7.0/10
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78 user 51 critic

Red Rock West (1993)

Upon arriving to a small town, a drifter is mistaken for a hitman, but when the real hitman arrives, complications ensue.

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Cast

Cast overview, first billed only:
...
...
Jim
Vance Johnson ...
Mr. Johnson
Robert Apel ...
Howard
Bobby Joe McFadden ...
Old Man
...
...
Suzanne
...
Kurt
Ted Parks ...
Cashier
Babs Bram ...
Receptionist
Robert Guajardo ...
Doctor
Sarah Sullivan ...
Nurse
...
Deputy Greytack
...
Deputy Bowman
...
Lyle
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Storyline

When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle. Written by Rob Hartill

Plot Summary | Add Synopsis

Taglines:

Where nothing is as it seems. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language and violence, and for sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 May 1993 (Italy)  »

Also Known As:

Delito em Red Rock West  »

Filming Locations:

 »

Box Office

Budget:

$8,000,000 (estimated)

Gross:

$2,502,551 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

John Dahl named Dennis Hopper's character "Lyle from Dallas" after the director's first guitar, a Lyle guitar. See more »

Goofs

When Lyle and Michael are discussing both being in the Marine Corps; Lyle refers to Michael as "soldier" and at the end of the same conversation Micheal calls Lyle, "soldier." It is unlikely that either marine would refer to another Marine as "soldier," but would call him or her "marine", "jarhead", "leatherneck" "devil dog" or even "gyrene" instead. See more »

Quotes

Lyle: [Hitman Lyle from Dallas finds Michael laying down in the middle of the road] What the fuck are you doing?
Michael Williams: My car broke down.
Lyle: Where? I don't see a car.
Michael Williams: It's just over that ridge.
Lyle: 'Just over that ridge', huh? Well you're one lucky son of a bitch, aren't you? If I hadn't had my brakes just done, I'd be picking your brains out of my radiator. Fuck.
Michael Williams: Look, I hate to ask you this, but do you think you could give me a ride?
Lyle: I don't know. You're not dangerous, are you?
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Crazy Credits

Special Thanks: Mom & Dad See more »

Connections

Referenced in Breakdown (1997) See more »

Soundtracks

ALONE IN SAN ANTONE
Written by Buddy Cannon & Luke Reed
Performed by Jeff Chance
Courtesy of Mercury Records Nashville
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User Reviews

 
A Thousand Miles From Nowhere
25 September 2005 | by (Dallas, Texas) – See all my reviews

Vaguely reminiscent of great 1940's westerns, like "The Treasure Of The Sierra Madre" (1948), "Red Rock West" is a story about conscience, greed, and betrayal. Michael (Nicolas Cage) is a down and out, but honest, young man from Texas who goes west in search of work and money. He finds both, but not in the way he had expected.

The film's screenplay contains plenty of surprises and plot twists. Excellent cinematography, adroit film editing, and moody western music add tension and suspense. The expansiveness of the big sky country provides a wonderful setting. And the acting ranges from good to excellent, with great performances from Dennis Hopper and J.T. Walsh. Dwight Yoakam's specially recorded country/western song provides the film with a strong finale.

Correctly labeled as neo-noir, "Red Rock West" strikes me as being something else, as well. The plot is full of amazing coincidences and improbable timing, so much so that others may regard the screenplay as flawed. Ordinarily, I would agree. In this case, however, when combined with the moody atmosphere, and the fact that the small town of Red Rock seems almost empty of normal daily life, the coincidences and unlikely timing suggest a story that, beyond "noirish", is ... surreal. It's almost as if fate deliberately intervenes with improbable events so as to force Michael to come to grips with himself. From this point of view, the coincidences are not script flaws at all. They are necessary plot points in a nightmarish story of a young man who must confront his own demons ... disguised as other characters.

All we need here is Rod Serling, in a postscript, explaining, in his always clearly enunciated voice, that ... a young man, searching for himself, stops in a small, almost deserted town a thousand miles from nowhere. It's his final layover in a journey to ... the twilight zone.


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