A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Events in the life of a Hollywood studio executive, unfold with the same unrealistic positive coincidences ultimately culminating to a 'happy-ending' - much like the movie scripts he works day in and out with, after he accidentally murders someone. Written by
Classic referred to by journalists, reviewers...has entered the lexicon
Robert Altman performed a great service to us movie fans with this movie. We are able to see the brutish way the studios treat their writers....and don't find it difficult to believe that some writer would want to murder the producer.
The many homages paid to other movies is great: the execution scene from "I want to Live" is replayed, and Bruce Willis jumping in the midst of the cyanide fumes to rescue the damsel in distress makes the contrast with the Graham movie even more poignant (especially if you believe she was innocent). Watching the various emotions play across Tim Robbins face makes you understand what a great actor he is.
The convoluted plot makes the movie more interesting, even as we see a Palm Springs lovers' rendezvous where some lovers swim in the nude in front of others dancing. You don't know what's true and what's not, even when the producer's ex-girlfriend is left sobbing on the steps. It seems too melodramatic for reality, but melodrama is what these people are all about!!!!! Altman's favorite trick of having everybody talk over each other is, while realistic, disconcerting. I still wish I could have heard what Burt Reynolds was saying, nothing complimentary, when Robbins walked up to him at the restaurant. Watching the writers become sycophants, prostituting their 'art' just to get the movie made rang QUITE true. He backs down on both 'no stars' and 'no Hollywood ending'. The only one with morals involved in the movie business gets fired, of course.
One of the movies you need to have on your shelf. Now I've got to go back and watch for Robbins' many references to different brands of water, pointed out by the NYTimes just today.
24 of 29 people found this review helpful.
Was this review helpful to you?