A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing. Written by
BOB STEBBINS <firstname.lastname@example.org>
The Director Had A Vision. The Producers All Had Girlfriends.
Did You Know?
Evan Wright's opinions on the script regarding the lack of sex in Marvin's script was inspired by actual conversations that writer-director Barry Primus
had with producers while attempting to find a backer for the film. See more
The boom mike drops below the frame during the meeting with George and Peggy while Stuart mentions possible changes to the script. See more
You know, that script of yours has all the right elements. I mean it's got good characters and a terrific story. I don't know if you agree with me but I think story is the most important element of a script.
Well, yeah. I do agree. Story is very important.
You know, I liked it so much I re-read it last night after we talked. It was a real pleasure. I mean it's got great parts for actors. It's modern. It's timely. I mean, what the hell more could you ask for?
Well, thanks. I worked hard to get ...
References Terms of Endearment
Written by Galt MacDermot
, Gerome Ragni
and James Rado See more