Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won't get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop. Written by
Officer Marvin Nash would have died from asphyxiation and inhalation of vapor very soon after the gasoline was poured over his head. The amount of gasoline in the warehouse when ignited would probably have reached Mr. Blonde in a fireball and blown out the windows. The vapor is heavy and would have covered the complete floor in seconds.
The way to really make officer Nash to suffer for a long time would have been to pour a small amount over his legs, then ignite it. See more »
Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Toby... Who the fuck is Toby? Toby...
'Like a Virgin' is not about this sensitive girl who meets a nice ...
[...] See more »
The opening credits leave out Writing and Directing credits. They are then shown first during the end credits. See more »
Hooked on a Feeling
Performed by Björn Skifs
Written by Francis Zambon (as Mark James)
Published by Screen Gems-EMI Music Publishing Inc.
Courtesy of EMI Records USA
A division of Capitol Records, Inc.
By Arrangement with CEMA Special Markets See more »
It's hard to get your head around the fact that 'Reservoir Dogs' has been around for ten years. It's almost difficult to remember a time before Tarantino made such an enormous impact (good and bad) on movies, but I saw this movie first time round before the hype. All I knew was that, like another "dog" movie from the same era that I saw, 'Man Bites Dog', that it was supposed to be violent, funny and disturbing, and that it starred a long time favourite of mine Harvey Keitel, and Tim Roth, who I mainly knew from Greenaway's 'The Cook The Thief His Wife & Her Lover'. Okay, I hope it's good I thought as I waited in the cinema listening to some half remembered 70s A.M. pop and a strange conversation about Madonna's sex life (the cinema was playing the soundtrack album before the main feature, but what did we know). Then the movie itself, electrifying and fascinating from the word go. It's impossible to describe the impact of seeing this for the first time without knowing what to expect! Still one of my greatest movie memories. Ten years later I've seen it countless times so the surprise has obviously worn off, but it is still a brilliant movie because beneath the violence and wise-cracks of Mr. Pink (Steve Buscemi - 'In The Soup'), Mr. Blonde (Michael Madsen - 'Thelma & Louise'), and Nice Guy Eddie (Chris Penn - 'At Close Range'), there is a lot of depth, that being the very human relationship between Mr. White (Keitel) and Mr.Orange (Roth). To me that is one of the things that elevates this above the many lame and unoriginal "Tarantinoesque" movies we've had to endure since 'Pulp Fiction'. His imitators just simply don't have a clue!
Simply brilliant cinema, and a modern classic. This is absolutely essential viewing!
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