A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?

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Nominated for 3 Oscars. Another 24 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Larry Levy
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Bonnie Sherow
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David Kahane
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Andy Civella
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Tom Oakley
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Dick Mellon
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Detective DeLongpre
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Angela Hall ...
Jan
Leah Ayres ...
Sandy
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Storyline

A studio script screener gets on the bad side of a writer by not accepting his script. The writer is sending him threatening postcards. The screener tries to identify the writer in order to pay him off so he'll be left alone, and then in a case of mistaken identity gone awry, he accidentally gives the writer solid ammunition for blackmail. This plot is written on a backdrop of sleazy Hollywood deals and several subplots involving the politics of the industry. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

Now more than ever! See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language, and for some sensuality | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

8 May 1992 (USA)  »

Also Known As:

Igrač  »

Box Office

Budget:

$8,000,000 (estimated)

Gross:

$21,706,100 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Throughout his career Burt Reynolds has made a number of movies that examine movie-making and this film is one of them. The pictures include Fade-In (1968) (location filming & westerns); Silent Movie (1976) and Nickelodeon (1976) (silent films); Best Friends (1982) (scriptwriting & Hollywood); Hooper (1978) (stuntwork and Hollywood); The Player (1992) (Hollywood); Boogie Nights (1997) (adult films); The Last Producer (2000) (producers and Hollywood); The Hollywood Sign (2001) and A Bunch of Amateurs (2008) (actors and Hollywood). See more »

Goofs

When Griffin opens his door to get out and kill the snake, you can see the entire crew, camera, and lights reflected in the door. See more »

Quotes

[first lines]
Man 1: [voiceover] Quiet on the set.
Woman: [voiceover] OK, everybody, quiet on the set.
Man 2: [voiceover] Scene 1, take 10. Marker.
Man 1: [voiceover] And - action!
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Crazy Credits

Tim Robbins, Fred Ward and Cynthia Stevenson all enter the film when their names appear in the opening credits. See more »

Connections

Featured in The Directors: The Films of Robert Altman (2001) See more »

Soundtracks

TEMA PARA JOBIM
Copyright Mulligan Publishing Co., Inc.
Music by Gerry Mulligan
Lyrics by Joyce
Performed by Joyce, Milton Nascimento
Courtesy of Estudio Pointer Ltda. & RCA Electronica Ltda.
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Frequently Asked Questions

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User Reviews

 
The best anti-Hollywood film ever made by Hollywood
23 July 2003 | by (United Kingdom) – See all my reviews

Griffin Mill is a young hotshot producer who everyone bows and scrapes to because he has the powers to get a movie made. However he starts getting bugged by a dissatisfied writer which leads to all kinds of deadly intrigue.

Just when I thought Altman had gone totally off-the-boil he suddenly jumps back with his most perfectly realised film. While hardly unapplauded on its release (and in short retrospect) this is a movie that will be regarded by future generations as a classic. It is so smart, sassy, funny and has a beginning, a middle and an end. The kind of tragicomedy that gets the best of both worlds.

Robbins is perfect as the lead. He doesn't do much or emote much. As Robert De Niro once said "most people don't show their emotions, they hide them." Occasionally we get behind the shield of human indifference, but only occasionally. We don't like him much - nor should we - but he is not so bad that we can't bare him. Indeed he is merely someone whose selfish world gets out of control. Whoopie Goldberg makes the most of her unlikely casting too.

The appearance of stars in guest parts adds a bit of icing, but that is all. I loved Altman's directions to the stars who had to play walk-ons (who else could have got that?) "remember, you are responsible for who you are on screen. You are playing yourselves!"

The sexy Scacchi plays the love interest with great skill. While just a muse she is a far better actress than most and this shows in her short screen time. Shame she hasn't more involvement in the main plot.

Like breaking a car down in to its competent parts, taking The Player apart only leaves an ugly mess of oil and metal. Together it drives a tight little film that has insight, drama and comedy. I would hesitate to call this a masterpiece, but it is a mini-masterpiece that however farfetched never reaches the point of being totally unbelievable.

The pay off at the end is one of the best belly-laughs any film buff could ever get. I doubt I will see a better film about modern day Hollywood in my lifetime. Like Pulp Fiction, a film that is as enjoyable the second time of viewing as the first.


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