| Photos (See all 24 | slideshow) | Videos (see all 3) |
| John Malkovich | ... | Lennie Small | |
| Gary Sinise | ... | George Milton | |
| Ray Walston | ... | Candy | |
| Casey Siemaszko | ... | Curley | |
| Sherilyn Fenn | ... | Curley's Wife | |
| John Terry | ... | Slim | |
| Richard Riehle | ... | Carlson | |
| Alexis Arquette | ... | Whitt | |
| Joe Morton | ... | Crooks | |
| Noble Willingham | ... | The Boss | |
| Joe D'Angerio | ... | Jack | |
| Tuck Milligan | ... | Mike | |
| David Steen | ... | Tom | |
| Moira Sinise | ... | Girl in Red Dress (as Moira Harris) | |
| Mark Boone Junior | ... | Bus Driver | |
| rest of cast listed alphabetically: | |||
| Diane McGee | ... | Prostitute (uncredited) | |
| Donna Persico | ... | Prostitute (uncredited) | |
| Lori Romero | ... | Prostitute (uncredited) | |
Directed by | |||
| Gary Sinise | |||
Writing credits(WGA) | ||
| John Steinbeck | (novel "Of Mice and Men") | |
| Horton Foote | (screenplay) | |
Produced by | |||
| Alan C. Blomquist | .... | executive producer | |
| Gary Sinise | .... | producer | |
| Russell Smith | .... | producer (as Russ Smith) | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Kenneth MacMillan | |||
Film Editing by | |||
| Robert L. Sinise | |||
Casting by | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | |||
Production Design by | |||
| David Gropman | |||
Art Direction by | |||
| Dan Davis | |||
Set Decoration by | |||
| Joyce Anne Gilstrap | |||
| Karen Schulz Gropman | (as Karen Schulz) | ||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Fríða Aradóttir | .... | key makeup artist (as Frida Aradottir) | |
| Bonita DeHaven | .... | makeup artist | |
| Peggy Hannaman | .... | assistant hair stylist | |
| Ann Pala | .... | assistant makeup artist | |
| Tammy Ashmore | .... | makeup artist (uncredited) | |
Production Management | |||
| Alan C. Blomquist | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Cara Giallanza | .... | first assistant director | |
| Andrew Miller | .... | second second assistant director | |
| Michele Panelli-Venetis | .... | second assistant director | |
Art Department | |||
| Ron Ashmore | .... | paint foreman (as Ronald Ashmore) | |
| Patrick Cassidy | .... | leadman | |
| John Ceniceros | .... | set dresser | |
| David Elliott | .... | construction coordinator | |
| Mark 'Digger' Green | .... | assistant art director (as Mark Green) | |
| Terry Haskell | .... | property master | |
| Daniel Maltese | .... | assistant art director (as Dan Maltese) | |
| David McKlveen | .... | construction foreman | |
| Raymond Prado | .... | storyboard artist (as Ray Prado) | |
| Michael Shapiro | .... | set dresser (as Michael A. Shapiro) | |
| 'Polar Bear' Shaw | .... | leadman (as G. Stewart Shaw) | |
| Cheryl Tyre Smith | .... | set designer (as Cheryl T. Smith) | |
| Ward Welton | .... | head scenic artist (as Harry W. Welton) | |
| Chris Alvarez | .... | carpenter (uncredited) | |
| Charlotte Garnell-Scheide | .... | set dresser (uncredited) | |
| Allan Johnson | .... | propmaker (uncredited) | |
Sound Department | |||
| Lynn Bopeley | .... | boom operator | |
| David Brownlow | .... | production sound mixer | |
| Carlos Delarios | .... | sound re-recording mixer (as Carlos de Larios) | |
| Joel Fein | .... | sound re-recording mixer | |
| David Grannis | .... | foley editor (as David Granis) | |
| Gary A. Hecker | .... | foley mixer (as Gary Hecker) | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Pieter Hubbard | .... | sound editor | |
| Andy Kopetzky | .... | sound editor | |
| Jimmy Ling | .... | adr editor | |
| Rocky Moriana Jr. | .... | foley editor | |
| Christopher Moriana | .... | foley artist | |
| Bill Phillips | .... | supervising sound editor | |
| John Phillips | .... | supervising sound editor | |
| Hal Sanders | .... | sound editor | |
| Scott Shadden | .... | assistant sound effects | |
| Dan Sharp | .... | sound re-recordist | |
| Chris Todd | .... | sound editor (as Christopher Todd) | |
| Jeffrey Wilhoit | .... | foley artist (as Jeff Wilhoit) | |
