Gordon Bombay is forced to withdraw from the minor hockey league with a knee injury. Much to his surprise, he is given the job of coach of Team USA Hockey for the Junior Goodwill Games in ... See full summary »
Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing, and soon he's ... See full summary »
Each year, three brothers Samuel, Jeffrey and Michael Douglas visits their Japanese grandfather, Mori Shintaro whom the boys affectionately refer to as Grandpa, for the summer. Mori is a ... See full summary »
Max Elliott Slade
Gordon Bombay, a hotshot lawyer, is haunted by memories of his childhood, when, as the star player in his champion hockey team, he lost the winning goal in a shootout, thereby losing the game, and the approval of his coach. After being charged for drunk driving, the court orders him to coach a peewee hockey team, the worst in the league, Gordon is at first very reluctant. However, he eventually gains the respect of the kids and teaches them how to win, gaining a sponsor on the way and giving the team the name of The Ducks. In the finals, they face Gordon's old team, coached by Gordon's old coach, giving Gordon a chance to face old ghosts. Written by
Liz Jordan <firstname.lastname@example.org>
The scene amid the ice sculptures was filmed during the St Paul Winter Carnival, in Rice Park where the ice sculpture contest occurs. It was originally planned for the ice palace that had been built by the Mississippi for the carnival, but an unseasonably warm January was melting the palace, making it unsafe to film inside. See more »
In the scene where the players shoot at Goldberg One of the players has a remaining puck however in the next shot the puck is gone. See more »
[the team leaves him tied to the net]
Hey, guys! Excuse me, guys, you gotta untie me now! Ha ha! Good joke. Very funny. I like it. No joke, c'mon, guys.
[starts skating with the net still attached]
Hey, coach! Coach, c'mon, don't leave me hanging like this! Coach, don't make me come after you, coach!
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In the closing Credits, Joshua Jackson's character 'Charlie Conway' is misspelled and listed as "Charlie Conroy" See more »
I really like this movie out of the three Ducks movies because to me, this is the only one that feels like a genuine movie to me. A movie that was made from the heart. The reasons for it? There are two of them that stick out to me.
Gordon Bombay goes through one hell of a transformation. He goes from a drunk lawyer to reconnecting with his old love and facing a demon that has haunted him up to now. Even the introduction scene carries an ominous feeling. The goalie facing the young Bombay looks more like a menacing monster; as well as it should be since it represents a horrible memory for the man. I remember being scared of that scene as a child, just cause the goalie looked so scary.
His character's transformation over the movie is the heart of this film. It's a protagonist who has a REAL arc - beginning, middle, and end. It's all carried out with such poignancy as well. Emilio Estevez does great acting.
The child actors do a good job. I mean, they're KIDS, and this is a kid movie...but they pull it off nicely. The kids who play Charlie, Fulton, Jesse, and Banks especially. They make you take their characters seriously, which is different from a normal kids movie.
The kiddy parts don't make me cringe, but make me smile. I guess because it's not overdone.
Sorry to say, but the other two movies to me relied too much on either hockey action or gimmicks (although I DID like D3's grittier hockey action and more serious story with Charlie). They didn't have the heartfelt story that this one did. It's all balanced out to entertain the little kids, but Gordon Bombay's arc is one for the adults.
I also miss the kids that would end up not being in the future movies. In D3, when Gordon says that the Ducks were unchanged since the beginning, I cringed. I guess I'm the type to cling to sentimental values like that.
This was the best movie out of the trilogy to me. That's because it felt like a REAL movie.
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