Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
An infamous terrorist has evaded capture for a long time by being extremely clever and ruthless. Things get interesting when he hijacks a plane carrying famous security expert John Cutter, who isn't about to stand this sort of thing. Written by
Murray Chapman <firstname.lastname@example.org>
"I have a feeling it's going to be a very interesting flight"
The tag; "Die Hard" on a plane is pretty much true when describing this uninspired Wesley Snipes action vehicle of the early nineties. A captive terrorist being transported on an aircraft by the FBI is violently freed by his associates and they take the plane hostage. However on board happens to be an airline security specialist who goes about making their life's hell. Durable direction along with Mark Irwin's crisp photography and exhilarating stunt-work (the opening chase sequence). While it might be systematic in its execution (exciting combat where characters get caught, escape, get caught and escape again), but a confident Snipes makes light work of the slight and clichéd material (where we get the usual character/s with a brooding past) to deliver cracking blows taking out the terrorists one-by-one and sharp-one liners ("Always bet on black"). Around this time Snipes had become somewhat of a household name and a Hollywood banker with movie fans. Churning out films like "White Men Can't Jump", "Boiling Point", "Rising Sun", "Demolition Man" and "Drop Zone". This entry might not make much of the dent in Snipes' portfolio, but for the undemanding just wanting some simple action moving at a brisk pace with some venomously psychotic villain performances (led by the exceptional Bruce Payne and an early part for Elizabeth Hurley) and fine support (Tom Sizemore and Ernie Lively). You can't go wrong with the consistently entertaining "Passenger 57".
"I never live in the past"
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