After he accidentally kills his father, Mike, during a sting, Joe tries to carry out Mike's dying wish by recovering valuables that Mike's twin brother Lou stole from him years earlier. But... See full summary »
When Andrew Sterling, a successful black urbanite writer buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, ... See full summary »
E. Max Frye
Samuel L. Jackson,
On her deathbed, a mother makes her son promise never to get married, which scars him with psychological blocks to a commitment with his girlfriend. They finally decide to tie the knot in ... See full summary »
Sarah Jessica Parker
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle. Written by
Significant portions of this "Wyoming" film was shot on location in Montana, writer/director John Dahl and his brother, writer/producer Rick Dahl's home state, as well as Arizona. See more »
When Michael is driving to the gas station on the highway, the Cadillac's gearshift lever is in "Park". See more »
[Hitman Lyle from Dallas finds Michael laying down in the middle of the road]
What the fuck are you doing?
My car broke down.
Where? I don't see a car.
It's just over that ridge.
'Just over that ridge', huh? Well you're one lucky son of a bitch, aren't you? If I hadn't had my brakes just done, I'd be picking your brains out of my radiator. Fuck.
Look, I hate to ask you this, but do you think you could give me a ride?
I don't know. You're not dangerous, are you?
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Vaguely reminiscent of great 1940's westerns, like "The Treasure Of The Sierra Madre" (1948), "Red Rock West" is a story about conscience, greed, and betrayal. Michael (Nicolas Cage) is a down and out, but honest, young man from Texas who goes west in search of work and money. He finds both, but not in the way he had expected.
The film's screenplay contains plenty of surprises and plot twists. Excellent cinematography, adroit film editing, and moody western music add tension and suspense. The expansiveness of the big sky country provides a wonderful setting. And the acting ranges from good to excellent, with great performances from Dennis Hopper and J.T. Walsh. Dwight Yoakam's specially recorded country/western song provides the film with a strong finale.
Correctly labeled as neo-noir, "Red Rock West" strikes me as being something else, as well. The plot is full of amazing coincidences and improbable timing, so much so that others may regard the screenplay as flawed. Ordinarily, I would agree. In this case, however, when combined with the moody atmosphere, and the fact that the small town of Red Rock seems almost empty of normal daily life, the coincidences and unlikely timing suggest a story that, beyond "noirish", is ... surreal. It's almost as if fate deliberately intervenes with improbable events so as to force Michael to come to grips with himself. From this point of view, the coincidences are not script flaws at all. They are necessary plot points in a nightmarish story of a young man who must confront his own demons ... disguised as other characters.
All we need here is Rod Serling, in a postscript, explaining, in his always clearly enunciated voice, that ... a young man, searching for himself, stops in a small, almost deserted town a thousand miles from nowhere. It's his final layover in a journey to ... the twilight zone.
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