IMDb > Reservoir Dogs (1992)
Reservoir Dogs
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Reservoir Dogs (1992) More at IMDbPro »

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Reservoir Dogs -- Trailer for Reservoir Dogs
Reservoir Dogs -- After a simple jewelery heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant.
Reservoir Dogs -- After a simple jewelery heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant.
Reservoir Dogs -- After a simple jewelery heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant.

Overview

User Rating:
8.4/10   496,394 votes »
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Director:
Writers:
Quentin Tarantino (written by)
Roger Avary (background radio dialog) ...
(more)
Contact:
View company contact information for Reservoir Dogs on IMDbPro.
Release Date:
23 October 1992 (USA) See more »
Genre:
Tagline:
Seven Total Strangers Team Up For The Perfect Crime. They Don't Know Each Other's Name. But They've Got Each Other's Color See more »
Plot:
After a simple jewelery heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant. Full summary » | Full synopsis »
Plot Keywords:
Awards:
12 wins & 10 nominations See more »
User Reviews:
A BLOODY classic! See more (869 total) »

Cast

  (in credits order) (verified as complete)

Directed by
Quentin Tarantino 
 
Writing credits
Quentin Tarantino (written by)

Roger Avary (background radio dialog) &
Quentin Tarantino (background radio dialog)

Produced by
Lawrence Bender .... producer
Richard N. Gladstein .... executive producer
Monte Hellman .... executive producer
Harvey Keitel .... co-producer
Ronna B. Wallace .... executive producer
 
Cinematography by
Andrzej Sekula 
 
Film Editing by
Sally Menke 
 
Casting by
Ronnie Yeskel 
 
Production Design by
David Wasco 
 
Set Decoration by
Sandy Reynolds-Wasco 
 
Costume Design by
Betsy Heimann 
 
Makeup Department
Michelle Bühler .... makeup artist (as Michelle Buhler)
Iain Jones .... hair designer
Jamie Melbourne .... assistant hair stylist
Jamie Melbourne .... makeup artist
Rachel Tanner .... hair stylist (as Rachelle Tanner)
Wayne Toth .... special makeup effects artist (uncredited)
 
Production Management
Paul Hellerman .... production manager
 
Second Unit Director or Assistant Director
Jamie Beardsley .... first assistant director
Kelly Kiernan .... second assistant director
Francis R. Mahony III .... first assistant director
Andy Spilkoman .... second second assistant director
Steven K. Thomas .... second second assistant director
 
Art Department
Jonathan Bobbitt .... swing gang
Jonathan R. Hodges .... property master
Cliff Lane .... property assistant (as Clifford Lane)
Douglas Matthew McMahon .... property assistant
Edward J. Protiva .... swing gang
Brett C. Smith .... lead man
Greg Wilkinson .... assistant propmaster
 
Sound Department
Ron Bartlett .... sound re-recording mixer
Matthew C. Beville .... weddington recordist
Mark Coffey .... weddington recordist
Stephen Hunter Flick .... supervising sound editor (as Stephen H. Flick)
Dwayne S. Henkel .... boom operator
John Hulsman .... assistant sound editor
Dave Moreno .... weddington recordist
Donald Ortiz .... assistant sound editor
Cecilia Perna .... foley mixer
Mary Louise Rodgers .... foley artist
Geoffrey G. Rubay .... supervising sound editor
Michael Salvetta .... foley artist (as Michael A. Salvetta)
Curt Schulkey .... sound editor
Ken Segal .... production sound mixer
Charles Ewing Smith .... sound editor (as Chuck Smith)
Steve F.B. Smith .... stereo sound consultant: Dolby
David E. Stone .... sound editor (as Dave Stone)
 
Special Effects by
Stephen DeLollis .... special effects (as Steve DeLollis)
Pat Domenico .... key special effects
Larry Fioritto .... special effects coordinator
Rick Yale .... special effects
 
Visual Effects by
Dave Gregory .... optical supervisor: Title House Inc. (uncredited)
 
Stunts
Marian Green .... stunts
Marcia Holley .... stunts
Ken Lesco .... stunt coordinator
Ken Lesco .... stunts
Pat McGroarty .... stunts
 
Camera and Electrical Department
Dink Adams .... best boy grip
Joey D. Brown .... electrician
Linda R. Chen .... unit photographer (as Linda Chen)
Jay Dahlquist .... best boy electric
Ziad Doueiri .... first assistant camera
Randall Guth .... second assistant camera
Ross Katz .... grip (as Ross Andrews Katz)
Greg R. McCullough .... gaffer
Neil Michaels .... electrician
Mark Emery Moore .... Steadicam operator (as Mark Moore)
Katie Nilson .... best boy electric
Chris J. Rossi .... grip (as Chris Rossi)
Alan Sherrod .... director of photography: second unit
Lynn Smith .... first assistant Steadicam
Robert John Speer .... generator operator
Miles Thomas .... best boy grip
Ric Urbauer .... key grip
Dennis K. Wilson .... dolly grip
Frank H. Woodward .... electrician
 
