A studio script screener gets on the bad side of a writer by not accepting his script. The writer is sending him threatening postcards. The screener tries to identify the writer in order to pay him off so he'll be left alone, and then in a case of mistaken identity gone awry, he accidentally gives the writer solid ammunition for blackmail. This plot is written on a backdrop of sleazy Hollywood deals and several subplots involving the politics of the industry. Written by
Ed Sutton <firstname.lastname@example.org>
The opening tracking shot (8 minutes) includes people talking about famous long tracking shots in other movies. The scene was rehearsed for a day, shot for half a day. Fifteen takes were done, five were printed, and the third one was used in the film. The entire sequence was unscripted, and all the dialogue is improvised. See more »
After the funeral, when Griffin and June have a conversation in the cemetery, the limo driver behind them disappears between shots. See more »
Quiet on the set.
OK, everybody, quiet on the set.
Scene 1, take 10. Marker.
And - action!
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Movie fans, rejoice. Others, go watch Charlie's Angels.
What I mean by my tagline is that you will get the most out of this film if you've watched a lot of old classic and understand how the Hollywood system works. If you're more or less a casual film fan, who watches movies once in a while, you might not like this too much. As for me, I'm sort of in a transitional stage, so I enjoyed myself without understanding everything. Considering that this film comes from Robert Altman (look at his profile, click on some links for his movies if you don't know who he is. His movies are weird and usually have good casts), you can expect it to have some weird features. The story follows Griffin Mill (Tim Robbins), a Hollywood executive that has a million and a half mediocre ideas thrown at him every day. One day, he has a couple of drinks with a writer (Vincent D'Onofrio) and ends up killing him. The movie is basically plotless, and yet complicated. Griffin goes paranoid and thinks everyone is after him, including a pair of cops, played by Whoopi Goldberg and Lyle Lovett. The movie is splendid, right from the opening shot played as an homage to Hitchcock'S Rope. The opening shot is eight minutes long, without a single cut. It just pans all over the place as people talk. The performances by the main cast are pretty good, especially Robbins. But the part that's really worth seeing is the ton of celebrity cameos. Just about the whole world shows up here. Bruce Willis, Cher, Elliot Gould, Rod Steiger, Julia Roberts, Anjelica Huston, Lily Tomlin, Burt Reynolds, Mimi Rogers, Susan Sarandon, Nick Nolte,Marlee Matlin and Jeff Goldblum are just some of the cameos. The in-jokes are very funny if you can understand them, and the whole pace of the movie is good, if a little overlong. (It's not really that long,either.) If you think you know enough about movies and Hollywood, then take a crack at The Player. You won't be sorry. 8/10
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