| Edward Furlong | ... | Jeff Matthews | |
| Anthony Edwards | ... | Chase Matthews | |
| Clancy Brown | ... | Sheriff Gus Gilbert | |
| Jared Rushton | ... | Clyde Parker | |
| Darlanne Fluegel | ... | Renee Hallow | |
| Jason McGuire | ... | Drew Gilbert | |
| Sarah Trigger | ... | Marjorie Hargrove | |
| Lisa Waltz | ... | Amanda Gilbert | |
| Jim Peck | ... | Quentin Yolander | |
| Len Hunt | ... | Director Frank | |
| Reid Binion | ... | Brad | |
| David Ratajczak | ... | Stevie | |
| Lucius Houghton | ... | Puppeteer | |
| Wilbur Fitzgerald | ... | First Assistant Director | |
| Elizabeth Ziegler | ... | Steadicam operator | |
| Ken Fisher | ... | Assistant Steadicam Operator | |
| Gil Roper | ... | Electrician | |
| Robert Easton | ... | Priest | |
| Judson Vaughn | ... | Reporter | |
| Bruce Evers | ... | Mover | |
| Janell McLeod | ... | School Teacher | |
| Christy Dennis | ... | Susan | |
| Rick Andosca | ... | Pathologist | |
| Joe Dorsey | ... | Caretaker | |
| Donna Lowry | ... | Newscaster | |
| Emily Woodward | ... | Twins' Mother | |
| Amanda Mitchell | ... | Screaming Twin | |
| J.L. Parker | ... | Potato Truck Driver | |
| rest of cast listed alphabetically: | |||
| Bart Mixon | ... | Bumbling Technician (uncredited) | |
Directed by | |||
| Mary Lambert | |||
Writing credits(WGA) | ||
| Richard Outten | (written by) | |
Produced by | |||
| Ralph S. Singleton | .... | producer | |
Original Music by | |||
| Mark Governor | |||
Cinematography by | |||
| Russell Carpenter | |||
Film Editing by | |||
| Tom Finan | |||
Casting by | |||
| Sharon Bialy | |||
| Debi Manwiller | |||
| Richard Pagano | |||
Production Design by | |||
| Michelle Minch | |||
Art Direction by | |||
| Karen Steward | |||
Set Decoration by | |||
| Susan Benjamin | |||
Costume Design by | |||
| Marlene Stewart | |||
Makeup Department | |||
| Judy Wilson Colonie | .... | assistant makeup artist | |
| Bill Johnson | .... | local makeup effects | |
| Steve Johnson | .... | special makeup effects creator | |
| Bart Mixon | .... | special makeup effects artist | |
| Dan Platt | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Frank Bodo | .... | unit production manager | |
| Andy Howard | .... | production supervisor | |
Art Department | |||
| Kirsten Anderson | .... | art department coordinator | |
| Dwight Benjamin-Creel | .... | assistant property master | |
| Gina B. Cranham | .... | set designer | |
| Andrea Dietrich | .... | storyboard artist | |
| Andrew Seward Duncan | .... | property assistant | |
| Sean Fallon | .... | on-set dresser | |
| Tony Kupersmith | .... | construction coordinator | |
| Alton McClellan | .... | scenic foreman | |
| Swift Moseley | .... | key greens | |
| Bob Renna | .... | set dresser | |
| Timothy Dolph | .... | dead animal effects crew (uncredited) | |
| Julia Starr Sanford | .... | set designer (uncredited) | |
Sound Department | |||
| Peter Bergren | .... | temp sound effects editor | |
| J. Paul Huntsman | .... | supervising sound editor | |
| Shirley Libby | .... | sound mixer | |
| Myron Nettinga | .... | sound effects editor | |
| Adam Sawelson | .... | sound editor | |
| Richard Thomas | .... | sound effects editor | |
Stunts | |||
| Donna Evans | .... | stunts | |
| Terry Jackson | .... | stunts | |
| Robert Keller | .... | stunts | |
| David Paul Lord | .... | stunts | |
| Bobby Porter | .... | stunts | |
| John Robotham | .... | stunt coordinator | |
| Ben Scott | .... | stunts | |
Camera and Electrical Department | |||
| Allen Barnwell | .... | electrician | |
| John Bramley | .... | still photographer | |
| Jeffrey A. Johnson | .... | best boy grip | |
| Michael Kelem | .... | aerial camera operator | |
| Bret Lanius | .... | assistant camera | |
| Lloyd Moriarity | .... | key grip | |
| Greg Morse | .... | 24 frame video | |
| Dino Parks | .... | gaffer | |
| Joth Riggs | .... | video assist operator | |
| Thom Willey | .... | second assistant camera: second unit | |
Casting Department | |||
| Craig Fincannon | .... | location casting | |
| Mark Fincannon | .... | location casting | |
| Len Hunt | .... | extras casting | |
Editorial Department | |||
| Donald Freeman | .... | final colorist | |
| Brian Katkin | .... | assistant editor | |
| Karen Kory | .... | assistant film editor | |
Music Department | |||
| Charles Martin Inouye | .... | music editor | |
Transportation Department | |||
| Stu Dodge | .... | driver | |
| Geno Hart | .... | transportation coordinator | |
Other crew | |||
| Steve Alterman | .... | adr loop group | |
| Pamela Anderson | .... | adr loop group | |
| Charles Bartlett | .... | adr loop group | |
| Charles Bazaldua | .... | adr loop group | |
| Stephen Crocker | .... | production assistant | |
| Christopher Didiot | .... | craft service | |
| Holly Dorff | .... | adr loop group (as Holly Ryan) | |
| Greg Finley | .... | adr loop group | |
| William Shane Grisco | .... | animal trainer (as William Grisco) | |
| Jesse Long | .... | script supervisor | |
| Sonya Lunsford | .... | payroll accountant | |
| Christina MacGregor | .... | adr loop group | |
| Eric Mofford | .... | location manager | |
| Lucas Moore | .... | set teacher: Atlanta | |
| Boone Narr | .... | animal trainer | |
| Mary Linda Phillips | .... | adr loop group (as Linda Phillips) | |
| David Randolph | .... | adr loop group | |
| Noreen Reardon | .... | adr loop group | |
| Stephen Roland | .... | craft service | |
| Gary Schwartz | .... | adr loop group | |
| Bryan Scott | .... | adr loop group | |
| Vernon Scott | .... | adr loop group | |
| Timothy Stone | .... | assistant location manager | |
| Tom Williamson | .... | puppeteer | |
| Jeanine Wilson | .... | accountant | |
| Tony Venezia | .... | technical director: main title (uncredited) | |
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| Pet Sematary | Dreamcatcher | Spider-Man 2 | Idle Hands | First Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
The ancient Indian cemetery with the power to raise the dead returns and influences the lives of new residents.
I must say, good or bad, I am glad director Mary Lambert returned for the sequel. As the first was her creation, it seems only fitting to let her take the characters and concepts where she wants to go with them. Had another director handled it, the film could have lost any flavor of the original that might exist. (There is some similar tone and such, which I think keeps it a strong sequel.)
I love the young Edward Furlong (during his career peak) and Anthony Edwards with a beard. Great casting that keeps this film relevant even if it carried over pretty much nobody from the original. (I say "pretty much" because I think it has no one, but a minor character might have made it past me.)
The film as a whole has received negative reviews, but the fact is that the original really is not that great. Although a modern classic, and a pop culture gem, it is not actually a critically good film. So the sequel by horror standards is not bad -- it actually maintains the level of the original.