| Photos (See all 14 | slideshow) |
| Rutger Hauer | ... | Tom Burton | |
| Carol Alt | ... | Christine Sanders | |
| Omar Sharif | ... | Emir Beni-Zair | |
| Elliott Gould | ... | Red Merchantson | |
| Kabir Bedi | ... | Moulet | |
| Stewart Bick | (as Stewart Jan Bick) | ||
| David Flosi | ... | Robert Sanders | |
| Brett Halsey | ... | Sal Cuomo | |
| Peter Sands | ... | James Ross | |
| Christopher Ahrens | ... | Bodyguard | |
| Larry Dolgin | ... | Duncan | |
| D.R. Nanayakkara | ... | El Mahadi (as Dilum Nanayakkara) | |
| David Thompson | ... | Headmaster Bligh | |
| Richard Buckingham Clark | ... | Johnson | |
| Donald Hodson | ... | Hostage professor | |
| Lee Moore | |||
| Adel El Gabry | ... | Sandal | |
| Abderrahim Bargache | ... | Mahadi's Man | |
| Mohamed El Mehdi | ... | Man with Warning | |
| Ahmed Marey | ... | Salim | |
| Niels Gullov | ... | Taylor | |
| rest of cast listed alphabetically: | |||
| Pascal Druant | ... | Instructor (uncredited) | |
| Robert Spafford | ... | Board Member (uncredited) | |
Directed by | |||
| Duccio Tessari | |||
Writing credits(in alphabetical order) | ||
| Adriano Bolzoni | screenplay | |
| Adriano Bolzoni | story | |
| Sergio Donati | ||
| George Eastman | (as Luigi Montefiori) | |
| Luciano Vincenzoni | uncredited | |
Produced by | |||
| Pio Angeletti | .... | executive producer | |
| Adriano De Micheli | .... | executive producer | |
| Guido Lombardo | .... | associate producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Giorgio Di Battista | |||
Film Editing by | |||
| Mario Morra | |||
Production Design by | |||
| Luciano Sagoni | |||
Set Decoration by | |||
| Elio Micheli | |||
Costume Design by | |||
| Silvio Laurenzi | |||
Makeup Department | |||
| Fausto De Lisio | .... | hair stylist | |
| Giulio Natalucci | .... | makeup artist | |
| Maria Rizzo | .... | hair stylist | |
Production Management | |||
| Hassan Amiri | .... | production supervisor | |
| Rossella Angeletti | .... | production manager | |
| Hassan Bajja | .... | production supervisor | |
| Federico Boldrini Parravicini | .... | production supervisor (as Federico Boldrini) | |
| David Pash | .... | production manager | |
| Roberto Rispoli | .... | executive in charge of production | |
Art Department | |||
| Amal Ben Barka | .... | assistant art director | |
| Carlo Cascioli | .... | construction coordinator | |
| Sebastiano De Caro | .... | props stand-by | |
| Gaetano Mezzaroma | .... | props stand-by | |
Sound Department | |||
| Nick Alexander | .... | sound post-synchronisation | |
| Luciano Anzellotti | .... | foley artist | |
| Cesare D'Amico | .... | dialogue editor | |
| Riccardo Dianna | .... | boom operator | |
| Roberto Edwin Forrest | .... | sound mixer (as Roberto Forrest) | |
| Roberto Moroni | .... | sound re-recording mixer | |
Special Effects by | |||
| Paolo Del Bravo | .... | special effects | |
| Paolo Ricci | .... | special effects | |
| Roberto Ricci | .... | special effects | |
Visual Effects by | |||
| Massimiliano Cerchi | .... | optical effects (as Alvaro Passeri) | |
Stunts | |||
| Nazzareno Zamperla | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Claudio Cirillo | .... | director of photography: second unit | |
| Gaetano Coniglio | .... | gaffer | |
| Enrico Cortese | .... | camera operator | |
| Fabio Di Battista | .... | assistant camera | |
| Giorgio Garibaldi Schwarze | .... | still photographer (as Garibaldi Schwarze) | |
| Fabrizio Lucci | .... | camera operator | |
| Fabrizio Mengoni | .... | assistant camera | |
| Martino Valente | .... | chief camera grip | |
| Maurizio Zampagni | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Naïma Bouanani | .... | wardrobe assistant (as Nayma Bouanani) | |
| Ida Cristofori | .... | seamstress | |
| Carmela Rimini | .... | seamstress (as Maria Carmela Rimini) | |
Editorial Department | |||
| Sandro Bruglio | .... | assistant editor (as Sandro Broglio) | |
| Paolo Lanzani | .... | assistant editor | |
| Nadia Moscovini | .... | assistant editor | |
| Lidia Pascolini | .... | assistant editor | |
| Gianni Schiavone | .... | color technician (as Gianni Schiavoni) | |
Music Department | |||
| Enrico DeMelis | .... | music coordinator | |
| Sandro Marcotulli | .... | assistant music mixer | |
| Sergio Marcotulli | .... | music mixer | |
| Pina Margri | .... | soloist (as Pina Magri) | |
Other crew | |||
| Mohamed Asli | .... | production coordinator | |
| Tod Carter | .... | dialogue coach | |
| Luca Casaroli | .... | production assistant | |
| Laura Curreli | .... | continuity | |
| Mario D'Alessio | .... | production coordinator | |
| Roberto Mezzaroma | .... | production accountant | |
| Marcello Nusca | .... | production accountant | |
| Antonio Servello | .... | production assistant | |
| Thomas Tassara | .... | production assistant | |
| Kathryn Daley | .... | acting coach (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Italy section |
Other than the enjoyment of looking at Carol Alt in her business suits, this is a pretty good cast wasted. To start with, I couldn't care less about her rich girl persona and her snot son. The kid looks like a refugee from Leave It to Beaver. He is so happy all the time. Even when he punches out the big kid in the principals office. Rutger Hauer is hired to go retrieve the boy from his Arab father who is an aspiring Emir in a desert colony. Boy, it's hard to watch what the likes of Omar Sharif became. Anyway, they blast their way in and attempt the rescue. She comes along, of course, because she is an Alpha female, rich, corporate executive, which qualifies her to fight against Arabs with machine guns. Mostly she hides; but she is there. I'm sure a fair amount of money was spent on this. There is some nice desert cinematography. It's just too many deaths, done easily, to get back that little jerk kid, who, in actuality, couldn't fight his way out of a grocery sack. Too much shooting and not enough plot.