Twentysomething Japanese tourist, Tokio, comes to Hong Kong looking for good cusine. He does all that the tourist is expected to do, but is disappointed with the food so far. By chance, he ... See full summary »

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(as Fong Ling Ching)
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Cast

Complete credited cast:
...
Tokio
Pui-Wai Li ...
Li Pui Wai
Choi Siu Wan ...
Granny
Maki Kiuchi ...
Miki
Suen Ching Hung ...
Wai's Boyfriend
Sung Lap Young ...
Wai's Father
Tsang Yuet Guen ...
Wai's Mother
Chu Kit Ming ...
Wai's Brother
Ang Ching Yee ...
Student
Yue Sui Ting ...
Student
Wai-Man Ngai ...
Detective
Yee Ping Lee ...
Hotel Woman
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Storyline

Twentysomething Japanese tourist, Tokio, comes to Hong Kong looking for good cusine. He does all that the tourist is expected to do, but is disappointed with the food so far. By chance, he meets 15-year-old Pui Wai. She's been left behind with her eighty-year-old Granny, her parents too busy with their immigration problems in Canada. Differences in culture, language and age serve as no barrier, as Tokio finds a soulmate in Granny, Hong Kong cook extraordinate. He discovers the secret to Granny's cooking and learns that she's known all along that her family will not be taking her to Canada when they leave. Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>

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Comedy | Drama

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Release Date:

7 October 1993 (Netherlands)  »

Also Known As:

Autumn Moon  »

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1.85 : 1
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References Bambi (1942) See more »

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User Reviews

 
Good but failed in an important way
22 September 1999 | by (new york city) – See all my reviews

The situation is simple: a young Japanese man, about 25, from Tokyo (and called Tokio) comes to Hong Kong in search of cheap consumer goods, sex, and, above all, good Chinese food. He accidently meets a 15 year old, Li Piu Wai, and immediately develops an unlikely, offbeat friendship with her that borders on soul matehood. Luckily she lives alone with her grandmother who is a superb cook, a natural feeder, and who asks no questions. They communicate in somewhat pained English, as he knows no Chinese and she no Japanese. Director Law carefully shows that each has their own separate romantic and/or sexual world apart from the other. She with a Chinese high school student and he with an older Japanese woman he meets. To me, the separate relationships were more interesting that the one between Li Piu Wai and Tokio which had its moments but which also rang false fairly often, even irritatingly so at times. I still liked the film but not as much as I might have.

One interesting thing was that while it showed Hong Kong vividly (sometimes through Tokio's recently purchased video camera--which he should take back since it seems to only shoot in monochrome), it was a Hong Kong with almost no people in it. I don't remember there ever being more than 4 people on screen at once and that was rare: a singular approach to teeming Hong Kong.


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