A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
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A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Events in the life of a Hollywood studio executive, unfold with the same unrealistic positive coincidences ultimately culminating to a 'happy-ending' - much like the movie scripts he works day in and out with, after he accidentally murders someone. Written by
In the scene where Tim Robbins (as Griffin) stops to say hello to Burt Reynolds in the restaurant, Reynolds improvised the scene, not knowing anything about Griffin but manages to know he's an "asshole". See more »
Leg and sneaker visible reflecting in the grille of Griffin's Rolls Royce. See more »
Quiet on the set.
OK, everybody, quiet on the set.
Scene 1, take 10. Marker.
And - action!
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Screen writing is a craft, one of many in Hollywood that builds or supports the towering edifice upon which our glamorous "stars" ... sit. Without a screenplay, actors, directors, and others in Hollywood might otherwise grovel for beans and potatoes at the local soup kitchen.
And so, director Altman gives us "The Player", a film about a screen writing executive (well played by Tim Robbins) who listens to story ideas, and makes decisions about what you and I see, and don't see, at the local multiplex. For every idea that evolves into a film, billions and billions of other ideas wither and die, along with the careers of the writers who conceived those ideas. Inevitably, some of those writers get miffed, and that is the premise of "The Player".
It's actually a weak premise, because in reality the business of screen writing is fairly bland, and the conflict, which exists mostly in people's heads, is fairly tame. To rev up the drama, and to qualify the film as a "thriller", the filmmakers here insert some contrived conflict, in the form of threatening postcards. If you watch this film for the "thriller" element only, you may be disappointed.
This film works, not so much as a thriller, but rather as a classy, semi-inside peak into the back rooms of Hollywood decision making. There's lots of humor, some obvious, some subtle. And the film's plot is filled with satirical irony. In addition to Robbins' fine performance, Whoopi Goldberg is great as a tampon obsessed detective.
The best approach to "The Player" is to absorb the Tinseltown setting, and watch the characters as they maneuver for selfish advantage. I really liked the inclusion of dozens of real-life Hollywood celebrities, just being themselves. You get to see them in their natural habitat. This element adds texture and authenticity, and thus helps to prop up the weak story.
Although the contrived plot falters somewhat in the middle Act, it's the overall Tinseltown setting and real-life ambiance that make "The Player" an entertaining and insightful film.
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