| Tommy Goodwin | .... | adr mixer (uncredited) | |
| Tommy Goodwin | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Howard Jensen | .... | special effects | |
Stunts | |||
| Kenneth B. Belsky | .... | stunts | |
| Charlie Brewer | .... | stunts | |
| Charles Croughwell | .... | stunt coordinator | |
| Kerrie Cullen | .... | stunts | |
| Tony Jefferson | .... | stunts | |
| Steven Maines | .... | stunts (as Steven D. Maines) | |
| Spiro Razatos | .... | stunts | |
| Edward J. Ulrich | .... | stunt coordinator (as Edward Ulrich) | |
Casting Department | |||
| Greg Jackson | .... | casting assistant | |
| Robert J. Teitelbaum | .... | extras casting: L.A. Casting Express (as Robert Teitelbaum) | |
Costume and Wardrobe Department | |||
| Austin Myers | .... | assistant costume designer | |
| Marsha Perloff | .... | wardrobe supervisor | |
| Tim Wegman | .... | set costumer (as Timothy Wegman) | |
| Kathy Oberlin | .... | costume constructor (uncredited) | |
Editorial Department | |||
| Noreen Evans | .... | assistant editor | |
| Carla Christina Formica | .... | second assistant editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Daniel A. Valverde | .... | assistant editor (as Daniel Valverde) | |
Music Department | |||
| Thomas A. Carlson | .... | music editor (as Tom Carlson) | |
| Sharal Churchill | .... | music consultant | |
| Stephen Krause | .... | music mixer | |
| Stephen Krause | .... | music recordist | |
| Jackie Krost | .... | music consultant | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
Transportation Department | |||
| Wayne Nelson | .... | transportation coordinator | |
| Danny L. Swanson | .... | transportation captain (as Danny Swanson) | |
|
|
|
|
|
| Of Mice and Men | Of Mice and Men | They Shoot Horses, Don't They? | A Single Man | Bridge to Terabithia |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a masterful and faithful portrayal of Steinbeck's classic novel. The screenplay brings to life the tragic yet uplifting story of loyalty and the kind of bond that can grow between men that we are often reluctant to acknowledge, much less show.
Aside from the story, the cast is what really makes this film. I have always held a soft spot for Gary Sinise after his role in Forrest Gump, wherein his character portrayed another facet of the bonding between men made brothers by cruel circumstance, yet can grow and flourish as the years and other circumstances come to pass. Here, as Lenny's friend and protector against a world that baffles and confuses him, he shows the kind of rough-edged tenderness and affection that both endears us to his plight, and fills us with the dread of what we know must come between the men. John Malkovich shows his depth as an actor by bringing to life the dull-witted but pure-hearted Lenny, in a way that will tug at your heartstrings. I found myself both laughing (in a sad way) at Lenny's ineptness in dealing with a world clearly more confusing than his limited wits can manage, and crying over his being targeted for taunting and abuse by cruel and crude men, and ultimately done in by his brute strength when it was lacking the direction and temper given by his friend George.
A pleasant surprise was Ray Walston as the aged but gentle and good-hearted ranch hand Candy, who has no one in life to love but his old sheepdog, who, like him, he knows, must ultimately be "put down" because of age and the wear and tear that a life of hard labor has worn down. The scene of his finally surrendering his faithful canine companion to be euthanized by a gunshot to the back of the head by another well-meaning field hand is very heartbreaking. Having grown up with the "Uncle Martin" of "My Favorite Martian" Walston, seeing his adept performance in a dramatic role gave me a new appreciation for his versatility as a character actor.
Those who watch this film should allow plenty of time alone to view it straight through with no interruptions. Swallow your pride and keep a box of tissues handy, and some time afterwards for quiet contemplation and "recovery".