| Photos (See all 72 | slideshow) | Videos (see all 8) |
| Harvey Keitel | ... | Mr. White - Larry Dimmick | |
| Tim Roth | ... | Mr. Orange - Freddy Newandyke | |
| Michael Madsen | ... | Mr. Blonde - Vic Vega | |
| Chris Penn | ... | Nice Guy Eddie Cabot | |
| Steve Buscemi | ... | Mr. Pink | |
| Lawrence Tierney | ... | Joe Cabot | |
| Edward Bunker | ... | Mr. Blue (as Eddie Bunker) | |
| Quentin Tarantino | ... | Mr. Brown | |
| Randy Brooks | ... | Holdaway | |
| Kirk Baltz | ... | Ofcr. Marvin Nash | |
| Steven Wright | ... | K-Billy DJ (voice) | |
| Rich Turner | ... | Sheriff #1 | |
| David Steen | ... | Sheriff #2 | |
| Tony Cosmo | ... | Sheriff #3 | |
| Stevo Polyi | ... | Sheriff #4 (as Stevo Poliy) | |
| Michael Sottile | ... | Teddy | |
| Robert Ruth | ... | Shot Cop | |
| Lawrence Bender | ... | Young Cop / Radio Play Background Voice | |
| Linda Kaye | ... | Shocked Woman | |
| Suzanne Celeste | ... | Shot Woman | |
| Laurie Latham | ... | Radio Play Background Voice (voice) | |
| Maria Strova | ... | Radio Play Background Voice (voice) | |
| Burr Steers | ... | Radio Play Background Voice (voice) | |
| Craig Hamann | ... | Radio Play Background Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Rowland Wafford | ... | Diner Patron (uncredited) | |
Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (written by) | |
| Roger Avary | (background radio dialog) & | |
| Quentin Tarantino | (background radio dialog) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Richard N. Gladstein | .... | executive producer | |
| Monte Hellman | .... | executive producer | |
| Harvey Keitel | .... | co-producer | |
| Ronna B. Wallace | .... | executive producer | |
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Ronnie Yeskel | |||
Production Design by | |||
| David Wasco | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Michelle Bühler | .... | makeup artist (as Michelle Buhler) | |
| Iain Jones | .... | hair designer | |
| Jamie Melbourne | .... | assistant hair stylist | |
| Jamie Melbourne | .... | makeup artist | |
| Rachel Tanner | .... | hair stylist (as Rachelle Tanner) | |
| Wayne Toth | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Paul Hellerman | .... | production manager | |
Art Department | |||
| Jonathan Bobbitt | .... | swing gang | |
| Jonathan R. Hodges | .... | property master | |
| Cliff Lane | .... | property assistant (as Clifford Lane) | |
| Douglas Matthew McMahon | .... | property assistant | |
| Edward J. Protiva | .... | swing gang | |
| Brett C. Smith | .... | lead man | |
| Greg Wilkinson | .... | assistant propmaster | |
Sound Department | |||
| Ron Bartlett | .... | sound re-recording mixer | |
| Matthew C. Beville | .... | weddington recordist | |
| Mark Coffey | .... | weddington recordist | |
| Stephen Hunter Flick | .... | supervising sound editor (as Stephen H. Flick) | |
| Dwayne S. Henkel | .... | boom operator | |
| John Hulsman | .... | assistant sound editor | |
| Dave Moreno | .... | weddington recordist | |
| Donald Ortiz | .... | assistant sound editor | |
| Cecilia Perna | .... | foley mixer | |
| Mary Louise Rodgers | .... | foley artist | |
| Geoffrey G. Rubay | .... | supervising sound editor | |
| Michael Salvetta | .... | foley artist (as Michael A. Salvetta) | |
| Curt Schulkey | .... | sound editor | |
| Ken Segal | .... | production sound mixer | |
| Charles Ewing Smith | .... | sound editor (as Chuck Smith) | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| David E. Stone | .... | sound editor (as Dave Stone) | |
Special Effects by | |||
| Stephen DeLollis | .... | special effects (as Steve DeLollis) | |
| Pat Domenico | .... | key special effects | |
| Larry Fioritto | .... | special effects coordinator | |
| Rick Yale | .... | special effects | |
Visual Effects by | |||
| Dave Gregory | .... | optical supervisor: Title House Inc. (uncredited) | |
Stunts | |||
| Marian Green | .... | stunts | |
| Marcia Holley | .... | stunts | |
| Ken Lesco | .... | stunt coordinator | |
| Ken Lesco | .... | stunts | |
| Pat McGroarty | .... | stunts | |
Camera and Electrical Department | |||
| Dink Adams | .... | best boy grip | |
| Joey D. Brown | .... | electrician | |
| Linda R. Chen | .... | unit photographer (as Linda Chen) | |
| Jay Dahlquist | .... | best boy electric | |
| Ziad Doueiri | .... | first assistant camera | |
| Randall Guth | .... | second assistant camera | |
| Ross Katz | .... | grip (as Ross Andrews Katz) | |
| Greg R. McCullough | .... | gaffer | |
| Neil Michaels | .... | electrician | |
| Mark Emery Moore | .... | Steadicam operator (as Mark Moore) | |
| Katie Nilson | .... | best boy electric | |
| Chris J. Rossi | .... | grip (as Chris Rossi) | |
| Alan Sherrod | .... | director of photography: second unit | |
| Lynn Smith | .... | first assistant Steadicam | |
