Lily is a sheltered art student from Michigan going to school in California. She finds an apartment and her roommates aren't quite normal. One day she finds a box of items belonging to a ... See full summary »
After a mysterious death of a young college student occurs late one night at a prestigious New England college, Danielle "Daisy" Brooks nevertheless decides to escape her small town life ... See full summary »
A teenage girl and her father driving cross-country become stranded when their car runs out of gas in a remote Nevada desert town and they're forced to stay in a dilapidated trailer park where a serial killer lurks.
Casey and Matt are high school kids in love. They run away together after Casey's parents check her into a mental hospital for trying to kill herself. Matt sneaks her out and on the road ... See full summary »
Ivy ('Drew Barrymore'), a sexy teen who lives with her aunt, moves in with a reclusive teen (Gilbert) and slowly works her way into the lives of her adopted family. The mother (Ladd) is sickly and can't sexually satisfy her husband (Skerritt) any more, and to the daughter's horror, Ivy begins seducing her father. Written by
Ed Sutton <firstname.lastname@example.org>
(at around 1 min) During the party, Ivy has served Darryl Cooper a glass of champagne. He raises it to his mouth with his left hand to take a sip. The camera then changes to his point of view. Having taken the sip he gestures to Ivy with the champagne glass in his right hand. See more »
Nabokov's Lolita used the affections of a fawning, elderly man (her stepfather) for her own purposes--which never amounted to much more than sex and cash. It only figures that today's Lolita would be dressed to kill, literally. As Drew Barrymore plays her here, she's a sexy homicidal figure with maternal delusions. "Poison Ivy" begins rather endearingly, with high school outcast Sara Gilbert (looking like the modern equivalent of a teen beatnik) befriended by a striking blonde student with lots o' leg and a fake tattoo. This wanton woman-child has no name; Gilbert calls her "Ivy" and Barrymore likes that ("It gives me the opportunity to start over," she says). The tone of the picture shifts however before the midway point, with Ivy infiltrating Gilbert's dysfunctional household and seducing dad Tom Skerritt (doing terrific work). Gilbert's narration--and the surreal jumble which becomes the hectic climax--is rather off-putting, but there's a great deal of worth in Barrymore's solid performance. The film is stylish on a low-budget and is actually steamier than "Nine 1/2 Weeks". Yet, it's really two different pictures struggling within the context of one. A stronger screenplay might've brought the two halves together, although, as the director, Katt Shea Ruben manages to come up with a commendable amount of incidents both amusing and titillating. ** from ****
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