Dexter, age 11, who has AIDS, and his next door neighbor Eric, a little older and much bigger, become best friends. Eric also becomes closer to Dexter's mother than to his own, who is ... See full summary »
A father reminisces about his childhood when he and his younger brother moved to a new town with their mother, her new husband and their dog, Shane. When the younger brother is subjected to physical abuse at the hands of their brutal stepfather, Mike decides to convert their toy trolley, the "Radio Flyer", into a plane to fly him to safety. Written by
Alexander Lum <firstname.lastname@example.org>
(at around 11 mins) When Victor tries to break into the clubhouse, he is wearing a dark blue shirt, but when Shane rips the leg of his jeans chasing him over the fence, he is wearing a gray patterned shirt. See more »
[the King, completely drunk and furious, catches Mike and Bobby watching TV late at night]
Hey! What are ya doin' up? Go to bed! Go to bed!
[cuts Mike off]
Bobby, come here! Mikey, you go to bed. Bobby, you come here!
But I wanna stay...
[cuts him off again]
GO TO BED! Come here, Bobby. Come HERE! Come here.
[the King grabs and pulls Bobby towards him potentially to abuse him; Shane, the family dog, growls whilst Mikey cries]
What did I tell ya? What ...
[...] See more »
In reply to "State of Confusion" The dogs injuries do seem to disappear rather abruptly, but that may have only been an error in continuity. But, as for the kids trying to build a plane out of junk, it's just a simple matter of imagination. These are two very young kids who have extremely active imaginations and they must rely on those imaginations to keep themselves from being exposed to the reality of the level of abuse that goes on in their home from their stepfather. As for the stepfather, it's very interesting that the director chose to no show his face. That makes him seem more monstrous. If you show his face, then that character becomes a person and not just this "monster" who is terrorizing the childhood of these two innocent children. By showing only the concequences of his abuse and not focusing scenes on the abuse itself, the children then become the main focus of the movie. This film has no loose ends, but runs just as a father's tale to his children would. It has embelleshments. This is a fine American classic.
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