Mickey Gordon is a basketball referee who travels to France to bury his father. Ellen Andrews, an American living in Paris, works for the airline Mickey flies on. They meet and fall in love... See full summary »
When he flunks out of med school, Jerome Littlefield goes to work as an orderly in a private rest home where he wreaks havoc for everyone concerned. Dr. Jean Howard is the exasperated head ... See full summary »
In the boring desert of New Mexico, a single mother raises her two teenage daughters, Shade and Trudi, whose deepest desire is to leave the dead calm town. Shade is the type to escape in ... See full summary »
Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself. Written by
Michael Silva <firstname.lastname@example.org>
When Buddy is talking with Elaine at the gazebo the first night he meets her, the boom mic is visible just before the ferry boat passes by, and again after she asks him if his brother brings a girl to him after every show. See more »
Buddy Young, Jr.:
For me, my family was like, uh, Dances With Jews. Oh sure, we had names for our relatives like they had in that movie.
What do you mean?
Buddy Young, Jr.:
Well, we had "Eats With His Hands," "Spits When He Talks," "Makes Noise When He Bends," "Sweats Like a Pig," "Whines In a Cab," "Never Buys Retail," "Shaves His Back."
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Billy Crystal co-wrote, produced, directed and stars in this sentiment-laden Neil Simon knock-off about a Jewish comedian in the late 1950's who becomes a television staple in the '60's, and an aged grouch in the present day. David Paymer tries hard in the doormat role of Crystal's put-upon older brother, but he and Crystal spend too much time in hokey old age make-up, bickering back and forth like in a road company version of "The Sunshine Boys". The movie looks good, with fine Don Peterman cinematography, but it attempts to combine nostalgia with stereotypical Jewish humor and half-hearted pathos--never cutting back on the insults and quips--for a static, unremarkable result. *1/2 from ****
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