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Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| H.F. Saint | (book) | |
| Robert Collector | (screenplay) & | |
| Dana Olsen | (screenplay) and | |
| William Goldman | (screenplay) | |
Produced by | |||
| Bruce Bodner | .... | producer | |
| Dan Kolsrud | .... | producer | |
| Arnon Milchan | .... | executive producer | |
Original Music by | |||
| Shirley Walker | |||
Cinematography by | |||
| William A. Fraker | (director of photography) | ||
Film Editing by | |||
| Marion Rothman | |||
Casting by | |||
| Sharon Howard-Field | |||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| Bruce Crone | |||
Set Decoration by | |||
| Rick Simpson | |||
Costume Design by | |||
| Joe I. Tompkins | |||
Makeup Department | |||
| Lee Harman | .... | makeup artist | |
| John Isaacs | .... | hair stylist | |
| Cheri Ruff | .... | hair stylist | |
| Rick Sharp | .... | makeup artist | |
Production Management | |||
| Art Seidel | .... | unit production manager (as Arthur Seidel) | |
Special Effects by | |||
| Larz Anderson | .... | special effects | |
| Albert Delgado | .... | special effects foreman | |
| Ken Pepiot | .... | special effects coordinator | |
| Gintar Repecka | .... | special effects | |
| Wayne Rose | .... | special effects | |
| Daniel Sudick | .... | special effects (as Dan Sudick) | |
| A.J. Thrasher | .... | special effects | |
Visual Effects by | |||
| Sandra Almond | .... | visual effects assistant (as Sandra Almond Williams) | |
| Scott E. Anderson | .... | computer graphics animator | |
| Brett Bentley | .... | computer graphics | |
| Barbara Brennan | .... | digital effects artist | |
| Jill Brooks | .... | digital/scanning | |
| Shannon Cassedy | .... | engineering services | |
| Camille Cellucci | .... | visual effects and plate coordinator | |
| Robert Cooper | .... | action property performer (as Bob Cooper) | |
| Jay Cotton | .... | effects animator | |
| Jim Danforth | .... | matte supervisor | |
| Timothy Eaton | .... | visual effects editor (as Tim Eaton) | |
| Vicki L. Engel | .... | visual effects assistant | |
| Christopher Evans | .... | matte painting artist (as Chris Evans) | |
| Robert Finley Jr. | .... | stage technician (as Bob Finley Jr.) | |
| Ron Fode | .... | visual effects editor | |
| Jack Gallagher | .... | plate photography coordinator: ILM | |
| Steve Gawley | .... | chief model maker | |
| Ray Gilberti | .... | visual effects camera operator | |
| Chris Goehe | .... | chief model maker | |
| James M. Goodman | .... | digital/scanning | |
| Ned Gorman | .... | visual effects producer | |
| Gregory Gorsiski | .... | digital effects artist | |
| Chris R. Green | .... | effects animator (as Chris Green) | |
| Steve Grumette | .... | computer effects supervisor | |
| James Hagedorn | .... | digital effects artist (as Jim Hagedorn) | |
| Sandy Houston | .... | rotoscope artist | |
| Benton Jew | .... | conceptual effects designer | |
| Keith Johnson | .... | optical camera operator | |
| Bill Kimberlin | .... | chief visual effects editor | |
| Laurel Klick | .... | digital effects artist | |
| Ken Koblenzer | .... | assistant camera: visual effects unit | |
| Tad Krzanowski | .... | modelshop project supervisor | |
| Jennifer Lee | .... | optical line-up: ILM | |
| James Lim | .... | optical camera operator | |
| Mike MacKenzie | .... | engineering services | |
| Greg Maloney | .... | digital effects artist | |
| Dan Michalske | .... | stage technician: visual effects unit | |
| Dennis Michelson | .... | visual effects production liaison | |
| Carl Miller | .... | assistant camera: visual effects unit | |
| Craig Mohagen | .... | stage technician: visual effects unit | |
| Terry Molatore | .... | rotoscope artist | |
| Susan Montgomery | .... | production accountant: visual effects unit | |
| Mark Moore | .... | visual effects art director | |
| Ellen Mueller | .... | rotoscope supervisor | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Michael Olague | .... | chief stage technician | |
| Joshua Pines | .... | digital/scanning | |
| Chuck Ray | .... | stage technician: visual effects unit | |
| Steve Reding | .... | photographer: visual effects camera | |
| Christopher Reed | .... | chief model maker (as Chris Reed) | |
| Stuart Robertson | .... | digital effects supervisor: ILM | |
| Stephen Rosenbaum | .... | computer graphics animator | |
| Martin Rosenberg | .... | key visual effects camera operator (as Marty Rosenberg) | |
| Thomas Rosseter | .... | optical line-up | |
| Michael Santy | .... | assistant camera: visual effects unit | |
| Kenneth Smith | .... | optical camera operator | |
| Thomas J. Smith | .... | digital effects artist (as Tom Smith) | |
| Douglas Smythe | .... | computer graphics supervisor (as Doug Smythe) | |
| Wes Takahashi | .... | animation supervisor (as Wes Ford Takahashi) | |
| Kristen Trattner | .... | optical line-up | |
| Bruce Vecchitto | .... | optical photography supervisor | |
| Harry Walton | .... | stop motion animator: ILM | |
| Doug Zeffer | .... | computer graphics | |
| Jim Danforth | .... | matte artist (uncredited) | |
| Jim Danforth | .... | matte photographer (uncredited) | |
| John Graves | .... | visual effects (uncredited) | |
| Michael F. Hoover | .... | miniature artist (uncredited) | |
