Passion Fish (1992)

R  |   |  Drama  |  11 December 1992 (USA)
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Ratings: 7.4/10 from 4,176 users  
Reviews: 29 user | 15 critic

May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had ... See full summary »



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Nominated for 2 Oscars. Another 2 wins & 7 nominations. See more awards »



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Cast overview, first billed only:
Rhonda / Dawn
Nurse Quick
Will Mahoney ...
Nelle Stokes ...
Therapist #1
Brett Ardoin ...
Therapist #2
Dr. Kline
Therapist #3
Chuck Cain ...
Shana Ledet Qualls ...
Fan #1
Paula Lafleur ...
Fan #2
Maggie Renzi ...
Victoria Edwards ...


May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had eagerly left years before. She drinks heavily and vents her bitterness on the succession of nurses who are hired to take care of her and immediately quit because she is so unbearable. Chantelle is the latest of these nurses, and May-Alice is told that Chantelle is the last nurse she'll get. Chantelle for reasons of her own, is also in a position where she badly needs the job to work out. The movie focuses on how these two women become friends and help each other heal emotionally. Written by Reid Gagle

Plot Summary | Plot Synopsis




R | See all certifications »

Parents Guide:



Official Sites:



Release Date:

11 December 1992 (USA)  »

Also Known As:

The Louisiana Project  »

Filming Locations:


Box Office


$3,330,000 (estimated)


$5,414,619 (USA)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Actress Mary McDonnell prepared for her role as the wheelchair-bound May-Alice by attending physical training and hospital sessions with counselors and real paraplegics. She had to do this while she was concurrently filming Sneakers (1992). See more »


Rennie's bass turned into a catfish when he opened it up for the passion fish. See more »


[first lines]
Scarlet: [seeing herself in the soap opera] It felt so strange. All I remember is that I wasn't happy. Was I?
See more »


Referenced in Dog Park (1998) See more »


La Danse De Mardi Gras
Trad/Arranged by The Balfa Brothers
Flat Town Music/BMI
Performed by The Balfa Brothers
Swallow Records, used by permission
See more »

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User Reviews

John Sayles a genius? Look no further.
4 March 2004 | by (Chapel Hill, NC, USA) – See all my reviews

It's regularly noted that director John Sayles is a master at creating detailed characters; this film (like especially his earlier MATEWAN) proves his genius at capturing the oft-overlooked variety of American life: dialects, and the smallest (but most meaningful) moments of work, anger, tragedy, or sweetness. This skill was surely refined during his earlier years as a novelist, and - in maturity - makes his work (and this film in particular) far more human and gimmick-free than Amer-indie contemporaries like David Lynch or Jim Jarmusch.

I first saw this when it was released, and was very impressed (it was the first Sayles film I'd seen), and after a much-belated second viewing, I'd say it's one of the great American films of the 90s. Sayles' feel for detail shows continually - the small, but continual bits of personal history revealed about all of the characters throughout; the intricacy of even incidental encounters (an afternoon of zydeco music, or the COOLEY HIGH reference that slips quickly between Angela Bassett and Alfre Woodard) is stunning.

Evoking Robert Flaherty's LOUISIANA STORY, the boat-trip-to-Misere scene is particularly memorable, with well-deployed Cajun lore blending with very memorable cinematography (courtesy Roger Deakins, cinematographer for FARGO, KUNDUN, SHAWSHANK REDEMPTION & SID AND NANCY, among other recent classics) to create one of the most unforgettable moments of Sayles' career.

As most of the primary characters are either outsiders, or are returning after long absences, the common problem of show-biz fake accents is avoided nicely - Sayles (and Deakins) manage to capture an image of rural Louisiana that is enveloping and authentic, while never forgetting the reality that accents will vary widely even in local areas. Thus the fact that many characters refuse to lay on the drawl - even as many others in the film nail the sound of rural Louisiana perfectly - only makes PASSION FISH stronger.

Overall this is a tale of growth and friendship that moves with the speed and emotions of life - none of it feels fake or forced, and though slow-to-start (another strength, though only seen as one by the film's end), PASSION FISH quietly develops into something unique and great. At every moment where this could've degenerated into movie-of-the-week sap, Sayles instead elegantly and confidently steers the film into DeSica (or Woody Guthrie and Steinbeck) territory: there's not a sour note to be seen here.

15 of 16 people found this review helpful.  Was this review helpful to you?

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