Lily is a sheltered art student from Michigan going to school in California. She finds an apartment and her roommates aren't quite normal. One day she finds a box of items belonging to a ... See full summary »
When a 'Single White Female' places an ad in the press for a similar woman to rent a room (to replace the boyfriend she's just left), all the applicants seem weird. Then along comes a level... See full summary »
Jennifer Jason Leigh,
A 16 year old girl takes up with a charming young man who quickly shows his colors when he beats a friend simply for walking with her and then goes totally ballistic after she tries to break up with him.
Ivy ('Drew Barrymore' ), a sexy teen who lives with her aunt, moves in with a reclusive teen (Gilbert) and slowly works her way into the lives of her adopted family. The mother (Ladd) is sickly and can't sexually satisfy her husband (Skerritt) any more, and to the daughter's horror, Ivy begins seducing her father. Written by
Ed Sutton <firstname.lastname@example.org>
(at around 1 min) During the party, Ivy has served Darryl Cooper a glass of champagne. He raises it to his mouth with his left hand to take a sip. The camera then changes to his point of view. Having taken the sip he gestures to Ivy with the champagne glass in his right hand. See more »
She's definitely a turnoff - too overt. I mean, most girls don't fly through the air with their skirt around their waist.
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Nabokov's Lolita used the affections of a fawning, elderly man (her stepfather) for her own purposes--which never amounted to much more than sex and cash. It only figures that today's Lolita would be dressed to kill, literally. As Drew Barrymore plays her here, she's a sexy homicidal figure with maternal delusions. "Poison Ivy" begins rather endearingly, with high school outcast Sara Gilbert (looking like the modern equivalent of a teen beatnik) befriended by a striking blonde student with lots o' leg and a fake tattoo. This wanton woman-child has no name; Gilbert calls her "Ivy" and Barrymore likes that ("It gives me the opportunity to start over," she says). The tone of the picture shifts however before the midway point, with Ivy infiltrating Gilbert's dysfunctional household and seducing dad Tom Skerritt (doing terrific work). Gilbert's narration--and the surreal jumble which becomes the hectic climax--is rather off-putting, but there's a great deal of worth in Barrymore's solid performance. The film is stylish on a low-budget and is actually steamier than "Nine 1/2 Weeks". Yet, it's really two different pictures struggling within the context of one. A stronger screenplay might've brought the two halves together, although, as the director, Katt Shea Ruben manages to come up with a commendable amount of incidents both amusing and titillating. ** from ****
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