| Robert John Speer | .... | generator operator | |
| Miles Thomas | .... | best boy grip | |
| Ric Urbauer | .... | key grip | |
| Dennis K. Wilson | .... | dolly grip | |
| Frank H. Woodward | .... | electrician | |
Casting Department | |||
| Peggy Kennedy | .... | casting associate | |
| Mary Santiago | .... | extras casting | |
| Cheryl Faye | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Jacqueline Aronson | .... | set costumer | |
| Melinda Eshelman | .... | assistant wardrobe (as Melinda Adele Eshelman) | |
| Mary Claire Hannan | .... | costume supervisor | |
| Steve Petix Jr. | .... | assistant wardrobe | |
| Steve Petty Jr. | .... | assistant wardrobe | |
Editorial Department | |||
| Doug Cawker | .... | apprentice editor | |
| Michael Chaskes | .... | apprentice editor | |
| Kelley Dixon | .... | first assistant editor | |
| Carrie Elizabeth Foresman | .... | first assistant editor | |
| Mark Lass | .... | negative cutter | |
| Brandon McNaughton | .... | apprentice editor | |
| Nancy Perry | .... | first assistant editor | |
| Jennifer Pyken | .... | post-production assistant | |
| Boyd Steer | .... | negative cutter | |
| William W. Williams | .... | first assistant editor | |
| Chuck Winston | .... | color timer | |
Music Department | |||
| Nancy Lynn Hurlbut | .... | assistant music supervisor | |
| Kathy Nelson | .... | music supervisor: MCA | |
| Karyn Rachtman | .... | music supervisor | |
Transportation Department | |||
| David Coffee | .... | driver | |
| Steve Croff | .... | driver | |
| Michael Doggett | .... | transportation consultant (as Mike Doggett) | |
| Ben C. Giller | .... | transportation captain | |
| James Lowder | .... | transportation coordinator (as James R. Lowder) | |
| Robert John Speer | .... | driver | |
Thanks | |||
| Rebecca Boss | .... | special thanks (as Becka Boss) | |
| Timothy Carey | .... | dedicatee | |
| Michael D. Carlin | .... | special thanks (as Mike Carlon) | |
| Merry Cheers | .... | special thanks | |
| Yun-Fat Chow | .... | dedicatee (as Chow Yuen Fat) | |
| Roger Corman | .... | dedicatee | |
| André De Toth | .... | dedicatee (as Andre DeToth) | |
| Peter Flood | .... | special thanks | |
| Terry Gilliam | .... | special thanks | |
| Jean-Luc Godard | .... | dedicatee | |
| Ulu Grosbard | .... | special thanks | |
| Alison Howard | .... | special thanks | |
| Cathryn Jaymes | .... | special thanks | |
| John Lieberman | .... | thanks (as Mr. John Lieberman) | |
| Kenneth McGregor | .... | special thanks (as Kenneth McGreggor) | |
| Jean-Pierre Melville | .... | dedicatee (as Jean Pierre Melville) | |
| Harry Nilsson | .... | special thanks | |
| Lilly Parker | .... | special thanks | |
| Laurie Post | .... | special thanks | |
| Stephen Sacks | .... | special thanks | |
| Tony Safford | .... | special thanks | |
| Michelle Satter | .... | special thanks | |
| Tony Scott | .... | special thanks | |
| Stacey Sher | .... | special thanks (as Stacy Sher) | |
| Todd M. Thaler | .... | special thanks (as Todd Thaler) | |
| Lawrence Tierney | .... | dedicatee | |
| Bill Unger | .... | special thanks | |
| Greta von Steinbauer | .... | special thanks (as Greta Vonsteinbauer) | |
| Lionel White | .... | dedicatee | |
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The first time I saw Reservoir Dogs, I was about 15, it had been banned in my country, and I heard it was extremely voilent. Naturally I did everything in my power to get my paws on a copy, and when I finally did see it, I was disappointed. I was just sitting there saying "Wheres all the violence", Anyway, I watched it till the end, and then I watched it again, and since then it has just grew on me.
This is one of the movies I don't get bored watching time and time again. I still watch it at least once a year, because its not the kind of movie you watch to unwind or to pass the time. You simply watch it for the sheer quality and originality of the movie. The one liners are classic: "Are you gonna bark all day...", "I'll make you my dog's bitch". Mr.Blonde is totally believable as a psycho. I mean who stops to get fries and soda just after committing a robbery? The fact that everything is ludicrous, but you don't know this because these guys, and the way they talk is so impossibly cool that you just accept it. This movie is all about the dialog. The violence is used sparingly, and to better effect. The way the film is edited is genius. Its almost like you forget the whole movie after you watch it, and the next time you watch it, there's a whole scene that you forgot was there. The storyline is unpredictable and thrilling. This is better that Pulp Fiction and in my opinion definitely Tarintino's best movie. I didn't care much for the "Kill Bill" movies, but who cares, I'm not reviewing them.
If you haven't seen Reservoir Dogs, just rent it, buy it or steal it right now.