog Eat Dog isn’t perfect: the opening scene could have been cut, »
- Peter Bradshaw
1-20 of 73 items from 2016 « Prev | Next »
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners