In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won't get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop. Written by
In 2014, Quentin Tarantino revealed in an interview that the entire soundtrack budget was spent on securing "Stuck in the Middle with You" for the film. Tarantino was content with having no other music in the film as long as he could use that song. The other songs were secured thanks to the producers managing to make a record deal for the soundtrack. Tarantino and the producers were well aware that that plan might not have worked out at all. See more »
(at around 1h 5 mins) When in the restaurant where we get the back story on Mr. Orange, the number of wadded up napkins on the table changes. See more »
Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Toby... Who the fuck is Toby? Toby...
'Like a Virgin' is not about this sensitive girl who meets a nice ...
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The opening credits leave out Writing and Directing credits. They are then shown first during the end credits. See more »
This is without a doubt one of the best movies I've ever seen and definately deserves its position on the Top 250. It's an acquired taste, but if you've been desensitised to violence (as i have), then you will want to watch this again from the minute it ends. Every single actor was perfectly fitted for its character. Steve Buscemi as the squirrely Mr. Pink, Harvey Keitel as the veteran Mr. White, and of course, Michael Madsen as the phsycotic Mr. Blonde. The list goes on and on.
Some people said that the violence was unnecessary and didn't move the plot forward as it did with Pulp Fiction. I agree, but the violence was used to develop the character's personalities. It showed their disregard for human life and that our anti-heros saw killing a cop as being as stepping on a cockroach .
I urge future viewers of this movie not to instantly compare it to Pulp Fiction and enjoy it as it's own film. An interesting thrill-ride crime drama from beginning to end, I give this film *****/*****
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