Screen One: Season 3, Episode 8

A Question of Attribution (4 Oct. 1992)

TV Episode  -   -  Comedy | Crime | Drama
7.8
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Ratings: 7.8/10 from 167 users  
Reviews: 6 user | 2 critic

Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his ... See full summary »

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Title: A Question of Attribution (04 Oct 1992)

A Question of Attribution (04 Oct 1992) on IMDb 7.8/10

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Cast

Episode complete credited cast:
...
...
Chubb
...
Donleavy
...
Rest of cast listed alphabetically:
Ann Beach ...
Mrs. Chubb
Richard Bebb ...
Consultant
John Cater ...
Restorer (Robertson)
Edward de Souza ...
Collins
...
Colin
Gregory Floy ...
Radiologist
Barbara Hicks ...
Lady at National Gallery
Anne Jameson ...
Blunt's Secretary
Mark Payton ...
Phillips
Julia St John ...
Receptionist
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Storyline

Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an interesting conversation with HMQ. Written by Kathy Li

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4 October 1992 (USA)  »

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Quotes

[the Queen knows that Sir Anthony Blunt is a traitor and Blunt knows that the Queen knows this, but both maintain a facade of innocence as they discuss the Queen's art collection, amid many coded references]
H.M.Q.: Portraits are supposed to be frightfully self-revealing, aren't they? Show what one's really like - the secret self. Either that or else the eyes are supposed to follow you round the room. Have you had your portrait painted?
Sir Anthony Blunt: No, Ma'am.
H.M.Q.: So we don't know whether you have a secret self?
[later]
H.M.Q.: ...
[...]
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Connections

Featured in Zomergasten: Episode #6.1 (1993) See more »

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User Reviews

 
Not a fake
5 March 1999 | by (Carrboro, NC) – See all my reviews

AQoA is not a fake, yet it fails to become a masterpiece either as a double mystery of identity unravels entangled in paintings and conspiracy. With more style than substance, though some engaging bits of dialog, the movie is well worth the rental price and is a great distraction. It fails, however, as often as it succeeds.


5 of 21 people found this review helpful.  Was this review helpful to you?

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