Casting Department
Peggy Kennedy .... casting associate
Mary Santiago .... extras casting
Cheryl Faye .... extras casting (uncredited)
 
Costume and Wardrobe Department
Jacqueline Aronson .... set costumer
Melinda Eshelman .... assistant wardrobe (as Melinda Adele Eshelman)
Mary Claire Hannan .... costume supervisor
Steve Petix Jr. .... assistant wardrobe
Steve Petty Jr. .... assistant wardrobe
 
Editorial Department
Doug Cawker .... apprentice editor
Michael Chaskes .... apprentice editor
Kelley Dixon .... first assistant editor
Carrie Elizabeth Foresman .... first assistant editor
Mark Lass .... negative cutter
Brandon McNaughton .... apprentice editor
Nancy Perry .... first assistant editor
Jennifer Pyken .... post-production assistant
Boyd Steer .... negative cutter
William W. Williams .... first assistant editor
Chuck Winston .... color timer
 
Music Department
Nancy Lynn Hurlbut .... assistant music supervisor
Kathy Nelson .... music supervisor: MCA
Karyn Rachtman .... music supervisor
 
Transportation Department
David Coffee .... driver
Steve Croff .... driver
Michael Doggett .... transportation consultant (as Mike Doggett)
Ben C. Giller .... transportation captain
James Lowder .... transportation coordinator (as James R. Lowder)
Robert John Speer .... driver
 
Other crew
Wayne Alexander .... legal services (as L. Wayne Alexander)
Roger Avary .... creator: Dog Eat Dog logo
Marina Bailey .... unit publicist
Wendy Baker .... production assistant
Warren Betts .... public relations: Live America
Ian Blackman .... reader
Suzanne Celeste .... dialect coach
Bruce Comtois .... set security
R. Blaine Currier .... production accountant
Billy A. Fox .... location manager
Judith E. Goldman .... assistant location manager (as Judy Goldman)
Carlos K. Goodman .... legal services
Debra Grieco .... assistant accountant
Jim Harper .... reader
Enid L. Kantor .... production coordinator
Jeannie H. Kelly .... craft service
Martin Kitrosser .... script supervisor
Stephanie Jo Meckler .... legal services: Live America
Melanie Molyneux .... set medic
Cathy Ragona .... assistant: Richard N. Gladstein
Moses Robinson .... production assistant
Julie Rohde-Brown .... assistant coordinator (as Juliet Brown)
Scott Sampler .... production assistant
Nicholas Toth .... animal handler
Liz Treadwell .... production assistant (as Elizabeth Treadwell)
Michael Mendelsohn .... financial consultant (uncredited)
Ante Novakovic .... assistant: Harvey Keitel (uncredited)
Marino Pascal .... location scout (uncredited)
Jon Sperry .... dialect coach: Harvey Keitel (uncredited)
 
Thanks
Rebecca Boss .... special thanks (as Becka Boss)
Timothy Carey .... dedicatee
Michael D. Carlin .... special thanks (as Mike Carlon)
Merry Cheers .... special thanks
Yun-Fat Chow .... dedicatee (as Chow Yuen Fat)
Roger Corman .... dedicatee
André De Toth .... dedicatee (as Andre DeToth)
Peter Flood .... special thanks
Terry Gilliam .... special thanks
Jean-Luc Godard .... dedicatee
Ulu Grosbard .... special thanks
Alison Howard .... special thanks
Cathryn Jaymes .... special thanks
John Lieberman .... thanks (as Mr. John Lieberman)
Kenneth McGregor .... special thanks (as Kenneth McGreggor)
Jean-Pierre Melville .... dedicatee (as Jean Pierre Melville)
Harry Nilsson .... special thanks
Lilly Parker .... special thanks
Laurie Post .... special thanks
Stephen Sacks .... special thanks
Tony Safford .... special thanks
Michelle Satter .... special thanks
Tony Scott .... special thanks
Stacey Sher .... special thanks (as Stacy Sher)
Todd Thaler .... special thanks
Lawrence Tierney .... dedicatee
Bill Unger .... special thanks
Greta von Steinbauer .... special thanks (as Greta Vonsteinbauer)
Lionel White .... dedicatee
 
Crew verified as complete


Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
MPAA:
Rated R for strong violence and language (certficate #31489)
Runtime:
99 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Argentina:18 (DVD rating) | Australia:R | Australia:MA (Cable TV rating) | Belgium:KNT | Brazil:18 | Canada:R | Canada:R (Ontario) | Canada:18+ (Quebec) (Original rating) | Canada:16+ (Québec) | Canada:18A (Alberta) (2009) | Denmark:15 (DVD rating) | Finland:K-16 (cut) (VHS) (1993) | Finland:K-18 (uncut) (1993) (2002) | France:16 | Germany:18 | Hong Kong:III | Hungary:18 | Iceland:16 | Ireland:18 | Israel:18 | Italy:VM18 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Philippines:R-18 | Portugal:M/16 | Singapore:R(A) | Singapore:M18 (uncut) | South Africa:16 | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) | Spain:18 | Sweden:15 | UK:18 | USA:TV-MA (cable rating) | USA:R (certficate #31489)

Did You Know?

Trivia:
Michael Madsen had difficulty filming the torture scenes. He was particularly reluctant when he was required to hit actor Kirk Baltz. When the cop, pleading for his life, says that he has a child at home (a line not in the script), Madsen, himself a new father at the time, was so disturbed by the idea of leaving a child fatherless that he couldn't finish the scene.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): When Mr. White and Mr. Pink are talking in the room about what happened, Mr. White gives Mr. Pink a cigarette and takes one for himself. He then lights Mr. Pink's but then he only holds the lighter up to the end of his own cigarette without actually lighting it.See more »
Quotes:
[first lines]
Mr. Brown:Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
Mr. Blonde:No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Mr. Brown:Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Joe:Toby... Who the fuck is Toby? Toby...
Mr. Brown:'Like a Virgin' is not about this sensitive girl who meets a nice fella. That's what "True Blue" is about, now, granted, no argument about that.
Mr. Orange:Which one is 'True Blue'?
Nice Guy Eddie:'True Blue' was a big ass hit for Madonna. I don't even follow this Tops In Pops shit, and I've at least heard of "True Blue".
Mr. Orange:Look, asshole, I didn't say I ain't heard of it. All I asked was how does it go? Excuse me for not being the world's biggest Madonna fan.
Mr. Blonde:Personally, I can do without her.
Mr. Blue:I like her early stuff. You know, 'Lucky Star', 'Borderline' - but once she got into her 'Papa Don't Preach' phase, I don't know, I tuned out.
Mr. Brown:Hey, you guys are making me lose my... train of thought here. I was saying something, what was it?
Joe:Oh, Toby was this Chinese girl, what was her last name?
Mr. White:What's that?
Joe:I found this old address book in a jacket I ain't worn in a coon's age. What was that name?
Mr. Brown:What the fuck was I talking about?
Mr. Pink:You said 'True Blue' was about a nice girl, a sensitive girl who meets a nice guy, and that 'Like a Virgin' was a metaphor for big dicks.
Mr. Brown:Lemme tell you what 'Like a Virgin' is about. It's all about this cooze who's a regular fuck machine, I'm talking morning, day, night, afternoon, dick, dick, dick, dick, dick, dick, dick, dick, dick.
Mr. Blue:How many dicks is that?
Mr. White:A lot.
Mr. Brown:Then one day she meets this John Holmes motherfucker and it's like, whoa baby, I mean this cat is like Charles Bronson in the 'Great Escape', he's digging tunnels. Now, she's gettin' the serious dick action and she's feeling something she ain't felt since forever. Pain. Pain.
Joe:Chew? Toby Chew?
Mr. Brown:It hurts her. It shouldn't hurt her, you know, her pussy should be Bubble Yum by now, but when this cat fucks her it hurts. It hurts just like it did the first time. You see the pain is reminding a fuck machine what it once was like to be a virgin. Hence, 'Like a Virgin'.
Joe:Wong?
See more »
Movie Connections:
Soundtrack:
Country's CoolSee more »

FAQ

What does Mr. Orange say to Mr. White as they're entering the warehouse?
What happens to Mr. Brown?
Is this film a remake of 'Lung fu fong wan'?
See more »
144 out of 240 people found the following review useful.
A BLOODY classic!, 3 January 2002
Author: John Taylor (jdtaylor@btinternet.com) from Bedfordshire, England

Reservoir Dogs will always go down as one of the most violent yet brilliant pieces of work ever to be shown on the silver screen. Tarrentino's script is brilliant and what is even more amazing is that it is his first movie. The acting is top grade , all the actors seem to come up with the performance of lives. There were calls when the film was released for it to be banned by the lilly livered liberals and while this is bloody and the language is coarse, for it to be banned would have deprived us of a classic Hollywood movie that oozes class as well as blood! 10 out of 10

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Message Boards

Discuss this movie with other users on IMDb message board for Reservoir Dogs (1992)
Recent Posts (updated daily)User
So do we all think Pink escaped or not? predatorxxxxx
The ommited dying scene of Mr Blue with Joe. old-skool101
Why he told him he was a cop? amaklp
Some co-incidences i figured roshan1312
i liked it better the first time it was done teodormihai1997
See more »

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