Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
A studio script screener gets on the bad side of a writer by not accepting his script. The writer is sending him threatening postcards. The screener tries to identify the writer in order to pay him off so he'll be left alone, and then in a case of mistaken identity gone awry, he accidentally gives the writer solid ammunition for blackmail. This plot is written on a backdrop of sleazy Hollywood deals and several subplots involving the politics of the industry. Written by
Ed Sutton <email@example.com>
The banquet scene at the L.A. County Museum of Art in the movie was actually catered by a real catering company. Despite the fact that many of them were SAG members, no banquet staff who worked at the event were told that they would be filmed until they arrived for work that night at the museum. The scene was filmed a year before SAG assumed jurisdiction of extra work on the west coast, and the banquet waiters who appear in the scene were not paid for the extra work, not even non-SAG wages. The only compensation they received was their regular compensation from the real-life catering company for their hours worked during the fake "banquet". See more »
Leg and sneaker visible reflecting in the grille of Griffin's Rolls Royce. See more »
Quiet on the set.
OK, everybody, quiet on the set.
Scene 1, take 10. Marker.
And - action!
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This film recorded digitally in a THX Sound System Theatre See more »
I just went back and watched this again after many years and still find it one of the best movies ever made about movies. This "movie within a movie" has it all. Suspense, drama, comedy, great and numerous cameos, and some "inside Hollywood" jokes. One highlight is at the start where the actors are describing the best long opening tracking shots of all time while Robert Altman skillfully is showing you one at the same time! The Burt Reynolds cameo is very funny, sounds unscripted, and is one of many brilliant uses of this device. Favorite line: "waiter, this is a wine glass. I'd like my water in a water glass". The line comes from Tim Robbins, who is excellent as studio executive Griffin Mill.
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