A musical based on the New York City newsboy strike of 1899. When young newspaper sellers are exploited beyond reason by their bosses they set out to enact change and are met by the ruthlessness of big business.
A new kid in town is taken under the wing of a young baseball prodigy and his team in this coming of age movie set in the summer of 1962. Together, they get themselves into many adventures involving rival teams, lifeguards, and a vicious dog.
Three brothers - Marshall, Marty and Mark dream of becoming naturalists and portraying animal life of America. One summer their dream comes true, they travel through America, filming ... See full summary »
Jonathan Taylor Thomas,
July, 1899: When Joseph Pulitzer and William Randolph Hearst raise the distribution price one-tenth of a cent per paper, ten cents per hundred, the newsboys, poor enough already, are outraged. Inspired by the strike put on by the trolley workers, Jack "Cowboy" Kelly (Christian Bale) organizes a newsboys' strike. With David Jacobs (David Moscow) as the brains of the new union, and Jack as the voice, the weak and oppressed found the strength to band together and challenge the powerful. Written by
Kaitlin Dwyer Rankins
Howard Ashman was originally going to write the song lyrics, but had to bow out due to AIDS-related complications. See more »
In the rally scene, there is a brightly lit EXIT sign in the background. See more »
There's a lot of people out there, and they ain't just gonna go away. They got voices now and they're goin' to be listened to. Putting them in jail is not going to stop them. That's the power of the press, Joe. So thanks for teaching me about it.
Those kids put out a pretty good paper there, Chief.
I ordered a printing ban on all strike matters. Now, who defied me? Whose press did you use to print this on? Whose?
Well, we only use the best, Joe. So, I just want to say... thanks again.
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During the closing credits, the names of the cast are divided in three groups billed as such: The Newsies, Friends of the Newsies and The Opposing Forces. See more »
Waaaaaaaaaaaay back in the early 1990's, when Jeffrey Katzenberg was still a top exec at Disney, he had one of his less successful ideas -- to bring back the break-into-song musical. So, as the story goes, he selected three scripts that were about to go into production and gave them to Disney Music Maestro Alan Menken and asked him which of the scripts could be turned into a musical.
And that's how NEWSIES was born.
It's a great story, too, being a fictionalized account of the newsboy strike in New York at the turn of the century. It follows the exploits of a ragtag band of teenage boys, including Cowboy (Christian Bale), who dreams of becoming a ranch hand in Santa Fe, and David & Les (David Moscow & Luke Edwards), brothers who take up selling newspapers when their father is injured on the job.
Conflict arises when Joseph Pulitzer (Robert Duval) gets greedy and raises the price of his newspapers to the newsboys, but not to the public. The outraged "newsies" decide to go on strike, which eventually galvanizes all the working children in the city to stand up for themselves.
It's a fun film, with Duval playing his villain to the hilt, but Ann-Margret is wasted in her role as a showgirl (both of her musical numbers are badly edited down to just snippets of song). Bale is the real wonder here, though, singing and dancing with surprising aplomb. The songs overall are quite good, but a couple of them are hard to distinguish from each other. My favorites are the opening number, "Carrying the Banner," and the rousing "The World Will Know." It seems odd, though, that Duval doesn't get a musical number of his own, considering in Disney's animated musicals the villains usually get the best songs ("Poor Unfortunate Souls" or "Be Prepared" anyone?).
It's a shame that the film didn't do better financially, since as a result of its dismal box office Disney declined to ever make another like it. First time director Kenny Ortega, who also choreographed (he was known for his choreography of DIRTY DANCING), directed one more feature after this, the underrated Bette Midler flick HOCUS POCUS; since that film also failed to find an audience, he hasn't directed a movie since. And that's a shame; he has a very distinctive kinetic style that served both films well.
Seek out a copy of NEWSIES, and go for the widescreen version. You won't be disappointed!
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