Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Bill Gambini and Stanley Rothenstein are two friends from New York University who just received scholarships to UCLA. They decide to drive through the South. Once they arrive in Alabama, they stop at a local convenience store to pick up a few snacks. But, no sooner than they leave the store, they are arrested. They had thought that they were arrested for shoplifting, but they were arrested for murder and robbery. Worse, they are facing execution for this crime. Bill and Stan do not have enough money for a lawyer, so the good news is that Bill has a lawyer in his family, his cousin, Vincent Laguardia Gambini. The bad news is that Vinny is an inexperienced lawyer who has not been at a trial. So, Vinny has to defend his clients and battle an uncompromising judge, some tough locals, and even his fiancée, Mona Lisa Vito, who just does not know when to shut up, to prove his clients' innocence. But he will soon realize that he is going to need help. Written by
Joe Pesci reprised his character for his 1998 album "Vincent LaGuardia Gambini Sings Just for You". See more »
When Vinnie has his final confrontation with J.T. in front of the store, He takes a flying leap through the air as he swings with his fist. As they both come to a landing, we can see them "bounce", indicating that they hit the stunt mattress. See more »
At my cousin Ruthie's wedding, the groom's brother was that guy Alakazam. You know who I'm talking about?
The magician with the ponytail?
Right. Well, he did his act, and every time he made something disappear, Vinny jumped on him. I mean, he nailed him! It was like, "it's in his pocket", or "he's palming it", you know? Or, "there's a mirror under the table." I mean, he was like, he was like, "wait a second, wait a second, it's joined in the middle, and there's a spring around it, it pops it ...
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This was the best way for Joe Pesci to follow up GOODFELLAS and JFK. Those two were ultra-serious roles for him and to forray into comedy was perfect. It was a perfect role, perfect timing and a perfect opportunity to show people that he could play something other than the heavy or the bad guy. MY COUSIN VINNY is really just a distant cousin of his character in Goodfellas anyway. Just imagine one of the guys in Goodfellas that didn't want to follow in the footsteps of the rest of the gangsters and this is him. Vinny is a foul mouthed, sometime violent, insecure but smart man. He went to law school but took six attempts before he passed the bar. They are definitely similar characters. The difference is that Goodfellas was a serious film with a funny side and My Cousin Vinny is an absolutely hilarious film with a somewhat serious side.
What makes the film work as well as it does, is many things. First of all you have the fish out of water scenario with Vinny and his fiancee Lisa, wearing leather jackets and cowboy boots down in the south where it seems everyone is wearing overalls and they hang out in establishments where their best selling feature is chicken and pool.
You also have a great supporting cast that features Lane Smith as a very animated D.A. that has to hammer home every point to his jury like they were morons. He says the word "truth" is a word that comes down from England where all of our ancestors come, and looking at him incredulously is some of the black jury members. Fred Gwynne supplies some of the best comedy for the film with his constant badgering of Vinny. Everything from his suit, to his enunciation of words like "youts", to his court room impropriety to his just plain dislike of him. Gwynne and Pesci are so opposite as people. Gwynne being a giant of a man with a southern drawl and a long, virile face while Pesci is a short man with a distinct New Yawk slur and a pudgy, baby looking face. They are complete opposites and much of the hilarity comes from their inability to see eye to eye on many things.
It also has to said that Marisa Tomei is brilliant in this film. There are people out there that try to demean her Oscar triumph that year because the favourite did not win like anticipated. But her performance here is nothing short of Oscar worthy. She is a gifted actress and her comedic timing in this film is bang on, or as she would say, " dead on balls accurate. "
This is one of the funnier films to come out in the 90's and it is well worth seeing again.
9 out of 10
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