| Al Magliochetti | .... | visual effects (uncredited) | |
| Ted Rae | .... | matte plate photography (uncredited) | |
Stunts | |||
| Simone Boisseree | .... | stunts | |
| Brad Bovee | .... | stunts | |
| Troy Brown | .... | stunts | |
| Kurt Bryant | .... | stunts | |
| Kerrie Cullen | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnaw) | |
| Shane Dixon | .... | stunts | |
| Cheryl Wheeler Duncan | .... | stunts (as Cheryl Wheeler-Dixon) | |
| James M. Halty | .... | stunts (as James Halty) | |
| Jeff Imada | .... | stunt coordinator | |
| Henry Kingi | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Chuck Picerni Jr. | .... | stunts | |
| Louis J. Ramirez IV | .... | stunts | |
| Chad Randall | .... | stunts | |
| John Robotham | .... | stunts | |
| Danny Rogers | .... | stunts (as Dan Rogers) | |
| Thomas Rosales Jr. | .... | stunts | |
| Bill Saito | .... | stunts | |
| Jeff Smolek | .... | stunts | |
| Cris Thomas-Palomino | .... | stunts | |
| Dick Ziker | .... | stunts | |
Camera and Electrical Department | |||
| Gerald H. Boatright | .... | chief lighting technician (as Jerry Boatright) | |
| Ted Chu | .... | assistant camera: "b" camera | |
| David E. Diano | .... | camera operator (as David Diano) | |
| Howard Hagadorn | .... | second grip | |
| Marlin Hall | .... | key grip (as Marlin E. Hall) | |
| John Lubin | .... | second grip | |
| Nick Papanickolas | .... | dolly grip | |
| Ron Phillips | .... | still photographer | |
| Lex Rawlins | .... | first assistant camera | |
| Alex Rodriguez | .... | assistant chief lighting technician | |
| Tim Roe | .... | second assistant camera | |
| Richard Turner | .... | camera operator: "b" camera | |
| Michael 'Dutch' Van Woert | .... | rigging gaffer | |
| Don Yamasaki | .... | assistant chief lighting technician | |
| Adam Glick | .... | set lighting technician (uncredited) | |
| Randy Nolen | .... | Steadicam operator (uncredited) | |
| Ted Rae | .... | photographer: second unit (uncredited) | |
Casting Department | |||
| Susan Peck | .... | casting associate | |
| Nancy Hayes | .... | extras casting: San Francisco (uncredited) | |
Costume and Wardrobe Department | |||
| Adrianna Bernard | .... | costumer: women | |
| Roberto Carneiro | .... | costume supervisor (as Roberto M. Carneiro) | |
| Steve Ellsworth | .... | costumer: men | |
| Kathy Monderine | .... | costume supervisor (as Kathy Moderine) | |
| Anne Polland | .... | costumer: women | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Ray Martin | .... | color timer | |
| Reine-Claire | .... | assistant editor | |
| Saul Saladow | .... | assistant editor | |
Music Department | |||
| Thomas Milano | .... | music editor | |
| Robert Fernandez | .... | scoring mixer (uncredited) | |
| Larry Rench | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Keith Dillin | .... | transportation coordinator | |
| Randy Luna | .... | transportation captain | |
| Larry Stelling | .... | picture car coordinator (uncredited) | |
Other crew | |||
| James Bakeman | .... | first aid | |
| Lisa Blok-Linson | .... | location manager: Los Angeles | |
| Paul A. Calabria | .... | animal trainer (as Paul Calabria) | |
| Loraine Coutin | .... | assistant: Mr. Carpenter | |
| James Deeth | .... | helicopter pilot (as Jim Deeth) | |
| Dan Gorman | .... | assistant location manager | |
| Larry K. Johnson | .... | script supervisor | |
| Angela Kaye | .... | assistant: Mr. Chase | |
| Jeff Kloss | .... | assistant accountant | |
| John Labib | .... | office assistant | |
| John Lehane | .... | location manager: San Francisco | |
| Steve M. Miliotti | .... | craft service | |
| Seth Miller | .... | production runner | |
| Lana Morgan | .... | assistant: Ms. Hannah (as Lana Opp Morgan) | |
| Anne S. Reilly | .... | unit publicist (as Anne Reilly) | |
| Jay Roberts | .... | assistant accountant | |
| Scott Rosencrans | .... | production runner | |
| Julie Shaw | .... | office assistant | |
| Karen Shaw | .... | production coordinator | |
| Joan Wellman | .... | assistant production secretary | |
| Thomas Bianco | .... | assistant accountant (uncredited) | |
| Bill Daly | .... | post-production accountant manager (uncredited) | |
| Gabe de Kelaita | .... | set production assistant (uncredited) | |
| Tom Lent | .... | adr voice (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I've seen this movie a couple of times, and I like to watch it ever since I saw it the first time when its on TV. The plot is moderately original, the settings are good, and on top of all, we see great acting from all three leads: Sam Neill, Daryl Hannah and - to my surprise - Chevy Chase. My main memories about him the time I saw the movie for the first time was him sitting behind the wheel of an estate car, playing is undoubtedly most famous Clark Griswold character, which I really do not like. The more astonishing that it just takes a darker setting, some good co-actors, and the fact that he is visible only about half the time of the movie, and there you go, some fantastic Chevy Chase acting over there. He played his character very authentic, although maybe a little too cool later on during the movie. Maybe this movie cannot hold up to more popular Hollywood movies of its time, but it is a quite decent story with good acting and some very nice ideas. 7 outta 10, with a +1 star understatement bonus.